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The Cambridge Illustrated Atlas of Warfare: Renaissance to Revolution provides a thorough introduction to the military and naval history of the years 1492 to 1792, covering the period from the European Renaissance to the revolutionary wars of the late eighteenth century. Detailed colour maps, battle plans, and colour and black-and-white illustrations combine with an authoritative text to illuminate developments in warfare on both land and sea. Particular attention is paid to the effects of European military expansion on the rest of the world including the Americas, Africa, Asia, and the Mediterranean. Special feature panels are devoted to key events, to the more complicated and intriguing military confrontations, to individual tacticians and to the key topics such as weapons, battle strategies, the rise of naval warfare, and the composition of armies. The book is written by a leading historian of the early modern period.
Reproduction of the original.
For 1st and 2nd year undergraduate courses in Modern European History in departments of history. Also, higher level courses on enlightenment.This book provides a wide-ranging account and discussion of the history of Europe from 1713-1789. As well as political events, problems and institutions, it looks at the economic life of the continent, social structures and problems and intellectual and religious life. It also covers all aspects of Europe's relations with the rest of the world during a key period in European history.
This is a history of warfare, wars and the armed forces of Europe from the military revolution of the mid-17th century to the Napoleonic wars.; This book is intended for broad-based undergrad courses on 18th century Europe/Britain and the Ancien Regime. 2nd and 3rd year thematic courses on warfare in the modern period, and students of war studies.
War in the 18th century war was a complex operation, including popular as well as conventional conflict, between Europeans and with non-Europeans. These conflicts influenced European intellectuals and contributed to the complexity of Enlightenment thought. While Enlightenment writers regarded war as the greatest evil confronting mankind, they had little hope that it could be eliminated; thus, peace proposals of the day were joined by more realistic discussion of the means by which war might be limited or rendered more humane. In this book, the author considers the influence of ideas and values on the actions of Enlightenment military personnel and how the rational spirit of the time influenced military thought, producing a military enlightenment that applied rational analysis to military tactics and to the composition of armies. In the late Enlightenment, military writers explored the psychological foundations of war as a means of stimulating a new military spirit among the troops. The Enlightenment was, however, not the only cultural influence upon war during this century. Religion, the traditional values of the ancien regime, and local values all contributed to the culture of force. When Europeans engaged in military encounters with peoples in other parts of the globe, cultural interchange inevitably occurred as well. Further, there is a revolutionary element that one must consider when defining the military culture. The result of all these factors was a creative tension in 18th century warfare and an extraordinarily complex military culture.
Why Wars Happen is a groundbreaking inquiry into the crucial yet surprisingly understudied question of why wars occur. Jeremy Black, one of Britain's foremost military historians, presents an interdisciplinary study that draws on subjects such as history, political science, and international relations and marshals a vast range of material with global examples spanning from the fifteenth century to today. Black examines several major modern wars in their historical contexts, taking into account cultural differences and various conflict theories. He analyzes the three main types of war—between cultures, within cultures, and civil—and explores the problems of defining war. Black's investigation inspires fascinating questions such as: Do wars reflect the bellicosity in societies and states, or do they largely arise as a result of a diplomatic breakdown? How closely is war linked to changes in the nature of warfare, the international system, or the internal character of states? Black also considers contemporary situations and evaluates the possible course of future wars. Offering a valuable and thought-provoking analysis on the causes of war and conflicts, Why Wars Happen will interest historians and readers of military history alike.
Listen to "An Electronic Cabaret: Paris Street Songs, 1748Ð50" for songs from Poetry and the Police Audio recording copyright © 2010 by the President and Fellows of Harvard College. All rights reserved. In spring 1749, Franois Bonis, a medical student in Paris, found himself unexpectedly hauled off to the Bastille for distributing an Òabominable poem about the king.Ó So began the Affair of the Fourteen, a police crackdown on ordinary citizens for unauthorized poetry recitals. Why was the official response to these poems so intense? In this captivating book, Robert Darnton follows the poems as they passed through several media: copied on scraps of paper, dictated from one person to another, memorized and declaimed to an audience. But the most effective dispersal occurred through music, when poems were sung to familiar tunes. Lyrics often referred to current events or revealed popular attitudes toward the royal court. The songs provided a running commentary on public affairs, and Darnton brilliantly traces how the lyrics fit into song cycles that carried messages through the streets of Paris during a period of rising discontent. He uncovers a complex communication network, illuminating the way information circulated in a semi-literate society. This lucid and entertaining book reminds us of both the importance of oral exchanges in the history of communication and the power of ÒviralÓ networks long before our internet age.