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So far, everything I'd put together went something like this: 1) There was a freaky paranormal organization I've never heard of sending people to protect me from ruthlessly lethal demons bent on murdering me for absolutely no reason I could think of. 2) A dangerous duo of charismatic twin brothers-one of which is somehow related to me-had been sent to do the job. 3) A sparky (and sparkly) and daring new teen girl that takes bipolar to a whole new level and just maybe needs to check into an insane asylum, was acting like we had been friends forever-or were going to be. Which, though the thought was definitely interesting, scared me slightly. 4) All these things added up to a wonderful sitcom made specially by God for me, called: "The End of My Normal Life as I Knew It." God.
A young woman is forced to question everything she thought she knew, when a family tragedy leads to a series of startling revelations ... and dark secrets. A stunning and emotive psychological thriller from the bestselling author of The Cliff House and The Storm. 'Beautiful, seamless writing, Jennings has a magic warmth and addictive quality that keeps you reading on and on' Lucy Atkins 'Hauntingly beautiful' Clare Mackintosh 'Thoughtful, atmospheric and deeply immersive, it wields an almost mesmeric power over the reader' Hannah Beckerman ––––––––––––––––––– A perfect life ... until she discovered it wasn't her own. A tragic family event reveals devastating news that rips apart Bella's comfortable existence. Embarking on a personal journey to uncover the truth, she faces a series of traumatic discoveries that take her to the ruggedly beautiful Cornish coast, where hidden truths, past betrayals and a 25-year-old mystery threaten not just her identity, but also her life. Chilling, complex and profoundly moving, In Her Wake is a gripping psychological thriller that questions the nature of family – and reminds us that sometimes the most shocking crimes are committed closest to home. ––––––––––––––––––– 'A gripping concept powers this emotional, sinuous thriller in which one woman's life is played out against what might have been' Fanny Blake, Woman & Home 'Heartbreaking and emotionally stunning ... one of the most mature genre novels I've read for a long time' Scottish Herald 'This mesmerising and haunting thriller is a true literary beauty' Heat 'Delicately weaves loss and grief in a very human story with a strong heart' Sarah Hilary 'Enough twists and turns to give you whiplash' Tammy Cohen 'A writer of rare and exceptional talent' Steve Cavanagh 'A gripping and powerful read ... will keep you turning the pages' Simon Kernick 'Beautifully written and emotionally charged, Amanda Jennings has created compelling exploration of self, memory and the slippery bonds that tie a family together' Eva Dolan 'An assured, evocative, rites of passage tale that will captivate readers of psychological suspense' Mari Hannah 'I have fallen head over heels in love with this compelling and beautiful book. Already one of my favourite authors, Amanda Jennings has created something outstanding ... one of my favourite reads of all time' Louise Douglas 'Moving, perceptive and beautifully written story with a devastating conclusion that will stay with you' Howard Linskey 'Gripping and hauntingly beautiful, with a totally unexpected twist in the tail, In Her Wake is simply brilliant – I loved it' Jenny Ashcroft 'A beautifully written, emotionally charged novel that stays with you long after you read the last page' Jane Isaac 'A haunting and compelling read, charged with perfectly observed emotion and a poetic gift for language' Iona Grey 'One of those novels that you know is going to stay with you for a very long time after you finish it' Louise Voss'Mesmerising storytelling' Mel Sherratt 'Amanda Jennings propels herself into my list of favourite writers' Luca Veste
It wasn't the first time that His Majesty's armed schooner Gipsy had encountered a Caribbean hurricane. But for Lieutenant Michael Fitton, who commanded her, this particular hurricane was to bring quite unexpected dangers and problems: an uncharted coral island, a clash with his old enemy the French Gloire, and the surprising advent of Mrs Sarah Buckley. And it seemed to Fitton that these stirring events were put in train by a cockroach - or to be more precise, half a cockroach. First published in 2000 Mr Fitton's Hurricane was the eleventh and last of Showell Styles' sequence of novels about Fitton, a real-life seafaring hero of the Napoleonic age. All eleven are now available in Faber Finds. Frank Showell Styles was born in Four Oaks, Warwickshire, in 1908 and served in the Royal Navy in World War Two before embarking on his successful literary career, during which he published over 160 books. He died in 2005.
'I first met Robert Allerton in prison, where he was captive and I was not... He was a powerful broad-shouldered Cockney [who] had spent his childhood in poverty and much of his manhood in prison; and he had a long record of violent crime.' Tony Parker, from his Introduction Tony Parker's first book The Courage of His Convictions (1962), constructed out of his candid and illuminating dialogues with career criminal Robert Allerton (credited as co-author), is a stunning work that displays all the skills and virtues Parker would bring to his subsequent career as an 'oral historian' of the lives of society's marginal figures. 'This intimate autobiography is a revelation - it provides the first psychological insight into the mentality of that frightening, mysterious and pathetic product of our society, the professional criminal.' Arthur Koestler
The Value of Something is Never its Price In a trading town on the banks of the river, penniless Larisa is desperate to marry and escape heartbreak and humiliation. But in this brutal world of transactions true love has no worth. Larisa is up for sale and the local merchants want a bargain. Samuel Adamson's version of Alexander Ostrovsky's rarely seen, sharp and darkly funny play Larisa and the Merchants, premiered at the Arcola in May 2013, produced by InSite Performance.
Nicolas Roeg is one of the most distinctive and influential film-makers of his generation. The generation of film-makers who define contemporary movie-making - Danny Boyle, Kevin Macdonald ( The Last King of Scotland), Christopher Nolan ( The Dark Knight), James Marsh ( Man on Wire), and Guillermo Del Toro ( Pan's Labyrinth), all acknowledge their debt to the work of Nicolas Roeg. Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance, established an approach to film-making that was unconventional and ever-changing, creating works such as Don't Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball. Having now reached eighty years of age, Roeg has decided to pass on to the next generations, the wealth of wisdom and experience he has garnered over fifty years of film-making.
Palermo, Sicily, 1978. The Christian Democrat leader Aldo Moro has just been kidnapped in Rome by members of the notorious Red Brigades. Two months after his disappearance on 9th May, Moro is found dead in the boot of a car. A trio of eleven-year-old schoolboys, Nimbo, Raggio, and Volo, avidly follow the news of the abduction as their admiration for the brigatisti grows. When the boys themselves resolve to abduct a classmate and incarcerate him in a makeshift 'people's prison', the darkness within their world, and the world of the novel, becomes all-pervasive. A vivid and hellish description of Sicily in the late seventies, Time on my Hands is an unforgettable novel from a significant new voice in Italian fiction.
Marseilles, 1891: as Arthur Rimbaud lies dying in hospital, his mind wanders fitfully - taking him back to Commune-era Paris, and the scandalous life he led with Verlaine. But, above all, he is transported to Harar, Abyssinia, where he ventured in 1880 to seek his fortune, having chucking in the disreputable game of writing poetry... Paul Strathern's second novel, published in 1972, won a Somerset Maugham Award both for its superb evocation of the colour, squalor and hurlyburly of Harar and for its inspired 'impersonation' of Rimbaud - restless, ragged self-overcomer, would-be explorer-imperialist, and genius poet repulsed by his past literary life. In a new preface to this edition Strathern discusses the mercurial personality of Rimbaud, his novel's bold shifts between first and third person, and his own travels in East Africa that informed the book.
'You have discovered a perishable treasure, and it is imperative to share it with other people before it fades... You have only one chance to get it right, while the impression is still fresh...' If critics often disagree among themselves over the merits of a given work, this is nothing compared to the wider argument about what the critic's role should be - Objective judge? Consumer guide? Provocateur? - and whether or not those practising criticism are living up to their duty to the 'perishable treasures' on which they pronounce. In Theatre Criticism, first published in 1992, Irving Wardle sets out to define the credentials and aims of this vexed profession. Tracing its origins to Dryden and the Grub Street writers of Georgian London, Wardle goes on to examine the prejudices, questions and practices of modern reviewing, drawing on three decades' worth of his own experience.
A lively, subversive history of the new UK jazz wave, encapsulating its revolutionary spirit and tracing its foundations to birth of the genre itself. By the end of the last century, jazz music was considered by many to be obsolete and uncool, a genre appreciated only by out of touch white men with deeply questionable taste. And yet, by 2019, a new generation of UK jazz musicians was selling out major venues and appearing on festival line-ups around the world. How has UK jazz rehabilitated its image so totally in twenty-five years? And how did it ever become uncool in the first place? Reaching back to the roots of jazz as the 'unapologetic expression' of oppressed peoples, shaped by the forces of slavery, imperialism and globalisation, Andre ́ Marmot places this new wave within the wider context of a divided, postcolonial Britain navigating its identity in a new world order. These artists have crafted a sound which reflects the nation as it is today - a sound connected to the very origins of jazz itself. Drawing on eighty-six interviews with key architects of this jazz renaissance and those who came before them - from Shabaka Hutchings, Nubya Garcia and Moses Boyd to Gilles Peterson, Courtney Pine and Cleveland Watkiss - Unapologetic Expression captures the radical spirit of a vital British musical movement.