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Following the economic depression of the early 1930s, antisemitism, whipped up by anti-alienist and fascist agitators, became a serious threat for British Jews. However, the British Jewish establishment - the Board of Deputies, the staff of "The Jewish Chronicle", etc. - refused to believe in the viability of British antisemitism and regarded it as an export from Central Europe, alien to Britain. After 1934, the British Union of Fascists, led by Oswald Mosley, became the main promoter of aggressive antisemitism. It was the Jewish population of London's East End who led the struggle against the fascist and antisemitic danger and formed defense organizations of their own, unsupported by the Jewish communal leadership. While in 1936, and later, it was impossible to ignore the rise of antisemitism in Britain, the leaders and spokesmen of the Jewish community resorted to a propaganda campaign and to self-criticism of "the Jews who rushed to the professions", they voiced anxiety about Jewish youth joining "extreme anti-fascists", and they opposed violent forms of struggle. In October 1936 it was the rank-and-file Jews, supported by non-Jewish workers and communists, who succeeded in thwarting a demonstration of the BUF in the East End.
A truly radical response to conservative heritage tours and banal day trips, Rebel Footprints brings to life the history of social movements in England’s capital. David Rosenberg transports readers from well-known landmarks to history-making hidden corners, while telling the story of protest and struggle in London from the early nineteenth to the mid-twentieth century. From the suffragettes to the socialists, from the chartists to the trade unionists: Rosenberg invites us to step into the footprints of a diverse cast of dedicated fighters for social justice. Individual chapters highlight particular struggles and their participants, from famous faces to lesser-known luminaries. Rosenberg sets London’s radical campaigners against the backdrop of the city’s multi-faceted development. Self-directed walks pair with narratives that seamlessly blend history, politics, and geography, while specially commissioned maps and illustrations immerse the reader in the story of the city. Whether you’re visiting London for the first time, or born and raised there, Rosenberg invites you to see London as you never have before--the radical center of the English-speaking world.
Michael Russell’s work has captured the real essence of life in the East End of London between 1890 and 1961. Michael has collected together recollections from his own childhood and his family’s oral history in East End at War and Peace, bringing the past to life into one colourful story. Interspersed with the general history, this book is a unique look at the East End of London, from both a personal and a historical perspective. He retells his grandparent’s tales of trench warfare and the 1920s depression and his family fortunes at this time. He talks us through the 1930s, when the family was disturbed by the threat of war as they prepare for laughter and tears in the shelters. He revisits the scene when a V2 rocket plunged to earth near the family home on Cambus Road in 1944. From the VE day celebrations to the nuclear age, from the choking smogs that cover the East End post-war to the age of rock and roll as it infiltrated daily life, Michael’s book offers a glimpse of a life of a true East Ender.
From the author of the highly addictive and bestselling Blue Bloods series, with almost 3 million copies sold, comes a new novel, Melissa de la Cruz's first for adults, featuring a family of formidable and beguiling witches. The three Beauchamp women-Joanna and her daughters Freya and Ingrid-live in North Hampton, out on the tip of Long Island. Their beautiful, mist-shrouded town seems almost stuck in time, and all three women lead seemingly quiet, uneventful existences. But they are harboring a mighty secret-they are powerful witches banned from using their magic. Joanna can resurrect people from the dead and heal the most serious of injuries. Ingrid, her bookish daughter, has the ability to predict the future and weave knots that can solve anything from infertility to infidelity. And finally, there's Freya, the wild child, who has a charm or a potion that can cure most any heartache. For centuries, all three women have been forced to suppress their abilities. But then Freya, who is about to get married to the wealthy and mysterious Bran Gardiner, finds that her increasingly complicated romantic life makes it more difficult than ever to hide her secret. Soon Ingrid and Joanna confront similar dilemmas, and the Beauchamp women realize they can no longer conceal their true selves. They unearth their wands from the attic, dust off their broomsticks, and begin casting spells on the townspeople. It all seems like a bit of good-natured, innocent magic, but then mysterious, violent attacks begin to plague the town. When a young girl disappears over the Fourth of July weekend, they realize it's time to uncover who and what dark forces are working against them. With a brand-new cast of characters, a fascinating and fresh world to discover, and a few surprise appearances from some of the Blue Blood fan favorites, this is a page-turning, deliciously fun, magical summer read fraught with love affairs, witchcraft, and an unforgettable battle between good and evil. "A sexy, magical romp, sure to bring de la Cruz a legion of new fans." -- Kelley Armstrong, New York Times bestselling author of The Otherworld series
This is the extraordinary story of the British birthplace of a worldwide sport of boxing in London's East End.
An East End Legacy is a memorial volume for William J Fishman, whose seminal works on the East End of London in the late nineteenth century have served as a vital starting point for much of the later work on the various complex web of relations in that quarter of the capital. A variety of leading scholars utilise the insight of Fishman’s work to present a wide range of insights into the historical characters and events of the East End. The book’s themes include local politics; anti-alienism, anti-Semitism and war; and culture and society. In pursuing these topics, the volume examines in great depth the social, political, religious and cultural changes that have taken place in the area over the past 120 years, many of which remain both significant and relevant. In addition, it illustrates East London’s links with other parts of the world including Europe and America and those territories "beyond the oceans." This book will prove valuable reading for researchers and readers interested in Victorian and twentieth century British history, politics and culture.
The East End of London has one of the bloodiest histories in Britain. From the beginning, the East End was known as ‘outcast London’ – it was a space beyond the city wall, where London’s unwanted or undesirables lived. East-Enders were blamed for the Great Plague of London; Jack the Ripper prowled here, as did the Ratcliffe Highway murderer and the gunmen of the famous Sidney Street siege (attended by a top-hatted Winston Churchill). Communists, Fascists, strikers, Suffragettes and Skeleton Armies have all fought running battles through its streets. Then the East End weathered the worst that the Nazi bombers could throw at it during the dark days of the Blitz. Historically viewed as a ‘den of iniquity’, and once teaming with opium dens, prostitutes (known locally as ‘tigresses’) and paupers, all living amidst the horrendous poverty depicted by Henry Mayhew and Charles Booth, this is a story of dreadful odds and of determination, filled with horror, grim British humour and hundreds of incredible years of history.
Cincinnati's East End river community has been home to generations of working-class people. This racially mixed community has roots that reach back as far as seven generations. But the community is vulnerable. Developers bulldoze "raggedy" but affordable housing to build upscale condos, even as East Enders fight to preserve the community by participating in urban development planning controlled by powerful outsiders. This book portrays how East Enders practice the preservation of community. Drawing on more than six years of anthropological research and advocacy in the East End, Rhoda Halperin argues for redefining community not merely as a place, but as a set of culturally embedded and class-marked practices that give priority to caring for children and the elderly, procuring livelihood, and providing support for family, friends, and neighbors. These practices create the structures of community within the larger urban power structure. Halperin uses different genres to weave the voices of East Enders throughout the book. Poems and narratives offer poignant insights into the daily struggles against impersonal market forces that work against the struggle for livelihood. This firsthand account questions commonly held assumptions about working-class people. In a fresh way, it reveals the cultural construction of marginality, from the viewpoints of both "real East Enders" and the urban power structure.
The “inspiring,” little-known history of the Jewish vigilantes of the 43 Group, who fought fascism in Britain following World War II (Guardian). Returning to civilian life, at the close of the Second World War, a group of Jewish veterans discovered that, for all their effort and sacrifice, their fight was not yet done. Creeping back onto the streets were Britain’s homegrown fascists, directed from the shadows by Sir Oswald Mosley. Horrified that the authorities refused to act, forty-three Jewish ex-servicemen and women resolved to take matters into their own hands. In 1946, they founded the 43 Group and let it be known that they were willing to stop the far-right resurgence by any means necessary. Their numbers quickly swelled. Joining the battle-hardened ex-servicemen in smashing up fascist meetings were younger Jews, including hairdresser Vidal Sassoon, and gentiles as well, some of whom volunteered to infiltrate fascist organizations. The Group published its own newspaper, conducted covert operations, and was able to muster a powerful force of hundreds of fighters who quickly turned fascist street meetings into mass brawls. The struggle peaked in the summer of 1947 with the Battle of Ridley Road, where thousands descended on the Hackney market to participate in weekly riots. The history of the 43 Group is not just a gripping story of a forgotten moment in Britain’s post-war history; it is also a timely lesson in how to confront fascism—and how to win.
This year marks the eightieth anniversary of the bombing of the Basque town of Gernika in Spain. Pablo Picasso created his iconic, anti-fascist painting, Guernica (1937), in protest against that attack and others targeted at civilian populations. This book, published alongside the exhibition, Guernica Remakings, explores the ongoing power of Picasso?s Guernica through a series of contemporary reworkings that continue to locate the iconic image within political protest. The featured artworks demonstrate the longevity and versatility of the original as it morphed from Picasso?s canvas, painted in 1937, to a tapestry in 1955, a textile artwork in 2010, a theatrical production in 2011-12 and a protest banner in 2012-14. Guernica?s humanitarian message is still relevant; it calls for solidarity and compassion across borders. Traversing geographical boundaries with each remaking it connects Spain and France, to the USA, UK, South Africa, Canada and India. The voices of those involved in creating the artworks are heard alongside the curator and maker, Dr Nicola Ashmore. 00Exhibition: University of Brighton, Gallery, UK (28.07.-23.08.2017).