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A compilation of urban fantasy tales by some of the genre's leading practitioners features works by Roberta Gellis, Dave Freer and Eric Flint, Diana Paxson, Mercedes Lackey, and Rosemary Edghill.
Mercedes Lackey and Rosemary Edghill are the biggest names in the urban fantasy subgenre-where elves, banshees, trolls, and even stranger creatures walk modern city streets, their presence, and even their existence unsuspected by the human inhabitants. Now these two present a volume of all new urban fantasy, with a stellar lineup of the best new fantasy writers, such as Roberta Gellis, Dave Freer and Eric Flint, Diana Paxton, and more-including two new stories and an afterword by Mercedes Lackey herself, as well as a story by Rosemary Edghill. This is an indispensable volume for fans of urban fantasy in general, and the thousands of fans of Mercedes Lackey in particular. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Eric Banyon, a Renaissance Faire musician, must help Korendil, a young elven noble, prevent an evil elven lord from conquering California.
Eric Banyon, also known as Bedlam's Bard, managed to rescue his young brother Magnus from what seemed to be a killer demon (in Mad Maudlin), but now he must rescue Magnus again, this time from their tyrannical parents. Eric does not look forward to the battle, but is confident he can gain custody. His financial sources are virtually unlimited, his friend Ria Llewellyn heads the most high-powered law firm in New York, and in a pinch he and his friends can use to magic powers, even flummoxing a DNA test, it comes to that. What Eric does not know is that his parents are allied with the evangelist Billy Fairchild, who himself is a tool of the evil Unseleighe elves, who feed off human sorrow and suffering. Fairchild specializes in getting "bad" children to shape up, which is accomplished by letting a soulsucker¾malevolent creature from the elf world¾drain the victim of all talent, creativity, and will, leaving an obedient zombie husk behind. If Magnus and his friend Ace, who is also on the run from her twisted parents, fall into Fairchild's hands, they will join the Unseleighe's zombie ranks. And Eric's bardic magic may not be enough to save them. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Mary, Mary, Quite Contrary ¾and Quite Deadly . . . Eric Banyon, better known as Bedlam's Bard, is finally about to graduate from Julliard and enter the Real World and so, with the help of a psychiatrist who specializes in the problems of magicians, he's finally coming to terms with his past. But a spur-of-the-moment trip home to Boston to visit his parents brings him more trouble than even Eric thought possible. Meanwhile, his Bardic apprentice Hosea has discovered that the young homeless children in New York's shelters have created a bizarre mythology about a demon called Bloody Mary who preys on young children¾and somehow Bloody Mary has taken on an independent life and now stalks the streets of the city. And for some reason, she's after Eric as well. . . . At the publisher's request, this title is sold without DRM (Digital Rights Management). Praise for the Bedlam's Bard Series: "[Spirits White as Lightning is] fast, furious, and completely absorbing . . . make no mistake, this is a good series." ¾Booklist "Lively and original, rich in clever ideas . . . Lackey is one of the best storytellers in the field, and this is among her best." ¾Locus "This is a fast-paced, suspenseful, action-packed page turner." ¾VOYA "[Lackey] shows a sure touch with the wonder and adventure that characterize the best fantasy writers." ¾Romantic Times
When one of her friends is gunned down, Kayla uses her latent healing powers to heal her friend--and the gang member who shot him--and soon the city's gangs are eager to use her powers for evil.
An Eric Banyon fantasy.
I did not write my life, and therefore cannot tell you in simple terms what happened to effect such change. I have left that task to the images that have fallen from my fingers since my youth. I have let them fall, so that one day they might be picked up. My pictures describe me correctly. Jennifer Higgie In 1842 an English artist accompanied a former mayor on a Grand Tour of Europe and the Middle East. Within a year he had become a devotee of the Egyptian god Osiris and murdered his beloved father, believing him to be an impostor. Bedlam is a novel inspired by a year in the life of Richard Dadd, a great Victorian painter and inmate of London's Bethlem Hospital - more commonly known as Bedlam. Higgie's prose is fragmentary yet lucid, and the novel evokes the inextricable beauty and terror of Dadd's sensory journey, while raising some of the philosophical questions it poses about art, language and other minds. Bedlam is a mystery story in which we search for clues as to how an individual might go from precocious talent to parricide. Oliver Harris, Times Literary Supplement Jennifer Higgie is co-Editor and staff writer of frieze magazine. She is the editor of Art and Humour published by the Whitechapel Gallery, London and MIT Press. She also wrote the screenplay for the feature film I Really Hate My Job, which will be on general release in 2007.
Penelope Tredwell is the feisty thirteen-year-old orphan heiress of Victorian Britain's bestselling magazine, the Penny Dreadful. Her spine-chilling tales—concealed under the pen name Montgomery Finch—are gripping the public. One day she receives a letter from the governor of the Bedlam madhouse requesting Finch's help to investigate the asylum's strange goings-on. Every night at precisely twelve minutes to midnight, the inmates all begin feverishly writing-incoherent ramblings that Penelope quickly realizes are frightening visions of the century to come. But what is causing this phenomenon? In the first book of this smart new series, Penelope is drawn into a thrilling mystery more terrifying than anything she could ever imagine!
For fans of Shameless and Girl interrupted — Bedlam is a crackling, satirical debut based on a horrifying true story about what happens when an asylum owner becomes a patient. Bedlam details the frustrating life of Earl Sedgwick, owner and operator of a mental institute. Earl grew up in the business and subsequently took it over despite his avowed hatred of how the business robbed him of his childhood. He runs on empty until he's triggered by a visit from his more successful friends, realizing his life has been placed in its own padded room since he took on the family business. The career that is providing everything he has and keeping him alive is ultimately killing him at the same time. The torture of watching people die and/or lose their minds is not a healthy existence, but it is all he has ever known, and like many people he yearns to do something else. Something more. But with his mental health failing and his addiction adding fuel to the fire, Earl is in no shape to change his life. Earl has to then decide what his next move will be. Bedlam takes us through a series of stories and anecdotes featuring the wild antics of patients, staff and their families, as Earl not only becomes an addict but is also losing his mind.