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From the minds of acclaimed filmmaker, Barry Sonnenfeld (Men In Black), and superstar graphic novel creator, Grant Morrison (Batman, The Invisibles, Action Comics, 18 Days), comes Dinosaurs Vs. Aliens, by Liquid Comics. The story focuses on a secret world war battle that was never recorded in our history books. When an alien invasion attacks Earth in the Age of the Dinosaurs, our planet's only saviors are the savage prehistoric beasts which are much more intelligent than humanity has ever imagined!
Listen closely. Is that thunder? Or voices? Or the opening chords for the end of worlds? The monsters are coming. A special free preview edition of the new graphic novel. From the minds of acclaimed filmmaker, Barry Sonnenfeld (director of the, Men In Black films) and superstar graphic novel creator, Grant Morrison (Batman, The Invisibles, Action Comics, 18 Days), comes Dinosaurs Vs. Aliens, from Liquid Comics. The story focuses on a secret world war battle that was never recorded in our history books. When an alien invasion attacks Earth in the age of the dinosaurs, our planet's only saviors are the savage prehistoric beasts which are much more intelligent than humanity has ever imagined.
**A New York Times Editor's Choice selection!** This outrageous and hilarious memoir follows a film and television director’s life, from his idiosyncratic upbringing to his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black. Barry Sonnenfeld's philosophy is, "Regret the Past. Fear the Present. Dread the Future." Told in his unmistakable voice, Barry Sonnenfeld, Call Your Mother is a laugh-out-loud memoir about coming of age. Constantly threatened with suicide by his over-protective mother, disillusioned by the father he worshiped, and abused by a demonic relative, Sonnenfeld somehow went on to become one of Hollywood's most successful producers and directors. Written with poignant insight and real-life irony, the book follows Sonnenfeld from childhood as a French horn player through graduate film school at NYU, where he developed his talent for cinematography. His first job after graduating was shooting nine feature length pornos in nine days. From that humble entrée, he went on to form a friendship with the Coen Brothers, launching his career shooting their first three films. Though Sonnenfeld had no ambition to direct, Scott Rudin convinced him to be the director of The Addams Family. It was a successful career move. He went on to direct many more films and television shows. Will Smith once joked that he wanted to take Sonnenfeld to Philadelphia public schools and say, "If this guy could end up as a successful film director on big budget films, anyone can." This book is a fascinating and hilarious roadmap for anyone who thinks they can't succeed in life because of a rough beginning.
What’s better than a lost treasure? Seven lost treasures! These rarely seen Dr. Seuss stories were published in magazines in the early 1950s and are finally available in book form. They include “The Bippolo Seed” (in which a scheming feline leads a duck toward a bad decision), “The Rabbit, the Bear, and the Zinniga-Zanniga” (about a rabbit who is saved from a bear by a single eyelash), “Gustav, the Goldfish” (an early rhymed version of the Beginner Book A Fish Out of Water), “Tadd and Todd” (about a twin who is striving to be an individual), “Steak for Supper” (in which fantastic creatures follow a boy home in anticipation of a steak dinner), “The Strange Shirt Spot” (the inspiration for the bathtub-ring scene in The Cat in the Hat Comes Back), and “The Great Henry McBride” (about a boy whose far-flung career fantasies are bested only by those of Dr. Seuss himself). An introduction by Seuss scholar Charles D. Cohen traces the history of the stories, which demonstrate an intentional move toward the writing style we now associate with Dr. Seuss. Cohen also explores the themes that recur in well-known Seuss stories (like the importance of the imagination or the perils of greed). With a color palette enhanced beyond the limitations of the original magazines, this is a collection that no Seuss fan (whether scholar or second grader) will want to miss.
Among the most useful tools in the production of any TV show or film is the storyboard, which is the visual blueprint of a project before it is shot. The director's vision is illustrated in the manner of a comic strip and handed on to the crew for purposes of budgeting, design, and communication. Storyboards: Motion in Art 3/e is an in depth look at the production and business of storyboards. Using exercises, real-life examples of working in the entertainment industry, interviews with people in the industry, and sample storyboard drawing, this book will teach you how to : * Develop and Improve your boards * Work with directors * Develop your resume and your portfolio * Market your talent * Create and improve a storyboard using computers Packed full of practical industry information and examples, this book will help the reader improve their skills to either land their first assignment or advance their career.
Dinosaurs and other prehistoric animals have always fascinated people but they pose vast problems for the artist. How do you go about recreating the anatomy and behaviour of a creature we've never seen? How can we restore landscapes long lost to time? And where does the boundary between palaeontology - the science of understanding fossils- and artistic licence lie? In this outstanding book, Mark Witton shares his detailed paintings and great experience of drawing and painting extinct species. The approaches used in rendering these impressive creatures are discussed and demonstrate the problems, as well as the unexpected freedoms, that palaeontological artists are faced with. The book showcases over ninety scientifically credible paintings of some of the most spectacular animals in the Earth's history, as well as may less familiar species. Mark explains how each image was created with details of the artistic process, scientific grounding and collaborations between researchers and discusses the methods and goals of palaeoartistry - the recreation of extinct animals and landscapes in art. This book will be of great interest to palaeontological artists, researchers, museum curators, dinosaur enthusiasts and fossil hunters. Superbly illustrated with 90 paintings.
Paris, 1909. Dark clouds are gathering over Europe, and an ancient manuscript stolen from an American university might hold the key to victory in the coming war. Now, Tarzan finds himself thrust into the deadly intrigue when he foils an attempt on a beautiful young countess's honor while crossing the Atlantic Ocean. If you think you know Tarzan, think again! This is the original character -- savage and fearless, but also a lost soul trying to find his place in a world that does not understand him. Lord of the Jungle Volume 2: The Return of the Lord of the Jungle. It's two-fisted pulp fiction, with a brain as big as its heart! Collecting issues #9-14 of the hit series, plus all covers, in one volume.
Martin Flanagan uses Bakhtin's notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focussing particularly on the way cinematic narrative utilises time and space in its very construction.
Listen closely. Is that thunder? Or voices? Or the opening chords for the end of worlds? The monsters are coming. From the minds of acclaimed filmmaker, Barry Sonnenfeld (director of the, Men In Black films) and superstar graphic novel creator, Grant Morrison (Batman, The Invisibles, Action Comics, 18 Days), comes Dinosaurs Vs. Aliens, from Liquid Comics. The story focuses on a secret world war battle that was never recorded in our history books. When an alien invasion attacks Earth in the age of the dinosaurs, our planet's only saviors are the savage prehistoric beasts which are much more intelligent than humanity has ever imagined.
The material in this book forms the basis of an interdisciplinary, college-level course, which uses science fiction film as a vehicle for exploring science concepts. Unlike traditional introductory-level courses, the science content is arranged according to major themes in science fiction, with a deliberate progression from the highly objective and discipline-specific (e.g. Reference Frames; Physics of Space Travel and Time Travel) to the very multi-disciplinary and thought-provoking (e.g. Human Teleportation; Science and Society). Over 100 references to science fiction films and television episodes are included, spanning more than 100 years of cinematic history. Some of these are conducive to calculations (solutions included).