Download Free Behind The Boards Nashville Book in PDF and EPUB Free Download. You can read online Behind The Boards Nashville and write the review.

(Music Pro Guide Books & DVDs). The term "soundtrack of our lives" is one commonly tossed around by artists, fans, critics, and historians in discussing rock 'n' roll's timeless hits, spanning every subgenre, from pop to hard rock, heavy metal to new wave. In the pages of Behind the Boards: The Making of Rock 'n' Roll's Greatest Records Revealed , the first definitive rock record-producers' anthology of its kind, readers are taken inside the studio, into the creation of the generations of classic records that collectively make up that soundtrack of our lives. The book appeals to both fans and academic audiences interested in the art of sound recording/record producing, providing a rich demographic spread of potential niche and mainstream markets. This is the first definitive record-producers' anthology to cross every one of rock's subgenres, featuring intimate, first-hand accounts of how the making of many of rock 'n' roll's greatest hits were created, via exclusive interviews with the producers who recorded them. Some of the songs discussed are "Every Breath You Take" by the Police, "Comfortably Numb" by Pink Floyd, "In the Air Tonight" by Phil Collins, "Smells like Teen Spirit" by Nirvana, "Beautiful Day" by U2, "One" by Metallica, "You Shook Me All Night Long" by AC/DC, "Sabotage" by the Beastie Boys, "Jane Says" by Jane's Addiction, "Sledge Hammer" by Peter Gabriel, and "Sweet Emotion" by Aerosmith, among countless others by legends like Bob Dylan, the Rolling Stones, Kiss, Led Zeppelin, Bob Marley, the Red Hot Chili Peppers, Soundgarden, the Pixies, The Who, Jimi Hendrix, Journey, Judas Priest, Motley Crue, Sting, Tom Waits, Smashing Pumpkins, Pink, John Mellencamp, the Black Crowes, New Order, Ministry, Fleetwood Mac, Foreigner, and many more.
You've heard them on the radio, listened to them on repeat for days, and sang along at the top of your lungs—but have you ever wondered about the real stories behind all your favorite country songs? Nashville Songwriter gives readers the first completely authorized collection of the true stories that inspired hits by the biggest multi-platinum country superstars of the last half century—recounted by the songwriters themselves. Award-winning music biographer Jake Brown gives readers an unprecedented, intimate glimpse inside the world of country music songwriting. Featuring exclusive commentary from country superstars and chapter-length interviews with today's biggest hit-writers on Music Row, this book chronicles the stories behind smash hits such as: Willie Nelson's "Always on My Mind" Tim McGraw's "Live Like You Were Dying," "Southern Voice," and "Real Good Man" George Jones's "Tennessee Whiskey" Carrie Underwood's "Jesus Take the Wheel" and "Cowboy Casanova" Brooks & Dunn's "Ain't Nothing 'Bout You" Lady Antebellum's "We Owned the Night" and "Just a Kiss" Brad Paisley's "Mud on the Tires," "We Danced," and "I'm Still a Guy" Luke Bryan's "Play It Again," "Crash My Party," and "That's My Kind of Night" The Oak Ridge Boys's "American Made" George Strait's "Ocean Front Property" and "The Best Day," Rascal Flatts's "Fast Cars and Freedom," and "Take Me There" Kenny Chesney's "Living in Fast Forward" and "When the Sun Goes Down" Ricochet's "Daddy's Money" Montgomery Gentry's "If You Ever Stop Loving Me" The Crickets's "I Fought the Law" Tom T. Hall's "A Week in a County Jail" and "That Song Is Driving Me Crazy" Trace Adkins's "You're Gonna Miss This" David Lee Murphy's "Dust on the Bottle" Jason Aldean's "Big Green Tractor" and "Fly Over States" And many more top country hits over the past 40 years!
Part intimate profile, part detailed discography, this music compilation explores the life and work of Tori Amos, one of the most prolific alternative rock artists of the past few decades. Known for her piano-driven music and emotional, intense lyrics that delve into such topics as sexuality, religion, and personal tragedy, Amos has sold more than 12 million albums worldwide. The artistic process behind the creation of these albums is revealed through exclusive interviews with people who worked alongside her in the studioone of her producers, sound engineers, and backing band membersand included is an analysis of her choice to break away from the traditional rules of the recording industry and forge her own path and musical identity. From her days as a young piano prodigy and her first band to her many years as a solo artist and her extensive touring and recording, the in-depth research into the personal influence behind Amoss music complements the chronicle of her professional career.
While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.
Jane’s Addiction’s instantly-legendary catalog of albums spawned a generational movement that would change the face of rock n’ roll forever, giving way to mainstream alternative rock in the 1990s. Now, for the first time fans are taken behind the scenes and quite literally into the studio for V.I.P. access inside the writing and recording of the legendary classics Jane Says, Coming Down the Mountain, Three Days, Been Caught Stealing, Stop, and a host of other songs. Chronicled via exclusive interviews with lead producer Dave Jerden, engineer Ronnie S. Champagne, legendary Pink Floyd producer Bob Ezrin, as well as early players in discovering the band, including former Triple X Records A&R head Charlie Brown, and members of Perry Farrell’s first L.A. band PSI COM (where the sonic foundations of Jane’s experimental sound were first discovered/fine-tuned), this is by far the most definitive study of Jane’s Addiction’s legendary musical legacy. Now in the pages of ‘Jane’s Addiction: in the Studio,’ fans get the first and only definitive look inside the making of Jane's Addiction's legendary, genre-altering catalog of hits!
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
Iron Maiden are without one of heavy metal's most successful indie bands. From their first album in 1980 they have led the way in the New Wave of British Heavy Metal with Billboard pointing out they have 'always been an underground attraction'. Though other pioneering peers like Metallica have been around on the scene just as long provided their own innovations metal and advanced the genre to a mainstream level, it was Iron Maiden who have been the fans' favourites. Their crossover to chart success showed many bands how it could be done. They were key in getting heavy metal to be accepted as a credible genre. With an impressive catalogue of 15 studio albums spread over 20 years including Iron Maiden (1980), The Number of the Beast (1982), Seventh Son of a Seventh Son and The Final Frontier (2010), their influence speaks for itself. For the first time ever, the writing and recording of such iconic hits as 'The Number of the Beast', 'Flight of Icarus', 'Two Minutes to Midnight', 'Wasted Years', 'Can I Play with Madness' and 'Hallowed Be Thy Name' are explored in-depth. This book takes you into the studio with a band who show no sign of slowing down and whose influence can still be heard in a thousand metal bands today.
Beyond his work as a musician, Jon Langford has attracted attention as a visual artist in recent years. Nashville Radio is the first collection of his art. It reproduces 215 paintings, as well as song lyrics and autobiographical writings. The book includes a CD of Langford performing 18 of the printed songs. Langford's "song-paintings" fuse portraiture with imagery derived from folk art, Dutch still life, classic Western wear, and the cold, cold war--all instilled with his trademark sardonic wit. He applies this distinctive style to the depiction of American musical icons like Bob Wills, Hank Williams, and Johnny Cash, but also to more ghostly, marginal figures--blindfolded cowboys, astronauts, and dancers--who are jerked around by success and exploitation, fame and neglect. Underlying his work is a deep love of musical lore, twinned with fierce opposition to the death-dealing tendencies in the culture of his adopted homeland, from the killing off of authentic popular music by mass-marketed drivel to the embrace of capital punishment as a response to social ills. Langford's work offers an alternative perspective, recalling "a time when great visionaries and pioneers thrived at the heart of the mainstream--and the lid wasn't on so tight."
Among Nashville's many slogans, the one that best reflects its emphasis on manners and decorum is the Nashville Way, a phrase coined by boosters to tout what they viewed as the city's amicable race relations. Benjamin Houston offers the first scholarly book on the history of civil rights in Nashville, providing new insights and critiques of this moderate progressivism for which the city has long been credited. Civil rights leaders such as John Lewis, James Bevel, Diane Nash, and James Lawson who came into their own in Nashville were devoted to nonviolent direct action, or what Houston calls the “black Nashville Way.” Through the dramatic story of Nashville's 1960 lunch counter sit-ins, Houston shows how these activists used nonviolence to disrupt the coercive script of day-to-day race relations. Nonviolence brought the threat of its opposite—white violence—into stark contrast, revealing that the Nashville Way was actually built on a complex relationship between etiquette and brute force. Houston goes on to detail how racial etiquette forged in the era of Jim Crow was updated in the civil rights era. Combined with this updated racial etiquette, deeper structural forces of politics and urban renewal dictate racial realities to this day. In The Nashville Way, Houston shows that white power was surprisingly adaptable. But the black Nashville Way also proved resilient as it was embraced by thousands of activists who continued to fight battles over schools, highway construction, and economic justice even after most Americans shifted their focus to southern hotspots like Birmingham and Memphis.
"Have a Little Faith is not merely a fan's notes; this is a riveting book that tells the stories of one of our greatest roots musicians and the tenacity that's grown out of his enduring passion for music." — No Depression A journey through an artist's quest for success, deep dive into substance abuse, family tragedy, and ultimate triumph By the mid-1980s, singer-songwriter John Hiatt had been dropped from three record labels, burned through two marriages, and had fallen deep into substance abuse. It took a stint in rehab and a new marriage to inspire him, then a producer and an A&R man to have a little faith. By February 1987, he was back in the studio on a shoestring budget with a hand-picked supergroup consisting of Ry Cooder on guitar, Nick Lowe on bass, and Jim Keltner on drums, recording what would become his masterpiece, Bring the Family. Based on author Michael Elliott's multiple extensive and deeply personal interviews with Hiatt as well as his collaborators and contemporaries, including Rosanne Cash, Bonnie Raitt, Ry Cooder, and many others, Have a Little Faithis the journey through the musical landscape of the 1960s through today that places Hiatt's long career in context with the glossy pop, college-alternative, mainstream country, and heartland rock of the last half-century. Hiatt's life both pre- and post-Family will be revealed, as well as the music loved by critics, fellow musicians, and fans alike.