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From bestselling, Printz Award-winning author Libba Bray, the story of a plane of beauty pageant contestants that crashes on a desert island.Teen beauty queens. A "Lost"-like island. Mysteries and dangers. No access to emall. And the spirit of fierce, feral competition that lives underground in girls, a savage brutality that can only be revealed by a journey into the heart of non-exfoliated darkness. Oh, the horror, the horror! Only funnier. With evening gowns. And a body count.
The well-known Kenyan woman writer here tells an exciting story for young readers. The title is one in a series developed to meet the supplementary reading needs of secondary level pupils, and to encourage reading for pleasure. Reminiscent of the proverb that the serpent hisses where sweet birds sing, the story starts when Adela and Keti jokingly enter a village beauty contest - the start of excitement and adventure, fraught with danger and tragedy.
I felt the prick of the needle, but only for a second, because this great rush of warmth quickly followed, encompassing my whole body from my toes right up to the top hair on my head. I couldn't move for a minute as she guided the needle in and out of my vein. When she was done, I felt like I had entered heaven. I looked in the mirror and felt beautiful and confident. I felt this great peace, at last, a warmth, and I knew that everything was going to be okay--and really always had been. Like time had stopped and I was floating on a cloud. "Writing the book, I saw my old dope dealer and bought $1,500 worth of pure heroin--Brown Gold--and started shooting up ten times a day to get the feel of the book. Well, I did, all right. I ended up in Glen Cove General, almost dead. In truth, you make a deal with the Devil. He takes away your pain, but he owns you. You live for the next fix. After a while, it's totally physical; your body has to have it. But I'm off it for good." -- Linda Glovach Young Adults' Choices for 2000 (IRA)
"Black is Beautiful!" The words were the exuberant rallying cry of a generation of black women who threw away their straightening combs and adopted a proud new style they called the Afro. The Afro, as worn most famously by Angela Davis, became a veritable icon of the Sixties. Although the new beauty standards seemed to arise overnight, they actually had deep roots within black communities. Tracing her story to 1891, when a black newspaper launched a contest to find the most beautiful woman of the race, Maxine Leeds Craig documents how black women have negotiated the intersection of race, class, politics, and personal appearance in their lives. Craig takes the reader from beauty parlors in the 1940s to late night political meetings in the 1960s to demonstrate the powerful influence of social movements on the experience of daily life. With sources ranging from oral histories of Civil Rights and Black Power Movement activists and men and women who stood on the sidelines to black popular magazines and the black movement press, Ain't I a Beauty Queen? will fascinate those interested in beauty culture, gender, class, and the dynamics of race and social movements.
Andrea Jung, the glamorous former head of Avon, was arguably the world's most charismatic and effective CEO, credited with the astonishing turnaround of the venerable brand. Avon's board was filled with tough-minded, successful CEOs and other high achievers, but when Jung walked into a room wearing her Chanel suit, custom- blended lipstick and signature pearls, every head turned and she had them eating out of her hand. She seemed incapable of making a wrong move, until, amid declining sales, an investigation by the SEC, and a brand in crisis she stepped down in late 2012. In Beauty Queen, former Avon VP Deborrah Himsel uses Jung's story as a case study for two timeless leadership questions: What makes great leaders great? And what makes them fail? She explores both Jung's early years of success as well as the combination of missteps that led to her downfall, including her failure to nurture Avon's direct selling channel, the erosion of trust that occurred as a result of frequent decision reversals, and her ignorance of operational details, including how her people secured a license to conduct door-to-door sales in China, that led to a federal investigation. Through interviews with other CEOs, Avon executives past and present, and leadership experts, Hiimsel explores the unique challenges Jung faced as a female Fortune 500 CEO; the thin line between pride and hubris; and the danger of the so-called "halo effect" in our high-stakes times.
In this charming romantic comedy perfect for fans of Meg Cabot and Sophie Kinsella, critically acclaimed author Teri Wilson shows us that sometimes being pushed out of your comfort zone leads you to the ultimate prize. Charlotte Gorman loves her job as an elementary school librarian, and is content to experience life through the pages of her books. Which couldn’t be more opposite from her identical twin sister. Ginny, an Instagram-famous beauty pageant contestant, has been chasing a crown since she was old enough to enunciate the words world peace, and she’s not giving up until she gets the title of Miss American Treasure. And Ginny’s refusing to do it alone this time. She drags Charlotte to the pageant as a good luck charm, but the winning plan quickly goes awry when Ginny has a terrible, face-altering allergic reaction the night before the pageant, and Charlotte suddenly finds herself in a switcheroo the twins haven’t successfully pulled off in decades. Woefully unprepared for the glittery world of hair extensions, false eyelashes, and push-up bras, Charlotte is mortified at every unstable step in her sky-high stilettos. But as she discovers there’s more to her fellow contestants than just wanting a sparkly crown, Charlotte realizes she has a whole new motivation for winning.
Finalist for the Book Club category of the 2016 National Jewish Book Awards. The #1 International Best Seller, The Beauty Queen of Jerusalem is a dazzling novel of mothers and daughters, stories told and untold, and the ties that bind four generations of women. Gabriela's mother Luna is the most beautiful woman in all of Jerusalem, though her famed beauty and charm seem to be reserved for everyone but her daughter. Ever since Gabriela can remember, she and Luna have struggled to connect. But when tragedy strikes, Gabriela senses there's more to her mother than painted nails and lips. Desperate to understand their relationship, Gabriela pieces together the stories of her family's previous generations—from Great-Grandmother Mercada the renowned healer, to Grandma Rosa who cleaned houses for the English, to Luna who had the nicest legs in Jerusalem. But as she uncovers shocking secrets, forbidden romances, and the family curse that links the women together, Gabriela must face a past and present far more complex than she ever imagined. Set against the Golden Age of Hollywood, the dark days of World War II, and the swinging '70s, The Beauty Queen of Jerusalem follows generations of unforgettable women as they forge their own paths through times of dramatic change. With great humor and heart, Sarit Yishai-Levi has given us a powerful story of love and forgiveness—and the unexpected and enchanting places we find each.
Abby's first problem is that Jonah has lost all his memories of the magic mirror and their adventures, so when they get sucked through into Beauty and the Beast, he is unaware of the danger, and picks one of the Beast's roses--her second problem is locating Beauty and performing a match-making miracle in order to recover her brother, and still make it back to the real world before their parents miss them.
Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezuela contest, on the well-traveled Caracas avenue where transgender women (transformistas) project themselves into the urban imaginary, and on the bodies of both transformistas and beauty pageant contestants (misses). Placing transformistas and misses in the same analytic frame enables Ochoa to delve deeply into complex questions of media and spectacle, gender and sexuality, race and class, and self-fashioning and identity in Venezuela. Beauty pageants play an outsized role in Venezuela. The country has won more international beauty contests than any other. The femininity performed by Venezuelan women in high-profile, widely viewed pageants defines a kind of national femininity. Ochoa argues that as transformistas and misses work to achieve the bodies, clothing and makeup styles, and postures and gestures of this national femininity, they come to embody Venezuelan modernity.
Through micro-analysis of language use, this book chronicles young women's pathways to becoming a Tanzanian beauty queen, offering an original perspective on the intersection of language with globalization, nationalism, and inequality in urban East Africa. This compelling linguistic ethnography considers the real-life effects, both on- and off-stage, of language policy, education, and gender dynamics for the women competing in the pageants. While highlighting many contestants' struggles for escape from poverty and patriarchy, the book also emphasizes their creative strategies – linguistic and otherwise – for bettering their lives and shows how people living in a global economic periphery take part in, and sometimes feel left out of, the wider world.