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Bardskull is the record of three journeys made by Martin Shaw, the celebrated storyteller and interpreter of myth, in the year before he turned fifty. It is unlike anything he has written before. This is not a book about myth or narrative: rather, it is a sequence of incantations, a series of battles. Each of the three journeys sees Shaw walk alone into a Dartmoor forest and wait. What arrive are stories – fragments of myth that he has carried within him for decades: the deep history of Dartmoor itself; the lives of distant family members; Arthurian legend; and tales from India, Persia, Lapland, the Caucasus and Siberia. But these stories and their tellers don’t arrive as the bearers of solace or easy wisdom. As with all quests, Shaw is entering a domain of traps and tests. Bardskull can be read as a fable, as memoir, as auto-fiction or as an attempt to undomesticate myth. It is a magnificent, unclassifiable work of the imagination.
Master mythologist Martin Shaw uses timeless story-wisdom to examine our broken relationship with the world There is an old legend that says we each have a wild, curious twin that was thrown out the window the night we were born, taking much of our vitality with them. If there was something we were meant to do with our few, brief years on Earth, we can be sure that the wild twin is holding the key. In Courting the Wild Twin, Dr. Martin Shaw invites us to seek out our wild twin--a metaphor for the part of ourselves that we generally shun or ignore to conform to societal norms--to invite them back into our consciousness, for they have something important to tell us. He challenges us to examine our broken relationship with the world, to think boldly, wildly, and in new ways about ourselves--as individuals and as a collective. Through the use of scholarship, storytelling, and personal reflection, Shaw unpacks two ancient European fairy tales that concern the mysterious wild twin. By reading these tales and becoming storytellers ourselves, he suggests we can restore our agency and confront modern challenges with purpose, courage, and creativity. Courting the Wild Twin is a declaration of literary activism and an antidote to the shallow thinking that typifies our age. Shaw asks us to recognize mythology as a secret weapon--a radical, beautiful, heart-shuddering agent of deep, lasting change.
'Glorious – funny and wry and wise, and utterly its own lawmaker' Robert Macfarlane 'A rich, strange, oddly glorious brew' Guardian Longlisted for the Wainwright Golden Beer Book Prize 2018 21st-Century Yokel is not quite nature writing, not quite a family memoir, not quite a book about walking, not quite a collection of humorous essays, but a bit of all five. Thick with owls and badgers, oak trees and wood piles, scarecrows and ghosts, and Tom Cox's loud and excitable dad, this book is full of the folklore of several counties – the ancient kind and the everyday variety – as well as wild places, mystical spots and curious objects. Emerging from this focus on the detail are themes that are broader and bigger and more important than ever. Tom's writing treads a new path, one that has a lot in common with a rambling country walk; it's bewitched by fresh air and big skies, intrepid in minor ways, haunted by weather and old stories and the spooky edges of the outdoors, restless and prone to a few detours, but it always reaches its destination in the end.
In Snowy Tower, Dr. Martin Shaw continues his trilogy of works on the relationship between myth, wilderness, and a culture of wildness. In this second book, he gives a telling of the Grail epic Parzival. Claiming it as a great trickster story of medieval Europe, he offers a deft and erudite commentary, with topics ranging from climate change and the soul to the discipline of erotic consciousness, from the hallucination of empire to a revisioning of the dark speech of the ancient bards. Ingrained in the very syntax of Snowy Tower is an invocation of what Shaw calls 'wild mythologies' -- stories that are more than just human allegory, that seem to brush the winged thinking of owl, stream, and open moor. This daring work offers a connection to the genius of the margins; that the big questions of today will not be solved by big answers, but by the myriad of associations that both myth and wilderness offer.
In every town, there is one shop that always changes its face. In Stapleton, it was the very last shop in town. Bib is an adventurous sort of a boy, so a new café wouldn’t faze him, even if it was run by monsters! Excited by the idea of having a birthday dinner made by hairy beasts and served by a snake-like waitress, he encourages his whole family to take him to the most talked-about place in town. But what, or who will be on the menu? The debut children’s book by Sean Leahy and Mihály Orodán, The Monster Café is a humorous tale that deals with pre-conceptions, pre-school excitement and pre-tty big monsters.
The epic first novel in the allegorical fantasy series about the romance and adventures of a community of moles is “a breathtaking achievement” (The Washington Post). The moles of Duncton Wood live in the shadow of Mandrake, a cruel tyrant corrupted by absolute power. A solitary young mole, Bracken, leads the fight to free them. Only by putting his trust in the ancient Stone, a forgotten symbol of a great spiritual past, can Bracken find the strength to challenge Mandrake’s darkness. When Bracken falls in love with Rebecca, Mandrake’s daughter, the moles must make life and death choices as their extraordinary search for freedom and truth begins. Together, Bracken and Rebecca will embark on moving journey that will challenge them in ways they could never have imagined. But can they save Duncton before it’s too late? “A passionate, lyrical, appealing tale . . . Consistently absorbing . . . Enchanting.” —Cosmopolitan “A great big mole-epic with a great big theme.” —Daily Mail
"With potent, lyrical language and a profound knowledge of storytelling, Shaw encourages and illuminates the mythic in our own lives. He is a modern-day bard." – Madeline Miller, author of Circe and The Song of Achilles At a time when we are all confronted by not one, but many crossroads in our modern lives—identity, technology, trust, politics, and a global pandemic—celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high. Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Shaw urges us to reclaim our imagination and untangle ourselves from modern menace, letting these tales be our guide. More Praise: "I can still remember the first time I heard Martin Shaw tell a story. The tale that emerged was like a living thing, bounding around, throwing itself at us there listening. I had never heard anything like it before." – Paul Kingsnorth, Booker shortlisted author of The Wake "Martin Shaw’s work is so very beautiful. A new animal. His love of images is deep and contagious." – Coleman Barks, author of The Essential Rumi "Through feral tales and poetic exegesis, Martin Shaw makes you re-see the world, as a place of adventure, and of initiation, as perfect home, and as perfectly other. What a gift." – David Keenan, author of Xstabeth "Shaw has so much wisdom and knowledge about the old stories, it emanates from his pores." – John Densmore, The Doors
In this intellectually and politically potent new book, Martin Shaw proposes a way through the confusion surrounding the idea of genocide. He considers the origins and development of the concept and its relationships to other forms of political violence. Offering a radical critique of the existing literature on genocide, Shaw argues that what distinguishes genocide from more legitimate warfare is that the enemies targeted are groups and individuals of a civilian character. He vividly illustrates his argument from a wide range of historical episodes, and shows how the question 'What is genocide?' matters politically whenever populations are threatened by violence. This compelling book will undoubtedly open up vigorous debate, appealing to students and scholars across the social sciences and in law. Shaw's arguments will be of lasting importance.
From the Norman Invasion in 1066 to the eve of the First World War, Stick a Flag in It is a thousand-year jocular journey through the history of Britain and its global empire. The British people have always been eccentric, occasionally ingenious and, sure, sometimes unhinged – from mad monarchs to mass-murdering lepers. Here, Arran Lomas shows us how they harnessed those traits to forge the British nation, and indeed the world, we know today. Follow history’s greatest adventurers from the swashbuckling waters of the Caribbean to the vast white wasteland of the Antarctic wilderness, like the British spy who infiltrated a top-secret Indian brothel and the priest who hid inside a wall but forgot to bring a packed lunch. At the very least you’ll discover Henry VIII’s favourite arse-wipe, whether the flying alchemist ever made it from Scotland to France, and the connection between Victorian coffee houses and dildos. Forget what you were taught in school – this is history like you’ve never heard it before, full of captivating historical quirks that will make you laugh out loud and scratch your head in disbelief.
The Hitchhiker's Guide to the Galaxy meets Black Beauty and gallops off into The Matrix in the debut novel from cult internet sensation Cyriak Harris Life was simple for Buttercup the horse. Chewing grass in a field, gazing dreamily at passing clouds or standing at a hedge to watch the world go by. Perhaps a light nap followed by a gentle canter and more grazing, and then off to the stable for a programme of psychological tests designed to expand the boundaries of horse consciousness. For Betty and Tim, life was also simple. Or at least as simple as life could be when you are scientists conducting neurological experiments on a horse. That is until the day they discovered their horse was conducting an experiment of its own. Life became rather more complicated after that for Tim, Betty and Buttercup, and the ensuing struggle for control over one horse's destiny results in an intellectual arms race that takes all three of them to the edge of reality and beyond. It is a struggle that threatens to shake the foundations of civilisation and unravel the fabric of time and space. Can anyone stop this horse from destroying the universe?