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RapperBee - poems to give you a buzz is Harry Laing's new collection of poetry featuring Anne Ryan's brilliant and anarchic B&W illustrations.Children won't be able to resist the word-play and will love to read the poems out loud.
The buzz is big for Douglas Florian’s new poetry collection about the unBEElieveably unique lives of honeybees—and the vital role they play in our ecosystem. Come inside the honeycomb—a busy, buzzy, bee-filled home—and learn about the unexpected wonders of these tiny insects’ lifestyles, families, and communities. In fourteen funny, fact-filled honeybee poems and paintings, Douglas Florian explores the natural history of these often-unappreciated critters, revealing them to be a totally cool—and totally important—part of our ecosystem. Indeed, these buzzy bugs have been in the spotlight lately as wild bee populations are dwindling, honey prices are rising, and beekeeping has become a popular hobby.
Poems about the plant and insect world, designed to be read by two voices.
A unique anthology of poems--from around the world and through the ages--that celebrates the gloriously diverse insect world. Given that insects vastly outnumber us, it is no surprise that many cultures have long and rich traditions of verse about our tiny fellow creatures. Tang Dynasty poets in China and the haiku masters of Japan composed thousands of works in praise of crickets, grasshoppers, cicadas, moths, and butterflies, as well as such humbler bugs as houseflies, fleas, and mosquitoes. In the West, poems about insects date back to the ancient Greeks and appear frequently in Europe from the Elizabethan period onward. The brilliant poets collected here range far and wide in time and place, including Tu Fu, John Donne, Kobayashi Issa, William Wordsworth, Victor Hugo, Ivan Turgenev, Emily Dickinson, Christina Rossetti, Robert Frost, E. E. Cummings, Elizabeth Bishop, Ted Hughes, Pablo Neruda, Mary Oliver, Xi Chuan, and Kevin Young. Bees, butterflies, and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybugs and glowworms—the miniature beings that adorn these pages are as varied as the poetic talents that celebrate them. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
“Nye’s sheer joy in communicating, creativity, and caring shine through.”—Kirkus Reviews A moving and celebratory poetry collection from Young People’s Poet Laureate and National Book Award Finalist Naomi Shihab Nye. This resonant volume explores the similarities we share with the people around us—family, friends, and complete strangers. Honey. Beeswax. Pollinate. Hive. Colony. Work. Dance. Communicate. Industrious. Buzz. Sting. Cooperate. Where would we be without honeybees? Where would we be without one another? In eighty-two poems and paragraphs (including the renowned Gate A-4), Naomi Shihab Nye alights on the essentials of our time—our loved ones, our dense air, our wars, our memories, our planet—and leaves us feeling curiously sweeter and profoundly soothed. Includes an introduction by the poet.
Conversatio looks at the astounding practice of leading photographer Anne Noble, set against the issues of ecosystem collapse and climate change and examining what an artist can do in response. Its creative focus is on that most important insect, the European bee. Reminiscent of an artist book in its extensive visual content, its appeal is to a wide readership curious about art, ecology, science, literature and their intersections. Through Noble's art and newly commissioned essays, the book traverses Noble's deep interest in how humans relate to bees. From images of communities of bees to tintype photographs showing the beauty of translucent bee wings, photograms from the wings of dead bees and a black and white series of electron microscope images, Noble's photographs present the hive life of bees in rich detail. Like the finest honey this book is a treasure.
Facsimile of a dried plant album assembled by the young Emily Dickinson, with interpretive essays and catalog and index of plant specimens.
This collection gives sustained attention to the literary dimensions of children’s poetry from the eighteenth century to the present. While reasserting the importance of well-known voices, such as those of Isaac Watts, William Blake, Lewis Carroll, Christina Rossetti, A. A. Milne, and Carol Ann Duffy, the contributors also reflect on the aesthetic significance of landmark works by less frequently celebrated figures such as Richard Johnson, Ann and Jane Taylor, Cecil Frances Alexander and Michael Rosen. Scholarly treatment of children’s poetry has tended to focus on its publication history rather than to explore what comprises – and why we delight in – its idiosyncratic pleasures. And yet arguments about how and why poetic language might appeal to the child are embroiled in the history of children’s poetry, whether in Isaac Watts emphasising the didactic efficacy of “like sounds,” William Blake and the Taylor sisters revelling in the beauty of semantic ambiguity, or the authors of nonsense verse jettisoning sense to thrill their readers with the sheer music of poetry. Alive to the ways in which recent debates both echo and repudiate those conducted in earlier periods, The Aesthetics of Children’s Poetry investigates the stylistic and formal means through which children’s poetry, in theory and in practice, negotiates the complicated demands we have made of it through the ages.