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English translations of fifty-two fairy tales collected by the Brothers Grimm.
The Brothers Grimm (die Brüder Grimm or die Gebrüder Grimm), Jacob (1785–1863) and Wilhelm Grimm (1786–1859), were German academics, linguists, cultural researchers, lexicographers and authors who together specialized in collecting and publishing folklore during the 19th century. They were among the best-known storytellers of folk tales, and popularized stories such as "Cinderella" ("Aschenputtel"), "The Frog Prince" ("Der Froschkönig"), "The Goose-Girl" ("Die Gänsemagd"), "Hansel and Gretel" ("Hänsel und Gretel"), "Rapunzel", "Rumpelstiltskin" ("Rumpelstilzchen"),"Sleeping Beauty" ("Dornröschen"), and "Snow White" ("Schneewittchen"). Their first collection of folk tales, Children's and Household Tales (Kinder- und Hausmärchen), was published in 1812.
With its wild eroding sea, its gentle rolling fields and tall churches, Suffolk is a county of contrasts. It may seem a kindly and civilised place, but in that sea, in the reed beds, the woods and even down dark town streets lurk strange beasts, ghosts and tricksters. These thirty traditional tales retold by storyteller Kirsty Hartsiotis take you into a hidden world of green children and wildmen, of lovers from beyond the grave and tricksy fairy folk. Shaped by generations of Suffolk mardle and wit, in these stories you'll discover the county's last dragon, the secret behind Black Shuck, saintly King Edmund and heroic King Raedwald, haunted airfields, broken-hearted mermaids and the exploits of the county's cunning folk. Embark on this journey around Suffolk and you'll find you're never far from a story.
If Nor can’t spin gold, she can always spin lies. When seventeen-year-old Nor rescues a captured faerie in the woods, he gifts her with a magical golden thread she can use to summon him for a favor. Instead, Nor uses it for a con—to convince villagers to buy straw that can be transformed into gold. Her trick works a little too well, attracting the suspicion of Prince Casper, who hates nobody more than a liar. Intent on punishing Nor, he demands that she spin a room of straw into gold and as her reward, he will marry her. Should she refuse or fail, the consequences will be dire. Desperate for help, Nor summons the faerie’s aid, launching a complicated dance as she must navigate between her growing feelings for both the prince and faerie boy and who she herself wishes to become.
The first book to reveal the private life of an Englishwoman whose contribution to the recording of Egypt’s ancient past has long been overlooked An Artist in Abydos is the first book to recognize Broome’s great contribution to the work done during this golden age of excavation in Upper Egypt. In this remarkable account, Lee Young tells the story of Myrtle Broome, who died in 1978, largely through her letters. An only child and a prolific writer, Broome wanted her parents to know every facet of her life in Egypt. Her frequent letters to them vividly capture life in the villages, the traditions of the local people, the work of artisans, such as weaving and pot-making, and festivals, ceremonies, and music. In fascinating detail, the letters also depict Broome’s living conditions providing us with a personal account of what it was like to be an English, working woman living abroad in Egypt in the 1930s. Myrtle Florence Broome was born in 1888 to artistically inclined middle-class parents in the district of Holborn in London. Between 1911 and 1913, she studied at University College London under the legendary Sir William Petrie. In 1927 she was invited to join the excavations at Qau el-Kebir as an artist for the British School of Archaeology in Egypt, later traveling, in 1929, to work at the now famous Seti Temple in Abydos for the Egypt Exploration Society. Broome spent eight seasons there, copying the painted scenes in the Temple. Regarded then as one of the greatest copyists working in Egypt, she left invaluable renditions of some of ancient Egypt’s most beautiful monuments. An Artist in Abydos is an important book celebrating the contributions of an under-recognized woman artist during the golden age of excavation in Egypt.