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A comprehensive and richly illustrated survey of batik, a glorious textile art and popular Indonesian cloth.
Malaysian Batik: Reinventing a Tradition, traces the history of batik, the materials, methods and motifs of the block-stamped and hand drawn methods, and the ways in which Malaysian batik has been transformed into a craft with international appeal. Batik is more than wax and dye applied to a length of cloth. It is an art form practiced by people around Asia. With its its bolder, abstract designs and its brighter palette, Malaysian batik is a distinctly different type of batik that has brought an exciting new dimension to this ancient method of fabric art. Historically seen as a craft, batik making in Malaysia today has segued into more of an art form, both in its creation and its uses. Historically, batik fabric was fashioned into sarongs to be worn by people across all walks of life. More often now batik fabrics are used for lifestyle products, as art pieces and, above all, for contemporary high fashion. The pieces that are created display an originality of composition and design, an effective use of color, a high level of technical expertise and a flair for working in the medium that are the hallmarks of great works of art. Many of the recent advances in Malaysian batik are due to the initiatives of the Yayasan Budi Penyayang, which has revitalized the Malaysian batik industry by adapting it to suit fashion needs and utilized the Asian fashion industry to promote and display its beauty.
Given in honor of Regan Grace Swartzlander by John Palmer.
Batik occupies a special place in Indonesian culture. Each fabric has a rich story to tell--as a reflection of the nation's religious beliefs, sophisticated court cultures and cosmopolitan history. The extraordinary textiles in this book are from the collections of Rudolf Smend and Donald Harper. Most date from the period 1880 to 1930 when the art of batik reached its apogee. Having collected historical batik for over thirty years and published two books on the subject, Rudolf Smend has invited his friend and fellow batik specialist Donald Harper to contribute his fine collection to this publication as well. None of the batik in this book have been published before. They represent an exquisite cross-section of the batik production of Java--the most important batik-producing region in the world. The cloths are complemented by vintage photographs from the first quarter of the 20th century demonstrating how the batik were worn at court and at home. Three are from museums in Dresden and Cologne, while three are from the private collection of Leo Haks. The others have been collected over the past 30 years from private sources in Java. The captions are by Maria Wronska-Friend, an ethnologist and batik expert who frequently visits Indonesian batik centers and has worked for many years as an anthropologist in Papua New Guinea. Her contributions provide fundamental knowledge for lovers of this art form while at the same time providing new insights for experts. Rudolf Smend has invited other batik aficionados of his generation to share their passion for batik in this book. Inger McCabe Elliott, author of the bestselling Batik: Fabled Cloth of Java has contributed her lifelong experience. Other authorities like Annegret Haake, Brigitte Khan Majlis and Jonathan Hope share their views and expertise in these pages. This book represents a labor of love and a lifetime of friendship for the two authors, who hope it will provide inspiration to a whole new generation of batik lovers.
It's easy to see why batiks are so popular--they're beautiful! And this collection of fabulous patterns can help you make the most of these richly colorful quilt fabrics. Choose from 12 inspiring, traditional projects, each with a suggested quilting design Discover new ways to show off batiks or other favorite fabrics in quilts using precut strips, fat quarters, and/or yardage Learn fascinating tidbits about batik fabrics, including their history, waxing and dyeing techniques, colorways, and more
Rosi Robinson shows how to create beautiful batik designs and pictures, teaching all the techniques required through 9 step-by-step projects. From making simple marks and drawing with wax to dipping and painting with dyes, etching, cracking, discharging and more, this book contains all you need to create beautiful batik. A history of batik sets the scene and then there is detailed advice on all the materials and preparations required. There is artistic advice on using colour and on how to use hard wax, stamps, brushes and cantings (tjantings) through a series of appealing projects. Skills are built with each project and all templates are provided. A gallery of beautiful batik artworks provides inspiration for beginners and experienced artists alike.
The rapid postwar economic growth in the Southeast Asia region has led to a transformation of many of the societies there, together with the development of new types of anthropological research in the region. Local societies with originally quite different cultures have been incorporated into multi-ethnic states with their own projects of nation-building based on the creation of "national cultures" using these indigenous elements. At the same time, the expansion of international capitalism has led to increasing flows of money, people, languages and cultures across national boundaries, resulting in new hybrid social structures and cultural forms. This book examines the nature of these processes in contemporary Southeast Asia with detailed case studies drawn from countries across the region, including Indonesia, Malaysia, the Philippines, Singapore and Thailand. At the macro-level these include studies of nation-building and the incorporation of minorities. At the micro-level they range from studies of popular cultural forms, such as music and textiles to the impact of new sects and the world religions on local religious practice. Moving between the global and the local are the various streams of migrants within the region, including labor migrants responding to the changing distribution of economic opportunities and ethnic minorities moving in response to natural disaster.
The Glory of Batik explores the fabulous collection of Javanese batik brought together over the course of forty years by H. Santosa Doellah. The Danar Hadi Collection amounts to some 10,000 pieces spanning a century and a half, from the mid 19th century to the present day. Possibly the largest single privately owned accumulation of Javanese batik in the world, The Glory of Batik inspires a deep appreciation of this ancient art.