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Craft your own colorful paper goods and personalized stationary. With clear, step-by-step instructions, Helen Heibert covers all aspects of the papermaking process — from growing and harvesting plants for a malleable paper pulp to embellishment techniques like dyeing, embossing, and laminating. With tips on building your own papermaking equipment, ideas for transforming junk mail into dazzlingly unique notecards, and much more, you’ll be inspired to let your creativity shine as you explore the endless possibilities of handcrafted papers.
The third time's a blood-splattered charm as BEAT to a PULP and nine of today's hard-hitting, top writers stalk the depraved streets where no good deed goes unpunished, vengeance is the norm, and lady luck is a cold-hearted bitch that just left you for dead in a back alley. Raw-nerved, pure virtuosity seeps from the grunge-tainted keyboards of Patti Abbott, Fred Blosser, Hilary Davidson, Chris F. Holm, Sophie Littlefield, Andrew Nette, Keith Rawson, Kieran Shea, and Josh Stallings. Co-edited by David Cranmer, who brought you the 2012 winner of Spinetingler's Anthology of the Year, this bold and riveting collection is a worthy continuation in the best-selling BTAP "Hardboiled" series.
Firmly set in the period of Pulp and Noir tales of the twentieth century in an unnamed American city -Beat To A Pulp delivers poetry that is full of the jive talk you would expect to read in Hammett, Chandler and Spillane. Its a Beat Poet delivering his version of a Pulp fiction. It's straight from the fridge, and if you've got your boots on you will dig the jive and imagine what happens when the canary sings. There is also a collection of six illustrations created by artist Mark Head -which add to the experience of a poetry collection with a difference.
Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.
Make exquisite papers right in your own kitchen. With a few pieces of basic equipment and a small harvest of backyard weeds, you can easily create stunningly original handcrafted papers. Helen Heibert’s illustrated step-by-step instructions show you how easy it is to blend and shape a variety of organic fibers into professional stationery, specialty books, and personalized gifts. You’ll soon be creatively integrating plant stalks, bark, flower petals, pine needles, and more to add unique colors and textures to your paper creations. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.