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“If you want to know why more people are asking ‘what’s your pronoun?’ then you (singular or plural) should read this book.” —Joe Moran, New York Times Book Review Heralded as “required reading” (Geoff Nunberg) and “the book” (Anne Fadiman) for anyone interested in the conversation swirling around gender-neutral and nonbinary pronouns, What’s Your Pronoun? is a classic in the making. Providing much-needed historical context and analysis to the debate around what we call ourselves, Dennis Baron brings new insight to a centuries-old topic and illuminates how—and why—these pronouns are sparking confusion and prompting new policies in schools, workplaces, and even statehouses. Enlightening and affirming, What’s Your Pronoun? introduces a new way of thinking about language, gender, and how they intersect.
A sweeping biography that opens a window onto the gilded age of Jewish philanthropy. Baron Maurice de Hirsch was one of the emblematic figures of the nineteenth century. Above all, he was the most influential Jewish philanthropist of his time. Today Hirsch is less well known than the Rothschilds, or his gentile counterpart Andrew Carnegie, yet he was, to his contemporaries, the very embodiment of the gilded age of Jewish philanthropy. Hirsch's life provides a singular entry point for understanding Jewish philanthropy and politics in the late nineteenth century, a period when, as now, private benefactors played an outsize role in shaping the collective fate of Jewish communities. Hirsch's vast fortune derived from his role in creating the first rail line linking Western Europe with the Ottoman Empire, what came to be known as the Orient Express. Socializing with the likes of the Austrian crown prince Rudolph and "Bertie," Prince of Wales, Hirsch rose to the pinnacle of European aristocratic society, but also found himself the frequent target of vicious antisemitism. This was an era when what it meant to be Jewish—and what it meant to be European—were undergoing dramatic changes. Baron Hirsch was at the center of these historic shifts. While in his time Baron Hirsch was the subject of widespread praise, enraged political commentary, and conspiracy theories alike, his legacy is often overlooked. Responding to the crisis wrought by the mass departure of Jews from the Russian Empire at the turn of the century, Hirsch established the Jewish Colonization Association, with the goal of creating a refuge for the Jews in Argentina. When Theodor Herzl, the founder of Zionism, advertised his plan to create a Jewish state (not without inspiration from Hirsch), he still wondered whether to do so in Palestine or in Argentina—and left the question open. In The Baron, Matthias Lehmann tells the story of this remarkable figure whose life and legacy provide a key to understanding the forces that shaped modern Jewish history.
"Highly recommended... Perfect for readers of Wonder and Erin Entrada Kelly's Hello, Universe."— Booklist magazine, starred review Etan has stopped speaking since his mother left. His father and grandfather don’t know how to help him. His friends have given up on him. When Etan is asked to deliver a grocery order to the outskirts of town, he realizes he’s at the home of Malia Agbayani, also known as the Creature. Malia stopped going to school when her acute eczema spread to her face, and the bullying became too much. As the two become friends, other kids tease Etan for knowing the Creature. But he believes he might have a cure for Malia’s condition, if only he can convince his family and hers to believe it too. Even if it works, will these two outcasts find where they fit in?
The much-anticipated book from one of the most sought-after art directors in the world, showcasing 30+ years of his talent Part design manual, part manifesto, the first career retrospective of Fabien Baron, whom Vanity Fair called 'the most sought-after creative director in the world,' is an immersive visual survey of more than 30 years of award-winning art direction, design, and image-making. Using examples taken from across the entire range of his work - including typography, packaging, product, furniture, and interior design - Baron's book communicates his aesthetic logic with clarity and style. Replete with text by acclaimed author Adam Gopnik and a foreword by worldfamous super model Kate Moss, this is an intimate insider's visit with a true fashion, photography, and design visionary.
For fans of HBO’s The Gilded Age, explore the dazzling world of America’s 19th century elite in this lush series of sparkling, page-turning love stories… New York City’s Gilded Age shines as bright as the power-wielding men of the Knickerbocker Club. And one pragmatic industrialist is about to learn that a man may make his own destiny, but love is a matter of fortune . . . Born into one of New York’s most respected families, William Sloane is a railroad baron who has all the right friends in all the right places. But no matter how much success he achieves, he always wants more. Having secured his place atop the city’s highest echelons of society, he’s now setting his sights on a political run. Nothing can distract him from his next pursuit—except, perhaps, the enchanting con artist he never saw coming . . . Ava Jones has eked out a living the only way she knows how. As “Madame Zolikoff,” she hoodwinks gullible audiences into believing she can communicate with the spirit world. But her carefully crafted persona is nearly destroyed when Will Sloane walks into her life—and lays bare her latest scheme. The charlatan is certain she can seduce the handsome millionaire into keeping her secret and using her skills for his campaign—unless he’s the one who’s already put a spell on her . . . Raves for Magnate “Original and captivating . . . Complex and layered.”—Publishers Weekly, Starred “An engaging romance.” — Library Journal, Starred “A sexually charged, intense, poignant and powerfully written love story.” —RT Book Reviews “A beautiful romance . . . Sexy and clever.” —The Washington Post
A reappraisal on the emphasis on duty in Immanuel Kant's ethics is long overdue. Marcia W. Baron evaluates and for the most part defends Kantian ethics against two frequent criticisms: that duty plays too large a role, leaving no room for the supererogatory; and that Kant places too much value on acting from duty. The author first argues that Kant's distinction between perfect and imperfect duties provides a plausible and intriguing alternative to contemporary approaches to charity, self-sacrifice, heroism, and saintliness. She probes the differences between the supererogationist and the Kantian, exploring the motivation between the former's position and bringing to light sharply divided views on the nature of moral constraint and excellence. Baron then confronts problems associated with Kant's account of moral motivation, she argues that the value that Kant attaches to acting from duty attaches primarily to governing ones conduct by a commitment to doing what morality asks. Thus understood, Kant's ethics steers clear of the most serious criticism. Of special interest is her discussion of overdetermination. Clearly written and cogently argued, Kantian Ethics Almost without Apology takes on the most philosophically intriguing challenges to Kantian ethics and subjects them to a rigorous yet sympathetic assessment. Readers will find here original contributions to the debate over impartial morality.
Deluxe edition. In the darkness of the early morning of 3 March 1949, practically all of the Transylvanian aristocracy were arrested in their beds and loaded into lorries. Under the terror of Gheorghiu-Dej and later Ceauescu the aristocracy led a double life: during the day they worked in quarries, steelworks and carpenters' yards; in the evening they secretly gathered and maintained the rituals of an older world. To record this episode of recent history, Jaap Scholten travelled extensively in Romania and Hungary and sought out the few remaining aristocrats who survived communism and met the youngest generation of the once distinguished aristocracy to talk about the restitution of assets and about the future.
WINNER OF THE 2019 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE "Krasznahorkai’s masterpiece" (The Millions); "Apocalyptic, visionary, and mad" (Publishers Weekly); "One of the supreme achievements of contemporary literature" (Paris Review); "Obsessive and visionary" (The New Yorker); "Genius" (The Baffler) At last, the capstone to Krasznahorkai’s four-part masterwork Set in contemporary times, Baron Wenckheim’s Homecoming tells the story of a Prince Myshkin–like figure, Baron Béla Wenckheim, who returns at the end of his life to his provincial Hungarian hometown. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he longs to be reunited with his high-school sweetheart Marika. Confusions abound, and what follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town’s alternately drab and absurd existence. All along, the Professor—a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town—offers long rants and disquisitions on his attempts to immunize himself from thought. Spectacular actions are staged as death and the abyss loom over the unsuspecting townfolk.
Martin's first day as a page is also his last when the Baron mysteriously disappears and his visiting relative and heir takes charge of the castle.