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The best things happen while you're acting... The historic Madrigal theater, in the heart of downtown Wishful, is about to close its doors forever. A last ditch fund-raising effort, a production of White Christmas, is probably the only thing that could bring Tyler Edison out of retirement. She fell in love on that stage, but when Brody Jensen abandoned her, she lost the heart to sing and dance for the crowd. Maybe it's time to take that back... It seems like pure chance when Brody's job, which has taken him all over the world, brings him back to his little hometown to oversee his boss's latest secret project. Brody's looking for closure, planning to sell the house his parents left him and finally put his past, and his memories of Tyler, behind him. What better way than to be a part of this last show? Even though his leading lady is surely long gone... Put on your dancing shoes, auditions start at six o'clock.
Buck Brightman is a 29-year-old, gregarious, adventuresome photojournalist who sets out to find his Mother's birthplace in Germany. Along the way he also finds lively companions, good food and beer, lifelong friends, a madman who strips Buck naked, a mother lode of truffles, an ISIS terrorism operation, a plot involving Trakehner horses, bat guano...and love. Come join Buck on his adventure ... and see what you find!
How contemporary Cuban writers build transnational communities In Writing Islands, Elena Lahr-Vivaz employs methods from archipelagic studies to analyze works of contemporary Cuban writers on the island alongside those in exile. Offering a new lens to explore the multiplicity of Cuban space and identity, she argues that these writers approach their nation as part of a larger, transnational network of islands. Introducing the term “arcubiélago” to describe the spaces created by Cuban writers, both on the ground and in print, Lahr-Vivaz illuminates how transnational communities are forged and how they function across space and time. Lahr-Vivaz considers how poets, novelists, and essayists of the 1990s and 2000s built interconnected communities of readers through blogs, state-sponsored book fairs, informal methods of book circulation, and intertextual dialogues. Book chapters offer in-depth analyses of the works of writers as different as Reina María Rodríguez, known for lyrical poetry, and Zoé Valdés, known for strident critiques of Fidel Castro. Incorporating insights from on-site interviews in Cuba, Spain, and the United States, Lahr-Vivaz analyzes how writers maintained connections materially, through the distribution of works, and metaphorically, as their texts bridge spaces separated by geopolitics. Through a decolonizing methodology that resists limiting Cuba to a distinct geographic space, Writing Islands investigates the nuances of Cuban identity, the creation of alternate spaces of identity, the potential of the Internet for artistic expression, and the transnational bonds that join far-flung communities. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
There's nothing like forced proximity to make passions ignite! Lose yourself in this trio of full-length small-town contemporary romances. DON'T YOU WANNA STAY After accidentally buying an historic fixer upper in an online auction, publicist Deanna partners with YouTube famous DIYer Wyatt. As they battle home improvement hell and rising attraction, can they keep from giving the viewers more of a show than they ever intended? MADE FOR LOVING YOU When Paisley becomes the target of malicious harassment, the police have no suspects, no leads, no way to make her feel safe. As her stalker escalates, she turns to the one guy she knows can protect her. Ty’s determined to put a stop to the harassment, even if it means moving in with the woman who’s so much more than the girl he used to love. He just has to remember to guard his own heart in the process. BE CAREFUL, IT'S MY HEART The historic Madrigal theater, in the heart of downtown Wishful, is about to close its doors forever. A last ditch fund-raising effort, a production of White Christmas, is probably the only thing that could bring Tyler Edison back to the stage after all these years. Little does she know that the leading man who broke her heart just blew back into town. Auditions start at six o’clock.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Astaire by Numbers looks at every second of dancing Fred Astaire committed to film in the studio era--all six hours, thirty-four minutes, and fifty seconds. Using a quantitative digital humanities approach, as well as previously untapped production records, author Todd Decker takes the reader onto the set and into the rehearsal halls and editing rooms where Astaire created his seemingly perfect film dances. Watching closely in this way reveals how Astaire used the technically sophisticated resources of the Hollywood film making machine to craft a singular career in mass entertainment as a straight white man who danced. Decker dissects Astaire's work at the level of the shot, the cut, and the dance step to reveal the aesthetic and practical choices that yielded Astaire's dancing figure on screen. He offers new insights into how Astaire secured his masculinity and his heterosexuality, along with a new understanding of Astaire's whiteness, which emerges in both the sheer extent of his work and the larger implications of his famous "full figure" framing of his dancing body. Astaire by Numbers rethinks this towering straight white male figure from the ground up by digging deeply into questions of race, gender, and sexuality, ultimately offering a complete re-assessment of a twentieth-century icon of American popular culture.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
(Applause Books). Gathered together in one volume for the first time, here are all of the incomparable song lyrics of Irving Berlin the lyrics of more than 1,200 songs, 400 of which have never before appeared in print along with anecdotal, historical, and musicological commentary and dozens of photographs. Berlin came from a poor immigrant family and began his career as a singing waiter, but by the time he was nineteen he was publishing his songs and quickly found fame with "Alexander's Ragtime Band" in 1911. In the extraordinary six decades that followed, Berlin wrote one popular hit after another: Blue Skies * Always * Cheek to Cheek * White Christmas * God Bless America * There's No Business Like Show Business * and many more. He also wrote a number of the classics of musical theater's Golden Age, climaxing with Annie Get Your Gun . He penned three Astaire and Rogers films Top Hat, Carefree , and Follow the Fleet as well as the scores of Holiday Inn, Easter Parade , and other films. The breadth of his accomplishment is staggering.
(Jazz Play Along). For use with all Bb, Eb, and C instruments, the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues, and audio, this first-of-its-kind package makes learning to play jazz easier than ever before. For study, each tune includes audio with: * Melody cue with proper style and inflection * Professional rhythm tracks * Choruses for soloing * Removable bass part * Removable piano part. For performance, each tune also has: * An additional full stereo accompaniment track (no melody) * Additional choruses for soloing. This volume includes: Be Careful, It's My Heart * Blue Skies * Change Partners * Cheek to Cheek * How Deep Is the Ocean (How High Is the Sky) * I've Got My Love to Keep Me Warm * Let's Face the Music and Dance * Steppin' Out with My Baby * They Say It's Wonderful * What'll I Do?