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An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant figures, including Poul Henningsen, Ingo Maurer, and Gino Sarfatti. With over 130 illustrations of functional and sometimes fantastical designs, a historical timeline, and comprehensive artist biographies, this handsome volume expands our understanding of an understudied but influential art form and demonstrates lighting’s central role as both an expression of and a catalyst for innovations in modern and contemporary design. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (February 21–May 16, 2021) High Museum of Art, Atlanta (July 2–September 26, 2021)
Bayou Bend Gardens in Houston, Texas, is one of the most beautiful public gardens in the United States. Originally conceived in 1926 by the legendary Texas collector and philanthropist, Miss Ima Hogg (1882-1975), to surround Bayou Bend, her magnificent home, the gardens are a splendid oasis along Houston's Buffalo Bayou. An active and adventurous gardener, Miss Hogg supervised the plans for the eight formal gardens that are set among the woods and ravines bordering the estate. The gardens feature a variety of native and imported plants, including the azaleas, camellias, magnolias and crape myrtles for which Bayou Bend has become famous. Bayou Bend is situated in the heart of River Oaks, which was a remote and tranquil suburb of Houston when it was originally developed in the 1920s and is now a stately enclave in the nation's fourth-largest city. In 1957, Miss Hogg bequeathed her home and gardens to the Museum of Fine Arts, Houston. Fully renovated and conserved, the house displays one of the nation's premier collections of American fine and decorative arts from 1620-1870. This exquisitely illustrated book will bring this Southern garden to life through gorgeous photography and an in-depth history of how the gardens were created, from the first phase of plantings to today's full glory. It will appeal to a wide audience of people who are interested in gardening, garden history, social and design trends, the decorative arts, Texas and the history of the American South. David B. Warren, the author of the book, is the founding director emeritus of Bayou Bend Collection and Gardens. David B. Warren, the author of the book, is the founding director emeritus of Bayou Bend Collection and Gardens 89 colour & 49 b/w illustrations
In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for
"This engaging biography paints an intimate portrait of Ima Hogg (1882-1975), a philanthropist who left her mark on Texas through her dedicated support of the arts, education, and mental health"--
At the fifth biennial David B. Warren Symposium, seven scholars examined contributions made by women to the material culture of nineteenth-century Texas, the Lower South, and the Southwest. The resulting papers explore such diverse topics as women’s creative enterprises in Texas, their artistic contributions, as seen in the making of fine art, quilts, sunbonnets, and memorial hairwork pieces, and their role in adapting personal spaces such as an antebellum parlor and African American homes after the Civil War. In this volume, Mel Buchanan shares insights about the woman behind the furnishing of an important antebellum parlor. Whitney Stuart discusses Reconstruction-era African American material culture as expressed by women in their new free homes. Katherine Burlison reveals one woman’s impressive literary and artistic accomplishments in New Orleans. Katherine J. Adams provides interpretive analysis of quilts from Texas and the Lower South. The paper on sunbonnets by Rebecca Jumper Matheson provides a unique window into nineteenth-century Texas. The publication concludes with an essay by Lauren Clark focused on decorative memorial works woven of hair.
Mark Rothko (1903–1970), world-renowned icon of Abstract Expressionism, is rediscovered in this wholly original examination of his art and life written by his son. Synthesizing rigorous critique with personal anecdotes, Christopher, the younger of the artist’s two children, offers a unique perspective on this modern master. Christopher Rothko draws on an intimate knowledge of the artworks to present eighteen essays that look closely at the paintings and explore the ways in which they foster a profound connection between viewer and artist through form, color, and scale. The prominent commissions for the Rothko Chapel in Houston and the Seagram Building murals in New York receive extended treatment, as do many of the lesser-known and underappreciated aspects of Rothko’s oeuvre, including reassessments of his late dark canvases and his formidable body of works on paper. The author also discusses the artist’s writings of the 1930s and 1940s, the significance of music to the artist, and our enduring struggles with visual abstraction in the contemporary era. Finally, Christopher Rothko writes movingly about his role as the artist’s son, his commonalities with his father, and the terms of the relationship they forged during the writer’s childhood. Mark Rothko: From the Inside Out is a thoughtful reexamination of the legendary artist, serving as a passionate introduction for readers new to his work and offering a fresh perspective to those who know it well.
"This book, the first of two volumes devoted to the Lone Star State, covers the central, southern, and Gulf Coast region (the earliest areas of Spanish and Anglo settlement and the majority of the counties that won independence from Mexico in 1836) and includes four major cities--Austin, Corpus Christi, Houston, and San Antonio."--Publisher's description.
A monumental cultural history of Napoleon Bonaparte’s fascination with antiquity and how it shaped Paris’ artistic landscape. Napoleon is one of history’s most fascinating figures. But his complex relationship with Rome—both with antiquity and his contemporary conflicts with the Pope and Holy See—have undergone little examination. In The Caesar of Paris, Susan Jaques reveals how Napoleon’s dueling fascination and rivalry informed his effort to turn Paris into “the new Rome”— Europe’s cultural capital—through architectural and artistic commissions around the city. His initiatives and his aggressive pursuit of antiquities and classical treasures from Italy gave Paris much of the classical beauty we know and adore today. Napoleon had a tradition of appropriating from past military greats to legitimize his regime—Alexander the Great during his invasion of Egypt, Charlemagne during his coronation as emperor, even Frederick the Great when he occupied Berlin. But it was ancient Rome and the Caesars that held the most artistic and political influence and would remain his lodestars. Whether it was the Arc de Triopmhe, the Venus de Medici in the Louvre, or the gorgeous works of Antonio Canova, Susan Jaques brings Napoleon to life as never before.