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At the beginning of the 20th century, Bay City was the third biggest city in Michigan, after Detroit and Grand Rapids. Lumber and sawmills were a big part of that success. The wealth amassed by its lumber barons built a vibrant downtown and mansions along its main streets. Add industry, shipping, sugar beets, schools, and churches to the mix, and you have the pictures in this book. These postcards show you how Bay City looked at its peak in the very early 1900s until about 1940-a time when people were glad they had reached their destinations and happy to send a postcard when they arrived.
At the beginning of the 20th century, Bay City was the third biggest city in Michigan, after Detroit and Grand Rapids. Lumber and sawmills were a big part of that success. The wealth amassed by its lumber barons built a vibrant downtown and mansions along its main streets. Add industry, shipping, sugar beets, schools, and churches to the mix, and you have the pictures in this book. These postcards show you how Bay City looked at its peak in the very early 1900s until about 1940-a time when people were glad they had reached their destinations and happy to send a postcard when they arrived.
Throughout its history, the Bay City area has been a fascinating place to explore. Its early 20th century role as a lumber and shipping center helped it develop into a charming place to live, work, and raise a family. While thriving industry contributed to the development of Bay City itself, neighboring communities like Auburn, Essexville, Kawkawlin, Linwood, and Pinconning were developing into smaller agricultural and residential villages. This book, a companion to Bay City: 1900-1940 in Vintage Postcards, uses archival postcards to document the progress and growth that have taken place in Bay City and its surroundings. Bay City and Beyond takes readers on a captivating tour of the streets, businesses, schools, homes, people, and events that have shaped the Bay City area as it is known today.
In 1831, Alexis de Tocqueville described the Saginaw Valley as the far west of our growing nation, predicting that its impenetrable forests would soon be felled, and its river would be lined with quays and filled with vessels. Influential settlers soon began to confirm those predictions, including the Trombleys, who arrived in 1831 and built the Trombley House in 1837. Albert Miller platted Portsmouth in 1836and Lower Saginaw, now known as Bay City, was platted the same year. Throughout the 20th century, majestic buildings were erected, schools, homes, and churches were established, and Bay City developed into a wonderful place to live, work, and raise a family.
Throughout its history, the Bay City area has been a fascinating place to explore. Its early 20th century role as a lumber and shipping center helped it develop into a charming place to live, work, and raise a family. While thriving industry contributed to the development of Bay City itself, neighboring communities like Auburn, Essexville, Kawkawlin, Linwood, and Pinconning were developing into smaller agricultural and residential villages. This book, a companion to Bay City: 1900-1940 in Vintage Postcards, uses archival postcards to document the progress and growth that have taken place in Bay City and its surroundings. Bay City and Beyond takes readers on a captivating tour of the streets, businesses, schools, homes, people, and events that have shaped the Bay City area as it is known today.
American women's suffrage activists were fascinated with suffrage themed postcards. They collected them, exchanged them, wrote about them, used them as fundraisers and organized "postcard day" campaigns. The cards they produced were imaginative and ideological, advancing arguments for the enfranchisement of women and responding to antisuffrage broadsides. Commercial publishers were also interested in suffrage cards, recognizing their profit potential. Their products, though, were reactive rather than proactive, conveying stereotypes they assumed reflected public attitudes--often negative--towards the movement. Cataloging approximately 700 examples, this study examines the "visual rhetoric" of suffrage postcards in the context of the movement itself and as part of the general history of postcards.
Examines postcards as images that are carriers of text, and textual correspondence that circulate images across boundaries of class, gender, nationality and race. Discusses issues concerning the concrete practices of production, consumption, collection and appropriation.