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Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland’s History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover’s shelves.
Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland's History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover's shelves.
As a bouncer in a biker bar and a participant in dozens of fights, Peyton Quinn knows the difference between fighting fact and fantasy. The result is a unique guide to self-defense that can save your ass in places where brawling is quick, dirty and very violent.
Executing Race examines the multiple ways in which race, class, and the law impacted women's lives in the 18th century and, equally important, the ways in which women sought to change legal and cultural attitudes in this volatile period. Through an examination of infanticide cases, Harris reveals how conceptualizations of women, especially their bodies and their legal rights, evolved over the course of the 18th century. Early in the century, infanticide cases incorporated the rhetoric of the witch trials. However, at mid-century, a few women, especially African American women, began to challenge definitions of "bastardy" (a legal requirement for infanticide), and by the end of the century, women were rarely executed for this crime as the new nation reconsidered illegitimacy in relation to its own struggle to establish political legitimacy. Against this background of legal domination of women's lives, Harris exposes the ways in which women writers and activists negotiated legal territory to invoke their voices into the radically changing legal discourse.
The first filmed prizefight, Veriscope's Corbett-Fitzsimmons Fight (1897) became one of cinema's first major attractions, ushering in an era in which hugely successful boxing films helped transform a stigmatized sport into legitimate entertainment. Exploring a significant and fascinating period in the development of modern sports and media, Fight Pictures is the first work to chronicle the mostly forgotten story of how legitimate bouts, fake fights, comic sparring matches, and more came to silent-era screens and became part of American popular culture.
A collection of poems by African-American writers, including Lucy Terry, Gwendolyn Bennett, and Alice Walker.
Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.
I don't have a damn thing in common with the beautiful rich girl who walks into my bar; she's southern class, fancy cars, and designer shoes. I've got a drunk for a mother, a cheater for a father, and a reputation for trouble I've more than earned. I look the other way, pretending I don't notice how perfect she is. She wouldn't give me the time of day anyway. Until she shatters that first impression and shows me she's so much more-everything I never thought I deserved. After a lifetime of being a disappointment, I want to prove to her that I'm better than my past. We have one tragic thing in common, and the thread that binds us together will tear us apart as it unravels. Are we strong enough to break through The Bars Between Us?
This work examines the experiences of African Americans under the law and how African American culture has fostered a rich tradition of legal criticism. Moving between novels, music, and visual culture, the essays present race as a significant factor within legal discourse. Essays examine rights and sovereignty, violence and the law, and cultural ownership through the lens of African American culture. The volume argues that law must understand the effects of particular decisions and doctrines on African American life and culture and explores the ways in which African American cultural production has been largely centered on a critique of law.