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The Designer’s machinations have left Batman’s life in tatters! Gotham City’s ambitious rebuilding has skittered to a halt as new powers are rising to shape its destiny-and Batman is powerless to stop them! With no Alfred or Bat-Family to lean on, the Dark Knight stands alone against the ascendance of his greatest adversary!
The bad guys thought they had it made with Bane in control, but with Batman back in Gotham they’ll be reminded what justice feels like…and how it hurts when it hits you in the face. With Catwoman at his side, the Caped Crusader is looking to take down Bane’s army and reclaim his city. But what happens when old allies like Gotham Girl also stand in his way? The legendary art team of John Romita Jr. and Klaus Janson join BATMAN for two action-packed issues that will rock Gotham City to its foundation.
It was always going to come to this. The Clown Prince of Crime and the Dark Knight Detective go head-to-head for the last time. The Joker has never wanted to win before, he’s never wanted his battle with Batman to end, but now his motivation has shifted. He has decided that one way or another, this will be the final chapter to their story. “Joker War” begins here!
Superstar artist David Finch (WONDER WOMAN) completes his run on the Dark Knight in BATMAN VOL. 3: I AM BANE, the stunning new chapter in writer Tom KingÕs (THE SHERIFF OF BABYLON) wildly acclaimed Batman saga. He is not a joke. He is not a riddle. He is not a bird or a cat or a penguin, not a scarecrow or a plant or a puppet. He is not a fairy tale or a circus act, a broken friend or a regretful mentor. He is no rich boy pretending to be a knight. He is Bane. The Batman invaded his home, scarred his mind and broke his back. Now Bane has returned to Gotham City for a single purpose: break the Batman once and for all. But first, heÕll destroy everyone the Dark Knight has ever lovedÉor loathed. The young heroes whoÕve worn the mantle of Robin. The cops, crime-fighters and vigilantes who make up BatmanÕs army of allies. Even the madmen and monsters that haunt the halls of Arkham Asylum. Batman will need all of their helpÑand moreÑto fend off this unstoppable challenger. Because both Bane and Batman know one thing: only one of them will walk away from their final confrontation unbrokenÉ Collects stories from BATMAN #16-20, 23-24 and BATMAN ANNUAL #1.
Beginning a whole new chapter in the life of the Dark Knight, the epic art team of Tony S. Daniel and Danny Miki are joined by new series writer James Tynion IV It's a new day in Gotham City, but not the same old Batman. With Bane vanquished and one of his longtime allies gone, Batman has to start picking up the pieces and stepping up his game. Batman has a new plan for Gotham City, but he's not the only one. Deathstroke has returned as well, under a mysterious new contract that could change everything.
There’s a new commissioner in town, and it’s none other than Maggie Sawyer! But one clean commissioner does not make a whole bad basket of Blüdhaven police officers good, and now Blockbuster is forced to lean more on Nightwing’s sister, Mayor Zucco, to oversee the old commissioner’s illegal dealings…Then, an attack on Haven reveals some shocking truths to Nightwing and Oracle that make it difficult to recover from.
“I AM GOTHAM” part one. No one has ever stopped the Caped Crusader. Not The Joker. Not Two-Face. Not even the entire Justice League. But how does Batman confront a new hero who wants to save the city from the Dark Knight? CAN’T MISS: Superstar artist David Finch returns to Batman alongside writer Tom King for this five-part storyline.
The stunning conclusion to “City of Bane” is here! How will Flashpoint Batman be vanquished from our dimension? What will become of Gotham Girl now that she’s betrayed all she knows? How will the Bat team cope without Alfred? Will Catwoman stick around? Who will rebuild Gotham City? Is Batman ever going to be Batman again? The event of the summer now closes out the year, setting the stage for a whole new path for the Dark Knight Detective. You don’t dare miss the extra-sized concluding chapter to Tom King’s epic run on Batman-and it all leads to the new Batman and Catwoman series!
How celebrity strategic partnerships are disrupting humanitarian space Can a celebrity be a “disrupter,” promoting strategic partnerships to bring new ideas and funding to revitalize the development field—or are celebrities just charismatic ambassadors for big business? Examining the role of the rich and famous in development and humanitarianism, Batman Saves the Congo argues that celebrities do both, and that understanding why and how yields insight into the realities of neoliberal development. In 2010, entertainer Ben Affleck, known for his superhero performance as Batman, launched the Eastern Congo Initiative to bring a new approach to the region’s development. This case study is central to Batman Saves the Congo. Affleck’s organization operates with special access, diversified funding, and significant support of elites within political, philanthropic, development, and humanitarian circuits. This sets it apart from other development organizations. With his convening power, Affleck has built partnerships with those inside and outside development, staking bipartisan political ground that is neither charity nor aid but “good business.” Such visible and recognizable celebrity humanitarians are occupying the public domain yet not engaging meaningfully with any public, argues Batman Saves the Congo. They are an unruly bunch of new players in development who amplify business solutions. As elite political participants, celebrities shape development practices through strategic partnerships that are both an innovative way to raise awareness and funding for neglected causes and a troubling trend of unaccountable elite leadership in North–South relations. Batman Saves the Congo helps illuminate the power of celebritized business solutions and the development contexts they create.