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The ultimate tour guide for those interested in the Beats and their travels "on the road."
Vols. for 1839-70 include separately paged section Turf register (called 1839-43 Turf calendar); vols. for also include Coursing calendar and Racing and steeplechase calendar.
Mexico features prominently in the literature and personal legends of the Beat writers, from its depiction as an extension of the American frontier in Jack Kerouac’s On the Road to its role as a refuge for writers with criminal pasts like William S. Burroughs. Yet the story of Beat literature and Mexico takes us beyond the movement’s superstars to consider the important roles played by lesser-known female Beat writers. The first book-length study of why the Beats were so fascinated by Mexico and how they represented its culture in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti. It also devotes individual chapters to women such as Margaret Randall, Bonnie Bremser, and Joanne Kyger, who each made Mexico a central setting of their work and interrogated the misogyny they encountered in both American and Mexican culture. The Beats in Mexico not only considers individual Beat writers, but also places them within a larger history of countercultural figures, from D.H. Lawrence to Antonin Artaud to Jim Morrison, who mythologized Mexico as the land of the Aztecs and Maya, where shamanism and psychotropic drugs could take you on a trip far beyond the limits of the American imagination.
This fascinating book explores Beat Generation writing from a transnational perspective, using the concept of worlding to place Beat literature in conversation with a far-reaching network of cultural and political formations. Countering the charge that the Beats abroad were at best na•ve tourists seeking exoticism for exoticism's sake, World Beats finds that these writers propelled a highly politicized agenda that sought to use the tools of the earlier avant-garde to undermine Cold War and postcolonial ideologies and offer a new vision of engaged literature. With fresh interpretations of central Beat authors Jack Kerouac, Allen Ginsberg, and William Burroughs - as well as usually marginalized writers like Philip Lamantia, Ted Joans, and Brion Gysin - World Beats moves beyond national, continental, or hemispheric frames to show that embedded within Beat writing is an essential universality that brought America to the world and the world to American literature. This book presents an original treatment that will attract a broad spectrum of scholars.
When you read a map and you think you're an accidental hero, but actually, you're the villain, welcome to the World of Dreydens-no, welcome to the Way of Zelos. After requesting a copy of an artifact map from the librarian and meeting up, Zelos, Tai, and Elise set out on a search for the truth surrounding the myths of the history of their world. After being thrashed in Mt. Azure, they are transported to another world where a group of rebels requests their help and where Atlas, the Overwriter, begins his operation. The operation that will gently steer this trio into believing their own hype, warp their sense of worth, and cause them to become the game of Russian roulette that will end with each other.