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Beatrice Cenci was executed in Rome in September 1599- she was said to be sixteen, and was hauntingly beautiful. Her crime was the murder of her father, a member of one of the greatest Roman families, but his cruel treatment of her, including incestuous rape, moved the people of the city to take her side. Weeping crowds lined the streets, and a special mass is still said in Rome on the anniversary of her death. She was at once innocent and guilty, the victim and the perpetrator of appalling crimes. From that time since, the ambivalent image of Beatrice has attracted writers and artists, and often their obsession with her fed their own self-destruction. In this compelling study, Belinda Jack takes on the dangerous challenge of bringing Beatrice to life, and of tracing her power over those who tried to resurrect her, from the tragedy of Shelley to the novels of Nathaniel Hawthorne and Herman Melville, from the sculpture of Harriet Hosmer and the photographs of Julia Margaret Cameron to the desperate drama of Antonin Artaud. As we follow the stories of their lives and ambitions, we see how they suffered critical condemnation for their works about Beatrice, and were sometimes pushed to the brink of insanity. Her story, which is one of lust, passion and violence, contains a powerful sense of the forbidden, the taboo that drives people over the edge. BEATRICE'S SPELL is at once scholarly and utterly engrossing, carrying the power of her story through time.
Beatrice enjoys learning to spell, and gets really excited about it after some encouragement from her grandmother, but she has trouble convincing her classmates that spelling is not boring.
In a new small format, this highly illustrated, enchanting journey through the history and traditions of wizardry takes readers from Merlin to Gandalf, and offers practical spells to tryThe story of magic and its famous practitioners is told in thisenchanting compendium of magical lore.It exploresthe secrets of ancient sorcerers, the practices of medieval alchemists, and the rituals of modern magicians; and itreveals how lucky talismans work, suggests tools for successful spell-casting, and resolves the riddles that surround sacred sites and ceremonial magic. Along the way it introduces the most remarkable wizards in history and fiction, from the evil sorceress Circeto Professor Dumbledore. Specially commissioned paintings by Robert Ingpen, as well as works by artists such as Bosch and Goya, Arthur Rackham's atmospheric book illustrations, medieval woodcuts, and extraordinary engravings of arcana are all featured.Beautifullybound with specially paddedcovers, thisis the perfect gift for fantasy fans and budding alchemists young and old."
"A gorgeous and thrilling paean to the ferocious power of women. The characters live, bleed, and roar. "―Laini Taylor, New York Times bestselling author A NEW YORK TIMES BESTSELLER • Winner of the British Fantasy Award for Best Fantasy Novel • Named One of the Best Books of the Year by NPR Books • Barnes and Noble • BookPage In the late 1800s, three sisters use witchcraft to change the course of history in this powerful novel of magic, family, and the suffragette movement. In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters―James Juniper, Agnes Amaranth, and Beatrice Belladonna―join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote―and perhaps not even to live―the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be. An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, motherhood, and women's suffrage—the lost ways are calling. Praise for The Once and Future Witches: "A glorious escape into a world where witchcraft has dwindled to a memory of women's magic, and three wild, sundered sisters hold the key to bring it back...A tale that will sweep you away."―Yangsze Choo, New York Times bestselling author "This book is an amazing bit of spellcraft and resistance so needed in our times, and a reminder that secret words and ways can never be truly and properly lost, as long as there are tongues to speak them and ears to listen."―P. Djèlí Clark, author The Black God's Drum For more from Alix E. Harrow, check out The Ten Thousand Doors of January.
BONUS: This edition contains a Beatrice and Virgil discussion guide. When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey—named Beatrice and Virgil—and the epic journey they undertake together. With all the spirit and originality that made Life of Pi so beloved, this brilliant new novel takes the reader on a haunting odyssey. On the way Martel asks profound questions about life and art, truth and deception, responsibility and complicity.
NATIONAL BESTSELLER • From the winner of the Nobel Prize in Literature and author of Never Let Me Go and the Booker Prize–winning novel The Remains of the Day comes a luminous meditation on the act of forgetting and the power of memory. In post-Arthurian Britain, the wars that once raged between the Saxons and the Britons have finally ceased. Axl and Beatrice, an elderly British couple, set off to visit their son, whom they haven't seen in years. And, because a strange mist has caused mass amnesia throughout the land, they can scarcely remember anything about him. As they are joined on their journey by a Saxon warrior, his orphan charge, and an illustrious knight, Axl and Beatrice slowly begin to remember the dark and troubled past they all share. By turns savage, suspenseful, and intensely moving, The Buried Giant is a luminous meditation on the act of forgetting and the power of memory.
When a mysterious child appears at the monastery of the Order of the Chronicles of Sorrowing, Brother Edik nurses her back to health. When he uncovers her dangerous secret, she is sent away into the world with a goat and a boy.
In 1913 Marcel Duchamp's Nude Descending a Staircase exploded through the American art world. This is the story of how he followed the painting to New York two years later, enchanted the Arensberg salon, and—almost incidentally—changed art forever. In 1915, a group of French artists fled war-torn Europe for New York. In the few months between their arrival—and America’s entry into the war in April 1917—they pushed back the boundaries of the possible, in both life and art. The vortex of this transformation was the apartment at 33 West 67th Street, owned by Walter and Louise Arensberg, where artists and poets met nightly to talk, eat, drink, discuss each others’ work, play chess, plan balls, organise magazines and exhibitions, and fall in and out of love. At the center of all this activity stood the mysterious figure of Marcel Duchamp, always approachable, always unreadable. His exhibit of a urinal, which he called Fountain, briefly shocked the New York art world before falling, like its perpetrator, into obscurity. Many people (of both sexes) were in love with Duchamp. Henri-Pierre Roché and Beatrice Wood were among them; they were also, briefly, and (for her) life-changingly, in love with each other. Both kept daily diaries, which give an intimate picture of the events of those years. Or rather two pictures—for the views they offer, including of their own love affair, are stunningly divergent. Spellbound by Marcel follows Duchamp, Roché, and Beatrice as they traverse the twentieth century. Roché became the author of Jules and Jim, made into a classic film by François Truffaut. Beatrice became a celebrated ceramicist. Duchamp fell into chess-playing obscurity until, decades later, he became famous for a second time—as Fountain was elected the twentieth century’s most influential artwork.
Presents a collection of correspondence between Lemony Snicket and the mysterious Beatrice.
Beatrice has had enough. She is sick and tired of cleaning up after all the monsters in the manor-especially when they don't even pay rent! When two of the monsters get in a particularly messy mix-up, Beatrice decides that it is time for a major cleaning. But when her spells fail, she must rely on some wily behavior to get her house thoroughly cleaned. It looks like the manor is in serious danger of being cleaned out of both dirt and monsters!