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BATGIRL: STEPHANIE BROWN VOL. 1 features classic stories written by BRYAN Q. MILLER (Smallville) with art by Lee Garbett (LUCIFER), Trevor Scott (EARTH 2) and others. Stephanie Brown is no stranger to crime-fighting. SheÍs taken down criminals as the Spoiler and worked with Batman to keep Gotham safe, but sheÍs assuming a new identity that everyone in her city knowsƒ ƒBatgirl! A typical college freshman by day, Stephanie takes to the streets at night, recklessly seeking out danger as the new Batgirl. But her nocturnal adventures have attracted the Gotham underworldÍs gunfire, and even Batman and Robin donÍt know what to make of this new vigilante in a secondhand costume. With the support and guidance of the original Batgirl, Barbara Gordon, Stephanie must learn the difference between playing dress-up and being the new Batgirl. Can she prove herself and earn her title, or will she fail to honor the legacy of her cowl? Collects BATGIRL #1-12.
STARRING HEROES FROM THE PRE-FLASHPOINT DCU! After a year living under the confinement of the dome, Stephanie Brown isn't sure she wants to be Batgirl again. But when she's attacked by Catman and Gorilla Grodd from the world of Flashpoint, she's forced to put on the cape and cowl to fight alongside Red Robin and Cassandra Cain!
Um, hello-you didn’t actually think we’d keep you waiting this entire year without giving you the Batgirls series we’ve all been wanting for forever, right? No way, we love you too much-just like Batgirls Cassandra Cain and Stephanie Brown, who are only able to navigate the dark, gritty, and oftentimes scary city of Gotham by leaning on the bright light that is their best-friendship. Mentored by Oracle, the Batgirls move to the other side of town where Barbara Gordon can keep a better eye on them while the hacker Seer is still invading their lives. Steph may be too rash sometimes, and Cass doesn’t speak much-but what they lack in similarities they make up for with their mutual respect and love for each other…and what makes them stronger together as Batgirls! And they may be good at kicking ass, but they are just trying their best to be normal teenagers-who’ll borrow the keys to a muscle car that belonged to a bad guy and perhaps give it a joyride around town without a driver’s license, then race to get back home to Oracle by curfew…! Splashing the pages with bright colors against a dark backdrop of Gotham, Batgirls is the pizza slumber party of the year you don’t want to miss!
A string of bizarre, technology-based suicides gets the attention of both Batgirl and Oracle - for very different reasons. The two heroes soon realise that they're targets of The Calculator, a nefarious villain bent on revenge against the original Batgirl, Barbara Gordon, now known as Oracle.
"Originally published in single magazine form in Batgirl 1-7"--T.p. verso.
"Bryan Q. Miller's critically acclaimed run takes Stephanie Brown a.k.a. former Robin, a.k.a. Spoiler, to new heights as Batgirl! Battling both inner and external demons, Stephanie must learn to balance school and crime-fighting or face the wrath of Barbara Gordon! With guest appearences from Batman and Robin and villains like Man-Bat and Clayface, Batgirl must step up to the mantle! Batgirl must battle the Calculator and stop his plan to unleash a nanovirus upon the citizens of Gotham City that will turn them into mindless techno-zombies, enter the FLOOD!"--
Explores the history of Batgirl from her groundbreaking comics debut to her disappointing live-action appearances and beyond. For over sixty years, every woman who took on the mantle of Batgirl has been a powerful, independent heroine, each belying the sidekick status the name implies and connecting with a unique subset of marginalized fans. Betty Kane, the original Bat-Girl, was a hero for young girls at a time when the genre was leaving them behind. Barbara Gordon embodied the values of the women’s liberation movement and became a powerful figure in disability representation. Cassandra Cain was a woman of color in the traditionally monochromatic DC Comics universe. Stephanie Brown was a perpetual outsider, a voice for those who never belonged but kept trying regardless. Batgirl and Beyond: The Dynamic History of the Heroines of Gotham Cityexplores the evolving role of the Batgirls across the turbulent history of the superhero industry, as well as the importance of their fans, who pushed the genre forward to become more diverse and inclusive. Tim Hanley traces how each Batgirl dealt with a litany of mistreatment from a publisher who didn’t understand their distinct appeal and didn’t care to learn. From erasure to benchings to grievous injury and even death, the Batgirls have been subject to the genre’s worst excesses—and they havnot fared much better on television or in movies. However, Batgirl always comes back stronger and more resilient, and has remained a staple in the DC universe for decades. A must-read for fans new and old, Batgirl and Beyond is a tribute to an iconic character and a call to action for media to better embrace and represent female heroes.
Collision part 2, continued from RED ROBIN #9. When Tim Drake returns to Gotham City, the last person he expects to find in the Batcave is Stephanie Brown. But when Ra's al Ghul attacks on Batman's closest allies, Red Robin and Batgirl will have to put the past aside to save Leslie Thompkins's life. Continued in RED ROBIN #10.
Super-Girls of the Future: Girlhood and Agency in Contemporary Superhero Comics investigates girl superheroes published by DC and Marvel Comics in the first two decades of the twenty-first century, asking who the new-and-improved super-girls are and what potentials they hold for imagining girls as agents of change, in the genre as well as its socio-cultural context. As super-girls have grown increasingly numerous and diverse since the turn of the millennium, they provide an opportunity for reconsidering representations of gender and power in the superhero genre. This book offers the term agentic embodiment as an analytical tool for critiquing the body politics of superhero comics, particularly concerning youth, femininity, whiteness, and violence. Grounded in comics studies and informed by feminist cultural studies, the book contributes a critical and hopeful perspective on the diversification of a genre often written off as irredeemably conservative and patriarchal. Super-Girls of the Future is a key title for students and scholars of comics studies, visual culture, US popular culture, and feminist criticism.