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"Drunk ghosts, feral mothers...riveting obsessions and unbelongings and captivities-the fragmented texts in Beautiful, Violent Things seethe and grip and fluoresce without apology. In these eleven dispatches, Madeline Anthes carefully weaves desire and estrangement, reimagines power as a woman's capacity for hollowing a man, the ability to deliver impossibilities from her misappropriated body. The speakers in this collection compose a primal song, reprise-with blood and feathers and new ferocity-the iconoclastic feminisms of Kate Chopin and Charlotte Perkins Gilman. Anthes is alive on the page, a writer to watch." - Tara Stillions Whitehead, author of Blood Histories "I know these stories by Madeline Anthes. You know them too. They are the stories we whisper to each other: Mother to daughter, sister to sister, friend to friend. They are the stories about the things we want, the things we need, the things that have broken us, the things that have tried to break us. Listen closely to the voices in these stories -- you will find someone you know in them. You might even find yourself. This is a powerful debut collection from a gifted writer. We are lucky to have it." - Cathy Ulrich, author, Ghosts of You "The narrators in Beautiful, Violent Things want powerfully. They want to be seen, want to be left alone, want to hold their baby, want to want to hold their baby-but more than anything, they want you to listen to their voices. To the way the words sound coming from their mouths in a cold and specific arrangement. I am Wendy, chrome sleek and velvet fast: breathing heat and running wild. They want you to hear what lies just behind their words: the impossible problem of desire. A problem Anthes has studied like a scholar. Let's listen to what she's found-all these alluring, dangerous voices calling out." - Tyler Barton, author of Eternal Night at the Nature Museum "The stories in Beautiful, Violent Things are alive, visceral and raw, not just in the blunt emotional honesty of their narrators-women who know what they want, who feel the twisted pull of the lives they have and the ones they've given up to be mothers and lovers-but in the prose, so very warm with poetry and song. Anthes is a writer who understands how to make the quiet moments in life roar." - Christopher Gonzalez, author of I'm Not Hungry But I Could Eat
A Literary Hub Best Book of Year • A Crime Reads Best Debut of the Year • A Newsweek 25 Best Fall Books • A Philadelphia Inquirer 10 Big Books for the Fall • An O Magazine.com LGBTQ Books That Are Changing the Literary Landscape in 2020 Selection • An Electric Lit Most Anticipated Debut of the Second Half of 2020 • A Paperback Paris Best New LGBTQ+ Books To Read This Year Selection • A Passport Best Book of the Month The Secret History meets Lie with Me in Micah Nemerever's compulsively readable debut novel—a feverishly taut Hitchcockian story about two college students, each with his own troubled past, whose escalating obsession with one another leads to an act of unspeakable violence. When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure, and incomprehensible to his grieving family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul sees Julian as his sole intellectual equal—an ally against the conventional world he finds so suffocating. Paul will stop at nothing to prove himself worthy of their friendship, because with Julian life is more invigorating than Paul could ever have imagined. But as charismatic as he can choose to be, Julian is also volatile and capriciously cruel, and Paul becomes increasingly afraid that he can never live up to what Julian expects of him. As their friendship spirals into all-consuming intimacy, they each learn the lengths to which the other will go in order to stay together, their obsession ultimately hurtling them toward an act of irrevocable violence. Unfolding with a propulsive ferocity, These Violent Delights is an exquisitely plotted excavation of the depths of human desire and the darkness it can bring forth in us.
Bible scholar Christian Brady, an expert on Old Testament lament, was as prepared as a person could be for the death of a child—which is to say, not nearly well enough. When his eight-year-old son died suddenly from a fast-moving blood infection, Brady heard the typical platitudes about accepting God's will and knew that quiet acceptance was not the only godly way to grieve. With deep faith, knowledge of Scripture, and the wisdom that comes only from experience, Brady guides readers grieving losses and setbacks of all kinds in voicing their lament to God, reflecting on the nature of human existence, and persevering in hope. Brady finds that rather than an image of God managing every event and action in our lives, the biblical account describes the very real world in which we all live, a world full of hardship and calamity that often comes unbidden and unmerited. Yet, it also is a world into which God lovingly intrudes to bring comfort, peace, and grace.
"Struggling to raise her little brother Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star-gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold. By the time Wavy is a teenager, her relationship with Kellen is the only tender thing in a brutal world of addicts and debauchery"--
The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon
"A violent, funny, shockingly addictive debut..."Once upon a time, Laura Park was a normal college sophomore with her best friend at her side. A year later, Laura was on a deserted road on the outskirts of Las Vegas killing a man. She didn't expect to get away with it but she did with the help of a stranger named Simon who took her in, liquored her up, and broke her down. Soon the ambitious Simon introduces her to Frank Joyce, a man who would teach her how to become a stone-cold professional killer. Laura learns her deadly trade and earns her money. Twenty-six years old and she thinks she's found her happily ever after. Sadly it all falls apart when Simon leaves her for another. Now some other woman, blonde and polished, all shiny and new, is living Laura's happy life.Heartbroken, but knife always at the ready, Laura waits for any opportunity to get Simon back. The question is, when she gets her chance, will she take it? In Laura's world anyone can become a target, loyalties can shift in a blink of an eye, and when everyone is homicidal, people are definitely going to die.
Banksy, the Yes Men, Gandhi, Starhawk: the accumulated wisdom of decades of creative protest is now in the hands of the next generation of change-makers, thanks to Beautiful Trouble. Sophisticated enough for veteran activists, accessible enough for newbies, this compact pocket edition of the bestselling Beautiful Trouble is a book that’s both handy and inexpensive. Showcasing the synergies between artistic imagination and shrewd political strategy, this generously illustrated volume can easily be slipped into your pocket as you head out to the streets. This is for everyone who longs for a more beautiful, more just, more livable world – and wants to know how to get there. Includes a new introduction by the editors. Contributors include: Celia Alario • Andy Bichlbaum • Nadine Bloch • L. M. Bogad • Mike Bonnano • Andrew Boyd • Kevin Buckland • Doyle Canning • Samantha Corbin • Stephen Duncombe • Simon Enoch • Janice Fine • Lisa Fithian • Arun Gupta • Sarah Jaffe • John Jordan • Stephen Lerner • Zack Malitz • Nancy L. Mancias • Dave Oswald Mitchell • Tracey Mitchell • Mark Read • Patrick Reinsborough • Joshua Kahn Russell • Nathan Schneider • John Sellers • Matthew Skomarovsky • Jonathan Matthew Smucker • Starhawk • Eric Stoner • Harsha Walia
Sherman Smith saw the most terrible thing happen. At first he tried to forget about it, but soon something inside him started to bother him. He felt nervous for no reason. Sometimes his stomach hurt. He had bad dreams. And he started to feel angry and do mean things, which got him in trouble. Then he met Ms. Maple, who helped him talk about the terrible thing that he had tried to forget. Now Sherman is feeling much better. This gently told and tenderly illustrated story is for children who have witnessed any kind of violent or traumatic episode, including physical abuse, school or gang violence, accidents, homicide, suicide, and natural disasters such as floods or fire. An afterword by Sasha J. Mudlaff written for parents and other caregivers offers extensive suggestions for helping traumatized children, including a list of other sources that focus on specific events.