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Three classic fairy tales are retold in this collection that provides an ideal introduction to these legendary stories. Includes "Beauty and the Beast, " "The Lady and the Lion, " and "The Frog Prince."
An illustrated collection of classic fairy tales includes "Thumbelina." "Rapunzel," and "Snow-White and Rose-Red."
The servants of the Hotel Salisbury, which is so called because it is situated on Broadway and conducted on the American plan by a man named Riggs, had agreed upon a date for their annual ball and volunteer concert, and had announced that it would eclipse every other annual ball in the history of the hotel. As the Hotel Salisbury had been only two years in existence, this was not an idle boast, and it had the effect of inducing many people to buy the tickets, which sold at a dollar apiece, and were good for "one gent and a lady," and entitled the bearer to a hat-check without extra charge.
Push, pull, and slide the scenes to bring the classic story of Beauty and the Beast to life. "Do you love me, Beauty? Will you marry me?" First Stories: Beauty and the Beast is a perfect introduction to this classic fairytale. Push, pull, and turn mechanisms bring the story to life and introduce all the main characters: Beauty, her father, and of course the Beast! This well-loved fairytale is beautifully imagined for a new generation by children's illustrator Dan Taylor.
This is the first published version of Beauty and the Beast, written by the French author Gabrielle-Suzanne Barbot de Villeneuve in the mid-18th century and translated by James Robinson Planch . It is a novel-length story intended for adult readers, addressing the issues of the marriage system of the day in which women had no right to choose their husband or to refuse to marry. There is also a wealth of rich back story as to how the Prince became cursed and revelations about Beauty's parentage, which fail to appear in subsequent versions of the now classic fairy tale.
Six captivating stories: the supernaturally tinged narrative of Bluebeard and his many wives; the entertaining tale of Puss in Boots, Cinderella, The Fairies, Ricky of the Tuft, and the enchanting title story
The New York Times–bestselling author of Rose Daughter reimagines the classic French fairy tale of Beauty and the Beast. I was the youngest of three daughters. Our literal-minded mother named us Grace, Hope, and Honour. . . . My father still likes to tell the story of how I acquired my odd nickname: I had come to him for further information when I first discovered that our names meant something besides you-come-here. He succeeded in explaining grace and hope, but he had some difficulty trying to make the concept of honour understandable to a five-year-old. . . . I said: ‘Huh! I’d rather be Beauty.’ . . . By the time it was evident that I was going to let the family down by being plain, I’d been called Beauty for over six years. . . . I wasn’t really very fond of my given name, Honour, either . . . as if ‘honourable’ were the best that could be said of me. The sisters’ wealthy father loses all his money when his merchant fleet is drowned in a storm, and the family moves to a village far away. Then the old merchant hears what proves to be a false report that one of his ships had made it safe to harbor at last, and on his sad, disappointed way home again he becomes lost deep in the forest and has a terrifying encounter with a fierce Beast, who walks like a man and lives in a castle. The merchant’s life is forfeit, says the Beast, for trespass and the theft of a rose—but he will spare the old man’s life if he sends one of his daughters: “Your daughter would take no harm from me, nor from anything that lives in my lands.” When Beauty hears this story—for her father had picked the rose to bring to her—her sense of honor demands that she take up the Beast’s offer, for “cannot a Beast be tamed?” This “splendid story” by the Newbery Medal–winning author of The Hero and the Crown has been named an ALA Notable Book and a Phoenix Award Honor Book (Publishers Weekly).
More determined than ever to focus on their hard-earned relationship, Vincent and Catherine attempt to celebrate their marriage with a romantic getaway, far from the city and the stresses of work, family, and anything else that could keep them apart. No cell phones, no guns, no beasting out—just each other. But when their tranquil cruise ship is transformed into a crime scene, there’s no escape, and Cat and Vincent are submerged in chaos. Can they bring down the threat before it brings down the ship?