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A selection of plays by "one of the most original and biting comic writers working in Britain" (The Times) Clap Hands Here Comes Charlie is a riotous, scabrous comedy concerning a demonic figure, a destroyer and giver of life, who is always trying to jump, with both feet into his left trouser leg. Heaven's Blessings, taken from the grim pages of the Bible is a charming epic comedy of Tobit, his wife, their son and a cantankerous guardian angel, who set out to reclaim an outstanding IOU, overcoming many dangers which test their faith to breaking point. Revolutionary Witness, about the French Revolution, is a series of four monologues televised by the BBC in 1989. "Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)
"To Laius, King of Thebes, an oracle foretold that the child born to him by his queen Jocasta would slay his father and wed his mother. So when in time a son was born the infant's feet were riveted together and he was left to die on Mount Cithaeron. But a shepherd found the babe and tended him, and delivered him to another shepherd who took him to his master, the King of Corinth. Polybus being childless adopted the boy, who grew up believing that he was indeed the King's son. Afterwards doubting his parentage he inquired of the Delphic god and heard himself the word declared before to Laius." -Preface
She’s young, single and about to achieve her dream of creating incredible video games. But then life throws her a one-two punch: a popular streamer gives her first game a scathing review. Even worse, she finds out that same troublesome critic is now her new neighbor! A funny, sexy, and all-too-real story about gaming, memes, and social anxiety. Come for the plot, stay for the doggo.
George Bernard Shaw is one of the most influential playwrights of the twentieth century. The collection "Pygmalion and Three Other Plays" contains his best works, which are known for their rapier wit, ideas of decency, and portrayal of human relationships. Shaw wanted his audiences to realize that people, regardless of race, gender, or class, were all human beings with the same needs as everyone else. "Pygmalion" is a modern retelling of the classic story of the same name. Professor Henry Higgins, a phonetician, tries to transform a lower-class cockney girl into a lady by teaching her to speak like a proper Englishwoman. What Higgins forgets, though, is that Eliza is a human being who only wants to be treated as such; in Higgins' mind, Eliza is a fun wager, a test of his abilities. When he thinks that he has won and turned Eliza into a fine lady, he becomes lonely and misses her vivacious personality. "Major Barbara," "The Doctor's Dilemma," and "Heartbreak House" all deal with different themes, but each play contains a unique play of words, blending comedy with feeling and heart to create a story which will make a large impression on the audiences' heart.
The respectful prostitute. Four plays written by the French existentialist philosopher and writer addressing such topics as hell, racism, and conduct of life.
When shit goes down, your girls show up. Waking up to a shocking and personal health scare, Octavia and her best friends, June and Imani, go on a crusade to find intimacy and joy in a world that could give a fuck less about them or their feelings. This 24-hour blitz explores what it is to be a queer blk woman in 2015 New York, how we survive and save ourselves from ourselves.
They’re so goofy, they’re cool. Tickets, please! Place your bets! Who’s the coolest of them all? They didn’t start the fire, but this band of dorks still got that oomph...plus one. With a new bro in the squad, they’re ready to bring it-best of three, right? Y’know, against all odds, they always come out on top! But this time, well...keep watching! The match ain’t over yet.
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
NEW YORK TIMES BESTSELLER • Hope blooms anew for the Four Lands in this riveting conclusion, not only to the Fall of Shannara series but to the entire Shannara saga—a truly landmark event over forty years in the making! Since he first began the Shannara saga in 1977, Terry Brooks has had a clear idea of how the series should end, and now that moment is at hand. As the Four Lands reels under the Skaar invasion—spearheaded by a warlike people determined to make this land their own—our heroes must decide what they will risk to save the integrity of their home. Even as one group remains to defend the Four Lands, another is undertaking a perilous journey across the sea to the Skaar homeland, carrying with them a new piece of technology that could change the face of the world forever. And yet a third is trapped in a deadly realm from which there may be no escape. Filled with twists and turns and epic feats of derring-do—not untouched by tragedy—this is vintage Terry Brooks, and a fitting end to a saga that has gathered generations of readers into its fold.