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Five years ago Caroline Fremont Jones fled the proper world of her native Boston for the independent life of a California private detective. But now, in the winter of 1909, she is grief-stricken to learn of her father’s grave illness. Still hampered by half-healed injuries from her last adventure — but buoyed by her ever-deepening affection for her partner in love and work, Michael Kossoff — Fremont leaves sunny San Francisco for the ice-edged air and handsome mansions of Beacon Street. Her visit has scarcely begun when her father, suffering from a malady not even his doctor can diagnose, takes a turn for the better ... only to die suddenly in the middle of the night. Fremont is certain her odious stepmother, Augusta, somehow caused her father’s death. But how? And did she have an accomplice? Michael questions Fremont’s suspicions ... until an exotic piece of evidence and a second, violent death trigger an investigation that draws upon childhood memories and fears to become Fremont’s most personal one yet.
Autumn 1908 finds Caroline Fremont Jones and her partner in love and work, Michael Kossoff, traveling incognito, riding the rails from San Francisco to Boston. The railroad hired the sleuthing couple to investigate a series of accidents. But before they can solve the mystery, they become victims of the worst mishap yet when their train blows up near Salt Lake City. Was it a callous act of vandalism-or something even more sinister? Michael isn't about to let his injuries slow down his search for answers...or for Fremont, who has not been seen since the accident-dead or alive. Fortunately, the badly injured Fremont was rescued from the train's wreckage. But her unlikely savior, the leader of a breakaway Mormon sect, has hidden her away in his remote wilderness community. It seems that Melancthon Pratt has big plans for Fremont...not the least of which is for her to become his sixth wife. Now Fremont's only hope is that her genius for artifice will help her devise an escape. That is, unless Michael, shadowed by an old nemesis and a mysterious stranger, can find her before a heartless killer claims both their lives.
"Deeper understanding of history is enhanced by encasing it in art and interest. Crime fiction is one of the widest and most rapidly growing forms of literature. Historical crime fiction serves effectively the double purpose of entertaining while it teaches. The "truth" of the narrative account, the editors of this volume believe, is dependent on the understanding of human nature reflected in the author who writes the narrative. "Historical crime fiction," the editors of this volume write, "has an obligation and a golden opportunity. It must bring the past up to the present through the device of timeless crime and it must take the reader into the world about which is being written so that the characters are alive and the events interesting and challenging." Professional writers of fiction need to be more effective than mere authors of dates and assumed motivations. Therefore they can fill in human motivations and drives where no records exist and can aid the professional historians in what historian David Thelen calls the "challenge of history " which is "to recover the past and [interpret it for] the present." The essays in this volume accept the challenge and make major accomplishments for meeting it.
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.