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Lewis Bokurtz is not saving the world. This isn’t that kind of story. His parents don’t keep him in a cupboard under the stairs. His teacher doesn’t lock him in a closet filled with broken glass. His friends have never treated him with disdain due to his expression of any unique supernatural powers. He desperately wishes they would. A thoughtful young boy yearns for adventure, like so many he has lived between the covers of his favorite books. When the discovery of a rusted iron coin hidden in the depths of a pond leads him to the towering black gates of the Iron Circus, he finds everything he ever wanted waiting just for him beneath the monolithic reaches of its imposing iron Big Top. But everything at the Iron Circus is not as it seems: the performers are all busy preparing for their spectacular upcoming show, almost too keen for Lewis’s help. Meanwhile, the sinister Ringmaster lurks in the shadows, his hollow smile a mask for sabotage and subterfuge. Can Lewis triumph over every challenge, ensure the show goes on, and live the adventure he’s always dreamed of? Or is this just not that kind of story?
The Renaissance Faire—a 50 year-long party, communal ritual, political challenge and cultural wellspring—receives its first sustained historical attention with Well Met. Beginning with the chaotic communal moment of its founding and early development in the 1960s through its incorporation as a major “family friendly” leisure site in the 2000s, Well Met tells the story of the thinkers, artists, clowns, mimes, and others performers who make the Faire. Well Met approaches the Faire from the perspective of labor, education, aesthetics, business, the opposition it faced, and the key figures involved. Drawing upon vibrant interview material and deep archival research, Rachel Lee Rubin reveals the way the faires established themselves as a pioneering and highly visible counter cultural referendum on how we live now—our family and sexual arrangements, our relationship to consumer goods, and our corporate entertainments. In order to understand the meaning of the faire to its devoted participants,both workers and visitors, Rubin has compiled a dazzling array of testimony, from extensive conversations with Faire founder Phyllis Patterson to interviews regarding the contemporary scene with performers, crafters, booth workers and “playtrons.” Well Met pays equal attention what came out of the faire—the transforming gifts bestowed by the faire’s innovations and experiments upon the broader American culture: the underground press of the 1960s and 1970s, experimentation with “ethnic” musical instruments and styles in popular music, the craft revival, and various forms of immersive theater are all connected back to their roots in the faire. Original, intrepid, and richly illustrated, Well Met puts the Renaissance Faire back at the historical center of the American counterculture.
Based on close reading of original sources, Fallows (Spanish, U. of Georgia) offers a detailed reconstruction of the history and practice of jousting, detailing techniques and injuries, styles of fighting, and all the parts of the arms and armor used, with frequent citing of original descriptions. As is typical for this publisher, the volume is beautifully produced, printed on good stock and well-illustrated with color and b&w plates. Notable is the inclusion of three 15th- and 16th-century jousting manuals, presented in full in side-by-side English and Spanish translation. A glossary and bibliography are provided. The Boydell Press is an imprint of Boydell & Brewer. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com).
The fiercest knights in the realm are coming together to compete in the Joust for Arwin's Lance, a tournament that will divide even the closest alliances. The winner alone will have the power to start or prevent a war from unfolding across the peaceful lands of Pentavia. House Hornbolt, a prominent family that desires peace above all else, is hosting the tournament. The Hornbolt's have always been strict followers of tradition. The first born son wears the armor of a knight. The second takes the priestly Oath of Arwin. And the daughters get married off to the most eligible suitors. The eldest son is the favorite to win the tournament. But the rest of the Hornbolts aren't as eager to follow the paths laid out for them. What if the second born wants to be a knight too? And what if the eldest daughter just gave her heart to a common thief? Customs are meant to be broken. But that's not all that threatens to shatter House Hornbolt, not when a secret deeper than the late king's grave is unearthed right before the joust. The fate of Pentavia hangs in the balance as war becomes imminent. And the scales are about to tip. One wrong move and everything could fall to pieces.
1066 - Senlac Ridge, England. William the Bastard, Duke of Normandy, defeats Harold Godwinson, King Harold II of England, in what will become known as the Battle of Hastings. The battle is hard fought and bloody, the lives of thousands have been spent, including that of King Harold. But England will not be conquered easily, the Anglo-Saxons will not submit meekly to Norman rule. Although his heroic deeds will nearly be lost to legend, one man unites the resistance. His name is Hereward of Bourne, the champion of the English. His honour, bravery and skill at arms will change the future of England. His is the legacy of the noble outlaw. This is his story.
England 1245. Sir Royce de Bremont has spent his entire life plotting revenge against his traitorous uncle. Kidnapping the man's bride-to-be brings Royce one step closer to fulfilling his vow of vengeance. Lady Alyna of Montvue has no desire to marry nor to become a pawn in a game of vengeance. Her only wish is to find a safe place to raise the orphan gifted with second sight she vowed to protect. The beautiful lady and her precocious son make Royce long for a family of his own, yet until he reclaims his birthright, he has little to offer them. Alyna soon realizes this bold knight has captured her heart but fears she's merely part of his plan for revenge. As passions rise, Royce must choose vengeance or love.
Ted Spencer on finishing the school of magic starts to work as an employee at the Department of Magic in the British Museum. Putting Meryl the Magician’s last will into effect, he and his girlfriend Alice Fortescue set off through the Time Portal into the past, to look for the magic artefacts. The first page of the Magic Book delegates them to the 14th century Scotland.
For aeons the universe has been ruled by the council of the Educational and Scientific Research Anomaly (ESRA). Their CEO, Draper, has developed a program of sending trainees to manage emerging planetary systems according to the ESRA doctrine of "create life in your own image." Draper sends what seems to be his favourite trainee, God, to the Sun system in the Milky Way to do just that, but, unbeknown to Draper, God has his own theory on life creation called evolution. God sets evolution in motion on the planet he has called Earth but when the development is too slow he starts to meddle with the process causing the planet to be populated by giant creatures he calls dinosaurs. He reports back to Draper who strangely, rather than giving him a bollicking, summons the Intergalactic Trouble-shooter, Armageddon, to help....... Armageddon manages to sort most of the problems and gradually gets seduced into helping God with his other hare-brained scheme called religion. Religion takes off in different forms so God sets himself up to become a Messiah to unite them all. The plan falters when he gets a local girl pregnant but Armageddon comes up with an idea that will make the child, Jesus Christ, the said Messiah. It all goes pear shaped when the local authorities crucify Jesus but Armageddon spirits him back to ESRA where they attempt to save his life. The ruling council aren't happy but they are sufficiently intrigued with evolution and religion that they approve a watching brief on Earth. As the planet sinks into a mess of wars, conflict and religious intolerance Armageddon finds a loophole in the directive and he and God help out where they can while preparing for the return of Jesus.
This book explores knightly stories of medieval manners and is a commentary on what people in the middle ages wore, how they prayed and what they hoped for in this life and the next. These stories range from the shockingly bawdy to the deeply pious, and often end with morals about the ways women can avoid 'blame, shame, and defame'.
Will their love story end with wedding bells…or unravel in the face of dark magic? Skye O’Malley’s wedding is just around the corner, but her love story is about to take an otherworldly twist. When Skye’s estranged mother, Alicia Petrucci, appears out of the blue, secrets unravel, and the plot thickens. The elders of the Petrucci family, powerful witches, are demanding that Skye marry a man she's never met — Christian Petrucci. As Skye navigates the twists and turns of her impending marriage, the tension escalates. A paparazzo’s murder, Christian’s arrest, and a chilling ultimatum from Isabella Petrucci thrust Skye into a world of mystery and danger. She’s offered a deal: solve the murder before her wedding, or be bound to Christian forever. Skye and Max embark on a thrilling investigation, unearthing secrets, alibis, and unexpected connections. But as the clock ticks down to her wedding day, the pressure mounts. Can they unveil the truth in time, or will Skye’s future be forever entwined with the enigmatic Christian?