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In order to develop your artistic skills to the best of your ability, you first must understand the science and the fundamentals of photography. Whether you are a student of photography or a seasoned professional, this thoroughly updated edition of the classic text Basic Photographic Materials and Processes will provide all of the scientific information that you need. Full color throughout for the first time, this third edition covers new topics including digital resolution, digital sensor technology, scanner technology, color management, and tone reproduction.
Jill Enfield’s Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.
This comprehensive guide to photography covers everything from the basics of camera operation to advanced techniques for processing and printing photos. Neblette provides detailed explanations of the chemical and physical processes involved in photography, and offers practical advice for achieving the best possible results. Whether you're a professional photographer or a hobbyist, this book is an essential resource for mastering the art and science of photography. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Basic Photographic Materials and Processes describes the three crucial stages of creating the perfect photograph—capture, processing and output—by providing a thorough technical investigation of modern, applied photographic technologies. This new edition has been fully revised and updated to explore digital image capture, processing and output. It covers a wide range of topics including: the scientific principles of measuring and recording light, the inner workings of digital cameras, image processing concepts, color management and photographic output to screen and print media. With these topics come in-depth discussions of extending dynamic range, image histograms, camera characterization, display capabilities, printer and paper technologies. It also includes applied exercises that provide the reader with a deeper understanding of the material through hands-on experiments and demonstrations, connecting theoretical concepts to real-world use. This comprehensive text provides photography students, educators and working professionals with the technical knowledge required to successfully create images and manage digital photographic assets. It is an essential resource for mastering the technical craft of photography.
Students and seasoned photographers have relied on Basic Photographic Materials and Processes for its comprehensive explanation of the photographic process, giving them the technical base they need to achieve the effects they want. Heavily illustrated and enhanced with study questions, this book has served as an excellent resource both in and out of the classroom. Basic Photographic Materials and Processes, Second Edition continues to present the fundamental principles of the craft and science of photography in a clear, practical manner. To bring this classic text completely up-to-date, in-depth information on digital imaging has been added, including the scanning, storage and printing of digital images, as well as conversion from analog to digital.
Primitive Photography considers the hand-made photographic process in its entirety, showing the reader how to make box-cameras, lenses, paper negatives and salt prints, using inexpensive tools and materials found in most hardware and art-supply stores. Step-by-step procedures are presented alongside theoretical explanations and historical background. Streamlined calotype procedures are demonstrated, featuring different paper negative processes and overlooked, developing-out printing methods. Primitive Photography combines the simplicity of pinhole photography, the handmade quality of alternative processes, and the precision of large-format. For those seeking alternatives to commercially prepared material as well as digital photography, it provides the instructions for creating the entire photographic process from the ground up. Given its scope and treatment of the photographic process as a whole, this may be the first book of its kind to appear in over a century.
Historic Photographic Processes: A Guide to Creating Handmade Photographic Images is a comprehensive user's guide to the historical processes that have become popular alternatives to modern and digital technology. Though many of the techniques, applications, and equipment were first developed in the nineteenth century, these same methods can be used today to create attractive hand-crafted images that are often more permanent than conventional prints or digital output.
In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history, and technique to bring photographic education up to date with contemporary photographic practice. --
A resource for the photographic conservator, conservation scientist, curator, as well as professional collector, this volume synthesizes both the masses of research that has been completed to date and the international standards that have been established on the subject.