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This book, first published in 1985, assembles essential facts on Samuel Beckett and makes vital but elusive information available. It contains a comprehensive checklist of all the writer’s plays, with a detailed performance history, excerpted reviews, and most importantly, a selection of Beckett’s own comments on their work drawn from essays, interviews, letters and diaries. Other features include a chronology of life and work, a checklist of non-dramatic writings and an annotated bibliography.
(Book). Preface by Paul Auster * Foreword by Edward Beckett Edited by Lois Oppenheim * Curated by Astrid Myers Rosset "You know, Barney, I think my writing days are over," Beckett writes in 1954 when most of his output was still ahead of him. And later, "Sick of all this old vomit and despair more and more of ever being able to puke again. In a world where writers switch publishers at the first shake of a martini pitcher, our trans-Atlantic communications seemed to float on a sea of tranquility and trust." from Dear Mr. Beckett Through letters, contracts, photos, interviews, speeches, reviews and memorabilia most of which has never before been made public a rare personal and professional friendship unfolds between these two oddly shy daredevils; through their embrace, they shifted and turned the tide of literature in America. Among the many never before published entries: * Beckett's discussion about acting with his long time director, Alan Schneider, as they huddled with Barney Rosset in his East Hampton quonset hut about their upcoming rehearsal with Buster Keaton. * Susan Sontag correspondence on her Godot production in Sarajevo. * The comprehensive Endgame file about the controversial production in Cambridge Mass which proceeded against Beckett's wishes. * Interviews with Eugene Ionesco and Alain Robbe-Grillet about Beckett and Rosset and the Absurdists. * Estelle Parsons correspondence with Beckett about the actress's proposal to perform Godot with Shelley Winters on Broadway. * Comprehensive file on the genesis and development of Beckett's Rockaby with Billie Whitelaw. * Comprehensive file on Rosset's termination from Grove, the press he founded and championed.
The New Cambridge Companion to Samuel Beckett offers an accessible introduction to issues animating the field of Beckett studies today.
Follow Beckett (the little boy that lived) through his tragic beginnings and exciting journey of becoming a Navy SEAL. Based on true stories about faith, family, the military and the Navy SEALs. This book series is dedicated to the men and women that serve this country.
Miss Emma Pearson lives the most remarkable life for the daughter of a constable. Because of her brother's heroics in Scotland, she has astonishingly become the ward of the Marquess of Downshire. Now, she wears only the finest clothes and mingles with members of high Society. Unfortunately, not everything goes as planned when a series of accidents causes her Season to be ruined before it has even begun. Simeon Martin, the Viscount of Wentworth, despises most people. He is content working alone as a Bow Street Runner despite his sizeable fortune, finding solace in tracking down criminals. But all that changes when Lord Downshire hires him to protect his ward from a jilted suitor. Everything about the situation urges him to refuse, but his sense of curiosity is piqued, and his sense of honor compels him to help her, forcing him to deal with the one thing that he truly hates: a spoiled debutante. With danger lurking around every corner, Emma and Simeon must learn to trust each other when they are both swept up in the rising Anti-Corn Law movement. Despite their frustration with each other, they both reluctantly discover that working together isn't as unbearable as they had previously thought. And as their budding friendship turns into something more, can they trust each other with their hearts?
This collection of five previously out-of-print titles examines Samuel Beckett’s works and their impact on the theatre, and on people who came into creative contact with his ideas. His plays are assessed, as are his works for film and television. A titan of original thinking, these books by leading Beckett scholars analyse how his creative vision was expressed and how it revolutionised not just the world of theatre but also of the wider world of the arts.
He was determined to remain a recluse, but she had other plans.
The dozen essays brought together here, alongside a newly-written introduction, contextualize and exemplify the recent 'empirical turn' in Beckett studies. Characterized, above all, by recourse to manuscript materials in constructing revisionist interpretations, this approach has helped to transform the study of Samuel Beckett over the past generation. In addition to focusing upon Beckett's early immersion in philosophy and psychology, other chapters similarly analyze his later collaboration with the BBC through the lens of literary history. Falsifying Beckett thus offers new readings of Beckett by returning to his archive of notebooks, letters, and drafts. In reassessing key aspects of his development as one of the 20th century's leading artists, this collection is of interest to all students of Beckett's writing as well as ' historicist' scholars and critics of modernism more generally.
Through letters, contracts, photos, interviews, speeches, reviews, and memorabilia - most of which has never before been made public - a rare personal and professional friendship unfolds between these two oddly shy daredevils, shifting and turning the tide of literature in America. Barney Rosset, more than any other publisher, fiercely advocated for the most daring and influential writers of the 20th century. Through his Grove imprint, whole generations have embraced some of the greatest playwrights of our time, including Genet, Pinter, Mamet, Ionesco, D.H. Lawrence, and of course Samuel Beckett. Scholars, students, and fans of literary letters will find this volume beguiling reading.--Publisher.