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A stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime—"a moving, painful story, so vividly human and so obviously based on reality that it strikes us as timeless" (The New York Times Book Review). "One of the best books Baldwin has ever written—perhaps the best of all." —The Philadelphia Inquirer Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.
With a reputation as wide open as the waters of the Mississippi flowing past its bustling downtown district, Memphis is a city of contrasts and contradictions. From the darkness of epidemics and racial tension to its beacons of music and entreprenurial success, Memphis is a reflection of the true American experience. For many years it was a community functioning almost as two separate societies, yet the ties between the two create one resolute and dynamic city as it begins this new century.
Thirty-eight songs and instrumental pieces from the era that witnessed the birth of the blues include the title piece, St. Louis Blues, The Hesitating Blues, Down Home Blues, I'm Crazy Bout Your Lovin', Jelly Roll Blues, Railroad Blues, and many more. Reproduced directly from rare sheet music — includes original covers. Introduction.
The vivid history of Beale Street—a lost world of swaggering musicians, glamorous madams, and ruthless politicians—and the battle for the soul of Memphis. Following the Civil War, Beale Street in Memphis, Tennessee, thrived as a cauldron of sex and song, violence and passion. But out of this turmoil emerged a center of black progress, optimism, and cultural ferment. Preston Lauterbach tells this vivid, fascinating story through the multigenerational saga of a family whose ambition, race pride, and moral complexity indelibly shaped the city that would loom so large in American life. Robert Church, who would become “the South’s first black millionaire,” was a mulatto slave owned by his white father. Having survived a deadly race riot in 1866, Church constructed an empire of vice in the booming river town. He made a fortune with saloons, gambling, and—shockingly—white prostitution. But he also nurtured the militant journalism of Ida B. Wells and helped revolutionize American music through the work of composer W.C. Handy, the man who claimed to have invented the blues. In the face of Jim Crow, the Church fortune helped fashion the most powerful black political organization of the early twentieth century. Robert and his son, Bob Jr., bought and sold property, founded a bank, and created a park and auditorium for their people finer than the places whites had forbidden them to attend. However, the Church family operated through a tense arrangement with the Democrat machine run by the notorious E. H. “Boss” Crump, who stole elections and controlled city hall. The battle between this black dynasty and the white political machine would define the future of Memphis. Brilliantly researched and swiftly plotted, Beale Street Dynasty offers a captivating account of one of America’s iconic cities—by one of our most talented narrative historians.
W. C. Handy, Furry Lewis, Booker White, Lillie May Glover, Roosevelt Sykes, Arthur Crudup, B. B. King, Bobby Blue Bland, Muddy Waters -- these and other musicians, singers, and songwriters, including the young Elvis Presley, eventually went to Beale Street in Memphis, Tennessee, to learn, improve, and practice their art. "To Handy and untold other blacks, Beale became as much a symbol of escape from black despair as Harriet Tubman's underground railroad," says Margaret McKee and Fred Chisenhall. They present Beale as a living microcosm of determination, survival, and change -- from its early days as a raucous haven for gamblers and grafters and as a black show business center to its present-day languishing. Choosing the former newspaper columnist, disc jockey, and schoolteacher Nat. D. Williams, as their main authority for the first part of this volume -- the street's history -- the authors have selected an individual with wisdom, perspective, and a distinctive voice that speaks from a lifetime of experience on Beale. His radio show on WDIA, "Tan Town Jamboree," was heard by thirteen-year-old Elvis Presley. Nat D. said, "We had a boast that if you made it on Beale Street, you can make it anywhere. And Elvis Presley made it on Beale first." Another Beale Streeter recalls, "He got that shaking, that wiggle, from Charlie Burse -- Ukulele Ike we called him -- right there at the Gray Mule on Beale." The street's history is richly complemented by the rare, extensive interviews that constitute the second half of the volume. "We undertook our research," the authors tell us, "not as a study of the blues but of the blues musicians themselves. They were a dying breed, these wandering minstrels who had become the principal storytellers of their people." Most of the musicians interviewed grew up in the rural southern areas where the authors found them, sometimes not far from their early homes. They tell of the music that took them to Memphis' street of the living blues. All show a resilience to despair, despite life's harsh times. Arthur "Big Boy" Crudup, who never received his accumulated royalties, shrugs, "I come here with nothing and I ain't going away with nothing, and it's no need worrying my life with it." In the life of Beale Street and in the conversations of its musicians, we experience with penetrating awareness a delicate balance of humor, courage, and pain.
"Chronology. Notes.
The blues was born in the Mississippi Delta, and since that fateful night in 1903 when W. C. Handy heard the mournful sound of a pocketknife sliding over the strings of an acoustic guitar and the plaintive song of a long-forgotten musician in the hot night of Tutwiler, Mississippi, the blues has been on a journey around the world. From the cotton fields and juke joints of the Delta, up Highway 61 to Memphis's Beale Street, St. Louis, the Southside of Chicago, England, and points beyond, the blues is America's unique form of music. Blues is incisive in its honesty, elemental in its rhythm, and powerful in its almost visceral sensation. Nearly every style of popular music has its roots in the blues. Muddy Waters said it best: "The blues had a baby, and they called it rock and roll." Memphis has become the heart of the blues world, with a re-born Beale Street acting as its spiritual center. People come from the world over to experience its beat, savor its emotion, and feel its power. In the end . . . "it ain't nothin' but the blues."
ROCK AND ROLL IS ABOUT TO CHANGE JOHNNY ROSS' LIFE. Living in Memphis in 1954, Johnny's world is completely segregated -- until he starts sneaking out to Beale Street at night. Beale Street, with its music clubs, is on the wrong side of the tracks, but it's the only place Johnny can hear the blues, which is all he cares about. It's also near Sun Records, where Johnny finds himself working for Sam Phillips -- and witnessing history in the making when an up-and-coming musician named Elvis records his first song. Nobody has heard anything like it. All at once Johnny is pulled into a storm of controversy around this new kind of music, just as racial tensions are reaching a breaking point. What started out as a part-time job and a way to get behind the scenes of a record label is now spinning out of control. As songs like Elvis's start rising up the charts, Johnny sees the power music has to bring people together -- while secrets from the past threaten to tear his black-and-white life apart. In this searing, cinematic novel, acclaimed writer Ronald Kidd tells a coming-of-age story set against a backdrop of race conflict and the birth of rock and roll.
The fascinating story of how a Memphis radio station broke down racial barriers by changing its programming to target the largely ignored black audience. This change became a part of the social and cultural revolution that rocked the South and the nation--an important missing chapter in American cultural history. 16 pages of photographs.
Little Cleveland Lee wants to play the trumpet with his big sister's high school marching band, but they just laugh at him until an old bluesman helps them understand what it takes to be a musician.