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Baron's Court, All Change is the Holy Grail of hipster novels. Terry Taylor's book documents one summer in the life of an unnamed sixteen year-old narrator. Leaving home and his job he dabbles in spiritualism, is seduced by an older woman and gets rich quick from drug dealing. This is a world of sharp suits, jazz, kicks, "spades", nightclubs and sex. A London that is already swinging half a decade before the rest of the world catches on. Terry Taylor (1933-2014) was the much younger lover of Ida Kar, whose National Portrait Gallery collection includes a series of photographs of Terry getting stoned in London's Soho back in 1956. His proto-mod exploits as a young man are fictionalised in Colin MacInnes' famous novel Absolute Beginners. Throughout Taylor's life music, magic rituals and hallucinogenic drugs loomed large. Terry spent time in Goa and hung out with William Burroughs in Tangier before settling down in the wilds of north Wales, where he continued to dig modern jazz and perfect his occult practices.
This book is a broad and deep inquiry into how contingency fees distort our civil justice system, influence our political system and endanger democratic governance. Contingency fees are the way personal injury lawyers finance access to the courts for those wrongfully injured. Although the public senses that lawyers manipulate the justice system to serve their own ends, few are aware of the high costs that come with contingency fees. This book sets out to change that, providing a window into the seamy underworld of contingency fees that the bar and the courts not only tolerate but even protect and nurture. Contrary to a broad academic consensus, the book argues that the financial incentives for lawyers to litigate are so inordinately high that they perversely impact our civil justice system and impose other unconscionable costs. It thus presents the intellectual architecture that underpins all tort reform efforts.
'Dividing pop sheep from out-there GOATS with spite and guile, it's part SCUM manifesto, part insane hot or not list.' SUNDAY TIMES The followers - this book is not for you. The salt of the earth - this book is not for you. The worthy - this book is not for you. The ideologists - this book is not for you. Hedonists and bohemians - this book is not for you. The middlebrow - this book is not for you. The highbrow - this book is not for you. Dilettantes - this book is not for you. 1970s middle school RE teachers - this book is not for you. The England football team (women's and men's) - this book is not for you. The litanists - this book is not for you. Gatekeepers - this book is not for you. Gamekeepers - this book is not for you. (Not even for the poachers...) The curators - this book is not for you. The left, the right - this book is not for you. The list-makers - lists are for shoppers not rockers, and this book is not for you. This is not a list - this is a manifesto, and this book is for ... the Freaks. Musician and author Luke Haines embarks on an odyssey through the ages, exploring how the 'freaks' infiltrated modern culture - and almost won the rock 'n' roll wars - only to lose to the rise of Cool Britannia and TV 'talent' shows that turned the strange and the outsiders into fodder for laughter. In this ultimate celebration of freakdom, Haines tells the story of pivotal freaks - including Johnnie Ray, Gene Vincent, Hank Marvin, Syd Barrett, the Incredible String Band and Big Youth - through the prism of rock 'n' roll and explains how freaks infiltrated wider culture through history in the form of the Cathars, the Ranters, Hells Angels and the Yippies. Part memoir, part manifesto, Freaks Out! is a righteous alternate history of rock 'n' roll.
In his book The Myth of the Robber Barons, Folsom distinguishes between political entrepreneurs who ran inefficient businesses supported by government favors, and market entrepreneurs who succeeded by providing better and lower-cost products or services, usually while facing vigorous competition.
"The author of The Butler presents a revelatory biography of the first African-American Supreme Court justice--one of the giants of the civil rights movement, and one of the most transforming Supreme Court justices of the 20th century, "--Novelist.
This seventh collection of essays and reviews kicks off with a survey of some overlooked British poets from the 1940s who, through a network of little magazines with anarchist inclinations, attempted to offer an alternative to the MacSpaunDay generation's sensibilities. Another piece considers how British writers were monitored by MI5 and local police forces, while a third switches attention to the USA and looks at the still-controversial case of Alger Hiss and his alleged role as a spy who passed information to Russia. There are essays about lesser-known Beat-related writers like Bob Kaufman and Brion Gysin, inspections of some little magazines of the 1950s and 1960s, and two long reviews which consider the effect that Dadaism had and the role played in the movement by Tristan Tzara. Walt Whitman, Woody Guthrie, and Malcolm Cowley also make an appearance.
London, 1958. In the smoky jazz clubs of Soho and the coffee bars of Notting Hill the young and the restless - the absolute beginners - are forging a new carefree lifestyle of sex, drugs and rock'n'roll. Moving in the midst of this world of mods and rockers, Teddy gangs and trads., and snapping every scene with his trusty Rolleiflex, is MacInnes' young photographer, whose unique wit and honest views remain the definitive account of London life in the 1950s and what it means to be a teenager. In this twentieth century cult classic, MacInnes captures the spirit of a generation and creates the style bible for anyone interested in Mod culture, and the changing face of London in the era of the first race riots and the lead up to the swinging Sixties...
A journey of contemplation and misadventure as I attempt, mostly unsuccessfully, to re-live a bicycle trip I first embarked on as a fresh-faced 20 year old. More than 40 years ago I headed south with a guy I met on Liverpool Street station in London. Enfield to Athens on a tandem. They said it couldn't be done. For the re-run I was better prepared, or so I thought. But as it turned out it didn't really matter. My Brother's Bicycle is a story of (limited) endurance, survival (over boredom) and indomitable human spirit.