Download Free Beautiful Adornment Of Mount Meru Book in PDF and EPUB Free Download. You can read online Beautiful Adornment Of Mount Meru and write the review.

The most lucid and penetrating survey of classical Indian philosophy in the Tibetan language. Beautiful Adornment of Mount Meru by Changkya Rölpai Dorjé (1717–86) is a work of doxography, presenting the distinctive philosophical tenets of the Indian Buddhist and non-Buddhist schools in a systematic manner that ascends through increasingly more subtle views. It is a Tibetan corollary to contemporary histories of philosophy. The “Mount Meru” of the title is the Buddha’s teachings, and Changkya’s work excels in particular in its treatment of the two Mahayana Buddhist schools, the Yogacara (here called the Vijñaptimatra) and the Madhyamaka. Unlike Jamyang Shepa’s (1648–1722) much longer Great Exposition of Tenets, which was one of the key sources and inspirations for Changkya, Beautiful Adornment is often praised for the clarity of its prose and its economical use of citations from Indian texts. At the same time, like Jamyang Shepa’s work, Changkya’s text is not simply a catalog of assertions; it skillfully examines core philosophical issues, including a number of intriguing ancillary discussions. Also like Jamyang Shepa’s text, Changkya’s is very much a Geluk work, drawing heavily on the works of Tsongkhapa and his disciples. The manageable size of Beautiful Adornment and, more importantly, its lucid literary style, made this work the classic source for the study of Indian thought, used by students the across Tibetan cultural sphere. In contemporary academic circles, it has also been a central source for studying the Tibetan interpretation of the classical Indian philosophical systems.
The most lucid and penetrating survey of classical Indian philosophy in the Tibetan language. Beautiful Adornment of Mount Meru by Changkya Rölpai Dorjé (1717–86) is a work of doxography, presenting the distinctive philosophical tenets of the Indian Buddhist and non-Buddhist schools in a systematic manner that ascends through increasingly more subtle views. It is a Tibetan corollary to contemporary histories of philosophy. The “Mount Meru” of the title is the Buddha’s teachings, and Changkya’s work excels in particular in its treatment of the two Mahayana Buddhist schools, the Yogacara (here called the Vijñaptimatra) and the Madhyamaka. Unlike Jamyang Shepa’s (1648–1722) much longer Great Exposition of Tenets, which was one of the key sources and inspirations for Changkya, Beautiful Adornment is often praised for the clarity of its prose and its economical use of citations from Indian texts. At the same time, like Jamyang Shepa’s work, Changkya’s text is not simply a catalog of assertions; it skillfully examines core philosophical issues, including a number of intriguing ancillary discussions. Also like Jamyang Shepa’s text, Changkya’s is very much a Geluk work, drawing heavily on the works of Tsongkhapa and his disciples. The manageable size of Beautiful Adornment and, more importantly, its lucid literary style, made this work the classic source for the study of Indian thought, used by students the across Tibetan cultural sphere. In contemporary academic circles, it has also been a central source for studying the Tibetan interpretation of the classical Indian philosophical systems.
Enjoy popular Tibetan collections of advice, fables, and aphorisms for following the way of the wise and avoiding the paths of fools. The Tibetan Book of Everdyay Wisdom: A Thousand Years of Sage Advice presents a genre of Tibetan works known as “wise sayings” (lekshé). While most Tibetan literature focuses on the Buddhist path, “wise sayings” literature has traditionally been a centerpiece of secular education in Tibet and in the cultivation of social mores and an honorable way of life. Drawing inspiration from classical Indian literature on human virtue and governance (nitisastra), including the folktales in the Pañcatantra, the authors of these Tibetan works strove to educate young minds in the ways of the civilized world, especially by distinguishing the conduct of the wise from that of the foolish. This anthology includes some of the best-loved classics of Tibetan literature, such as Sakya Pandita’s Jewel Treasury of Wise Sayings, Panchen Sönam Drakpa’s Ganden Wise Sayings, and Gungthang’s Treatise on Trees and Treatise on Water. The final work is the intriguing Kaché Phalu’s Advice. Ostensibly written by a wise Tibetan Muslim, this versified text enjoys great popularity within Tibetan-speaking communities, such that most people are able to recite at least a few verses from memory.
Stages of the Buddha's Teachings is an extraordinary and systematized representation of the complete path to enlightenment. From the acclaimed Library of Tibetan Classics. The “stages of the teachings” or tenrim genre of Tibetan spiritual writing expounds the Mahayana teachings as a graded series of topics, from the practices required at the start of the bodhisattva’s career to the final perfect awakening of buddhahood. The three texts in the present volume all exerted seminal influence in the Tibetan Buddhist tradition. The first text, The Blue Compendium, presents the instructions of the Kadam teacher Potowa (1031–1106) as recorded by his student Dölpa (1059–1131). This text is followed by Gampopa’s (1079–1153) revered Ornament of Precious Liberation, which remains the most authoritative text on the path to enlightenment within the Kagyü school. The final text is Clarifying the Sage’s Intent, a masterwork by the preeiment sage of the Sakya tradition, Sakya Pandita (1182–1251).
"This work is an authoritative exposition of Candrakīrti's seventh-century classic Entering the Middle Way. Written primarily as a supplement to Nāgārjuna's Fundamental Verses on the Middle Way, Candrakīrti's text integrates the central insight of Nāgārjuna's thought-the rejection of any metaphysical notion of intrinsic, objective being-with the ethical and edifying elements of the Buddha's teachings. He undertakes this by correlating the progressive stages of insight into the emptiness of intrinsic existence with the well-known Mahayana framework of the ten levels of the bodhisattva. Completed the year before the author's death, Tsongkhapa's exposition of Candrakīrti's text is recognized by the Tibetan tradition as the final standpoint of Tsongkhapa on many of the questions of Buddhist Madhyamaka philosophy. Written in lucid exemplary Tibetan, Tsongkhapa's work presents a wonderful marriage of rigorous Madhyamaka philosophical analysis with a detailed and subtle account of the progressively advancing mental states and spiritual maturity realized by sincere Madhyamaka practitioners. The work is still used as the principal textbook in the study of Indian Madhyamaka philosophy in many Tibetan monastic colleges. Tsongkhapa's extensive writings on Madhyamaka philosophy, including the present text, ushered in a new phase of engagement with the philosophy of emptiness in Tibet, giving rise to a great flowering of literary activity on the subject by subsequent Tibetan scholars like Gyaltsab Jé, Khedrup Jé, and the First Dalai Lama, as well as the critiques of Taktsang Lotsāwa, Gorampa, Shākya Chokden, and Karmapa Mikyö Dorjé and the subsequent responses to these by Tsongkhapa's followers, such as Jamyang Galo, Jetsun Chökyi Gyaltsen, and Panchen Losang Chögyen"--
Tsongkhapa's A Lamp to Illuminate the Five Stages (1419) is a comprehensive presentation of the highest yoga class of Buddhist tantra, especially the key practices - the so-called five stages (pancakrama) - of the advanced phase of Guhyasamaja tantra. Beginning with a thorough examination of the Indian sources, Tsongkhapa draws particularly from the writings of Nagarjuna, Aryadeva, Candrakirti, and Naropa to develop a definitive understanding of the Vajrayana completion stage. Whereas in the generation stage, meditators visualize the Buddha in the form of the deity residing in a mandala palace, in the completion stage discussed in the present volume, meditators transcend ordinary consciousness and actualize the state of a buddha themselves. Among other things, Tsongkhapa's work covers the subtle human physiology of channels and winds along with the process of dying, the bardo, and rebirth. This definitive statement on Guhyasamaja tantra profoundly affected the course of Buddhist practice in Tibet.
Taking The Path with the Result, or Lamdre, is the most important tantric system of theory and meditation practice in the Sakya school. Yet its writings have never been published in any European language until now. This book contains 11 vital works from the tradition including the basic text by the great Indian adept Virupa. Here too are sacred writings from Jamyang Khyentse Wangchuk and an instruction manual by the Fifth Dalai Lama. This collection was personally approved by His Holiness Sakya Trizin, head of the Sakya tradition.
The Crystal Mirror of Philosophical Systems, by Thuken Losang Chokyi Nyima (1737-1802), is arguably the widest-ranging account of religious philosophies ever written in pre-modern Tibet. Like most Tibetan texts on philosophical systems, this work covers the major schools of India, both Buddhist and non-Buddhist, but then goes on to discuss in detail the entire range of Tibetan traditions as well, with separate chapters on the Nyingma, Kadam, Kagyu, Shije, Sakya, Jonang, Geluk, and Bon schools. Not resting there, Thuken goes on to describe the major traditions of China--Confucian, Daoist, and the multiple varieties of Buddhist--as well as those of Mongolia, Khotan, and even Shambhala. The Crystal Mirror of Philosophical Systems is unusual, too, in its concern not just to describe and analyze doctrines, but to trace the historical development of the various traditions. The Crystal Mirror of Philosophical Systems is an eloquent and erudite presentation exploring the religious history and philosophical systems of an array of Asian Cultures--and offering evidence that the serious and sympathetic study of the history of religions has not been a monopoly of Western scholarship.
Compiled in the fifteenth century, Mind Training: The Great Collection is the earliest anthology of a special genre of Tibetan literature known as "mind training," or lojong in Tibetan. The principal focus of these texts is the systematic cultivation of such altruistic thoughts and emotions as compassion, love, forbearance, and perseverance. The mind-training teachings are highly revered by the Tibetan people for their pragmatism and down-to-earth advice on coping with the various challenges and hardships that unavoidably characterize everyday human existence. The volume contains forty-four individual texts, including the most important works of the mind training cycle, such as Serlingpa's well-known Leveling Out All Preconceptions, Atisha's Bodhisattva's Jewel Garland, Langri Thangpa's Eight Verses on Training the Mind, and Chekawa's Seven-Point Mind Training together with the earliest commentaries on these seminal texts. An accurate and lyrical translation of these texts, many of which are in metered verse, marks an important contribution to the world's literary heritage, enriching its spiritual resources.