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The first part of this volume consists of Sangharakshita’s writings about Anagarika Dharmapala, a Sri Lankan Buddhist who made it his life’s mission to restore the sacred site of Bodh Gaya, and whom Sangharakshita came to revere as one of the great Buddhists of the twentieth century. The second part is made up of articles Sangharakshita wrote for the Maha Bodhi journal, first as a regular contributor and then as the editor. They include poetic and philosophical reflections on the Dharma, as well as trenchant observations on the Buddhist world and calls to action on the issues of the day. The third part is a collection of book reviews published in the Maha Bodhi journal and other magazines over the course of nearly fifty years, from the days when the appearance of any new translation or commentary was a significant event, to more recent times, when readers could choose between hundreds of new titles.
Hakuin Ekaku (1685–1769) is one of the most influential figures in Zen Buddhism. He revitalized the Rinzai Zen tradition (which emphasizes the use of koans, or unanswerable questions, in meditation practice), and all masters of that school today trace their lineage back through him. He is responsible for the most famous of all koans: "What is the sound of one hand clapping?" He is also famous for his striking and humorous art, which he also regarded as teaching. This book provides a rare, intimate look at Hakuin the man, through his personal correspondence. Beating the Cloth Drum contains twenty-eight of Hakuin's letters to students, political figures, fellow teachers, laypeople, and friends. Each letter is accompanied by extensive commentary and notes. They showcase Hakuin's formidable, thoughtful, and sometimes playful personality—and they show that the great master used every activity, including letter-writing, as an opportunity to impart the teachings that were so close to his heart.
In this volume of memoirs, Sangharakshita arrives back in England after twenty years in the East. He expects to stay no more than a few months, but as the months become years, he begins to realize that it is here that he may best be able to 'work for the good of Buddhism', as one of his teachers had once exhorted him. After a farewell tour of his friends and teachers in India, he goes on to found a new Buddhist movement and to ordain twelve men and women into a new Buddhist Order.
India and the Traveller: Aspects of Travelling Identity, a collection of essays on travel writings related to India, focuses on the evolving persona of travelers to India as well as Indians journeying to other lands or within India. It examines India as a space, reflected on and interrogated by others, as also people associated intrinsically with this space, who move in and out of it. The essays focus on the self-fashioning of the traveller - Buddhist pilgrims of Asia, European visitors to the Mughal court, the British colonizer, the Indian anthropologist, historian or whimsical civil servant, the wanderer seeking spiritual insight in nature, and the woman traveller with her distinct perceptions and sensitivities. Engaging with issues related to identity, this book explores the need for cultural accommodation by African and European travellers, the discovery of affinity by Asian travellers, the instability of postcolonial selves and travel as a means of negotiating complex problems of fashioning personae in literary works.
Most of us are always looking outside ourselves for something. But this something, this ‘it’, is not out there. ‘It’ is within us. In 'It’s Not Out There', Buddhist teacher and mentor, Danapriya, shows you how to stop looking outside yourself for happiness and fulfilment. He explains how to uncover the fertile ground of your own potential, so you can live the life you are here for.
The nine texts in this volume, composed over a period of more than thirty years, show‚ Sangharakshita's unfolding insight into the meaning, significance and centrality of Going for Refuge.
In books, articles, interviews, and talks dating from 1965 to 2009, Sangharakshita outlines his vision of a new Buddhist movement. More recent teachings include four previously unpublished talks given between 2007 and 2009 at Buddhafield, Berlin’s Buddhistisches Tor, and other venues.
The Essential Sangharakshita was first published by Wisdom Publications in 2009. It is an anthology, arranged according to the pattern of a mandala, drawn from Sangharakshita’s writings. It expresses the author’s deep knowledge and love of the Buddhist tradition and of Western culture. Communicated clearly and warmly, there is something here to give any reader an entrance to the world of the Dharma.
A compilation of Sangharakshita’s teachings on meditation. Whether dipped into, consulted on a specific subject, or read from cover to cover, this collection offers practical, inspiring and encouraging advice for new and experienced meditators alike. It is deeply imbued with the Buddhist vision of the role of meditation in the quest for Enlightenment.
This is the continuing story of Milarepa and his disciple Rechungpa, first encountered in volume 18 of The Complete Works. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.In the story that begins this volume, matters come to a head when Milarepa burns the books that Rechungpa went all the way to India to acquire, but by the end of the volume, Rechungpa is able to set out on his own mission to teach the Dharma. Much happens in between.Sangharakshita's commentary, based on seminars given in the late 1970s and early 1980s, draws from the stories of Milarepa and his wayward disciple much valuable advice for any would-be spiritual practitioner.