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A desire to withdraw to the wild leads to renovating an abandoned sheepherder's cabin and an understanding of the human history and natural environment.
"This book is about adventures in nature, primarily in the mountains, and about how wildness touches the very depth of our being. The experiences I relive in this book occurred principally in the mountains of New Mexico and bordering wild areas of Colorado, but also in the Rocky Mountains of Wyoming and Montana, as well as Washington in the Pacific Northwest. Most of the events happened as I was walking, hiking, camping, and backpacking"--Pref.
Dr. Martha tells the fascinating story of Martha Hughes Cannon, the first woman elected to the Utah state senate—in 1896. She was a polygamist wife, a practicing physician, and an astute and pioneering politician. In compelling prose, author Mari Graña traces Cannon’s life from her birth in Wales to her emigration to Utah with her family in 1861, her career as a physician, her marriage, her exile in England, her subsequent return, and her election to the Utah state senate. Her husband was the Republican candidate she, a Democrat, defeated in that historic election.
A riveting look at an untold chapter of Western history, this book tells the story of Martha Hughes Cannon, the first woman elected to the state senate in Utah—in 1896. She was a polygamist wife, a practicing physician, and an astute and pioneering politician. Pioneer, Polygamist, Politician traces her life from her birth in Wales to her emigration to Utah with her family in 1861, her career as a physician, her marriage, her exile in England, and her subsequent return and her election to the Utah state senate. Cannon was a Democrat—and her husband was the Republican candidate she defeated in that historic election.
There has been a dramatic increase in the amount of narrative work published by Chicana and Latina authors in the past 5 to 10 years. Nonetheless, there has been little attempt to catalog this material. This reference provides convenient access to all forms of narrative written by Chicana and Latina authors from the early 1940s through 2002. In doing so, it helps users locate these works and surveys the growth of this vast body of literature. The volume cites more than 2,750 short stories, novels, novel excerpts, and autobiographies written by some 600 Mexican American, Puerto Rican, Cuban American, Dominican American, and Nuyorican women authors. These citations are grouped in five indexes: an author/title index, title/author index, anthology index, novel index, and autobiography index. Short annotations are provided for the anthologies, novels, and autobiographies. Thus the user who knows the title of a work can discover the author, the other works the author has written, and the anthologies in which the author's shorter pieces have been reprinted, along with information about particular works.
In 1951, when Sister of Charity Mary Joaquin Bitler was called to Santa Fe, New Mexico to be the Supervisor of Nursing at Santa Fe's antiquated St. Vincent Hospital, she remarked that the 1910 Catholic hospital was surviving on "nerve and hope." Later, as Administrator (1960 - 1976), she was lauded locally and nationally for her achievements in health care and for bringing that care to the poor of New Mexico. Considered by many a brilliant businesswoman, she turned St. Vincent's into a state-of-the art facility in its time, managed by a community corporation. Sister Mary Joaquin's story tells of a very complex personality. A tough hospital administrator, she had many admirers as well as some enemies; a devout nun, she drew strength from her religion to open her heart to the poor and the sick, while she herself suffered a chronic and debilitating illness. In 1977, after succeeding in her goal to build Santa Fe a new and greatly expanded community-owned hospital, Sister Joaquin retreated to a life of contemplation and prayer in a little hermitage in central Mexico. Appalled by the poverty and sickness around her-the distended stomachs of hungry children, the heart-breaking number of infant deaths from dysentery and other parasitic diseases-she opened a small clinic in her hermitage to treat the villagers, most of whom had never seen a doctor or had any access to health care. Her last years were spent living as a hermit in New Mexico's Christ in the Desert Benedictine Monastery until her death in 2003. "Charity's Sister" is a book that will appeal to students of medicine, Southwest history and women's history, as well as being a testament to one woman's profound strength of will, to one who always sought divine guidance in dealing with adversities in her own life and in the many lives she touched. Mari Gra a has published books on New Mexico history and on western women in medicine. Her memoir, "Begoso Cabin," won the Willa Cather Award from Women Writing the West for best memoir of 2000, and the biography of her physician grandmother, "Pioneer Doctor," was a finalist for the same award in 2006. "Charity's Sister" is the third in a series on women in medicine. She lives in Santa Fe, New Mexico.
This remarkable book joins the company of "self–work," deep acts of memory that serve to illuminate the present by shining the clear light of careful regard on the past. The book finds company in the work of D J Waldie's Holy Land, Didion's Slouching Towards Bethlehem, and the profound My Struggle by Karl Ove Knausgaard. In 1996 Neal Snidow found himself at a personal impasse as he and his wife struggled in vain to have a child. Locked in sadness at their predicament, in mid–career as a college teacher and unpublished writer, and at the first daunting steps of open adoption, as a kind of solace Neal began taking black and white photos of his old neighborhood in southern California. The film was slow, the camera on a tripod, the process awkward, and the goal no more than Garry Winogrand's famous dictum that he made pictures "to find out what something will look like photographed." But as this process unfolded and the images began to accumulate, slowly but surely the pictures unlocked the past, and he began to delve into family history, opening out the secret and the unspoken and evoking the lost pleasures and losses of the beach town where he had grown up. The chapters that followed, like the photos that now accompanied them, were quietly observant of an ordinary surface around which gathered an aura of struggle, gaiety and loss. He titled the book Vista Del Mar, for the street that ran past his old apartment to the edge of the Pacific, and gave it the subtitle a memoir of the ordinary in testimony to the everydayness of the experiences he explored. The chapters move back and forth in time and place, to Virginia, to a homestead in Wyoming, to depression–era Nebraska, to the Second World War. Aunts, uncles, ancestors, beach denizens, characters of film noir, and finally a miraculous new baby, all populate the pages which despite the struggles they relate conclude on a major chord of reconciliation and hope.
Book is clean and tight. No writing in text. Like New