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Enter the lush world of 1950s New York City, where a generation of aspiring models, secretaries, and editors live side by side in the glamorous Barbizon Hotel for Women while attempting to claw their way to fairy-tale success in this debut novel from the New York Times bestselling author of The Lions of Fifth Avenue. “Rich both in twists and period detail, this tale of big-city ambition is impossible to put down.”—People When she arrives at the famed Barbizon Hotel in 1952, secretarial school enrollment in hand, Darby McLaughlin is everything her modeling agency hall mates aren't: plain, self-conscious, homesick, and utterly convinced she doesn't belong—a notion the models do nothing to disabuse. Yet when Darby befriends Esme, a Barbizon maid, she's introduced to an entirely new side of New York City: seedy downtown jazz clubs where the music is as addictive as the heroin that's used there, the startling sounds of bebop, and even the possibility of romance. Over half a century later, the Barbizon's gone condo and most of its long-ago guests are forgotten. But rumors of Darby's involvement in a deadly skirmish with a hotel maid back in 1952 haunt the halls of the building as surely as the melancholy music that floats from the elderly woman's rent-controlled apartment. It's a combination too intoxicating for journalist Rose Lewin, Darby's upstairs neighbor, to resist—not to mention the perfect distraction from her own imploding personal life. Yet as Rose's obsession deepens, the ethics of her investigation become increasingly murky, and neither woman will remain unchanged when the shocking truth is finally revealed.
Open to the public, the homes and studios of eight celebrated nineteenth-century painters—Vincent van Gogh, Claude Monet, Gustave Courbet, Eug�ne Delacroix, Gustave Moreau, Rosa Bonheur, Jean-Fran�ois Millet, and Charles-Fran�ois Daubigny—provide intimate insights into their work and personalities as well as pleasurable day-long itineraries in and around Paris. A writer and a photographer, both of whose work appears frequently in Architectural Digest, present sumptuous portraits of these painters’ lives and times. Travel information includes discriminating hotel and restaurant recommendations; sites of related interest; excursions to nearby ch�teaux and medieval fortress towns; directions for travel by car and train; museums in Paris with works by each artist; phone and fax numbers and email addresses for all listings.
A daughter’s moving search to understand her mother, Carolyn Scott—once a bridesmaid to Princess Grace and one of the first Ford models—who later in life spent years living in a homeless shelter. Nyna Giles was picking up groceries at the supermarket one day when she looked down and saw the headline on the cover of a tabloid: “Former Bridesmaid of Princess Grace Lives in Homeless Shelter.” Nyna was stunned, shocked to see her family’s private ordeal made so public—the woman mentioned on that cover, Carolyn Scott Reybold, was her mother. Nyna’s childhood had been spent in doctor’s offices. Too ill, she was told, to go to school like other children, she spent nearly every waking moment at her mother’s side at their isolated Long Island estate or on trips into the city to see the ballet. The doctors couldn’t tell her what was wrong, but as Nyna grew up, her mother, who’d always seemed fragile, became more and more distant. Now Nyna was forced to confront an agonizing realization: she barely knew the woman on the magazine in front of her. She knew that her mother had been a model after arriving in New York in 1947, living at the Barbizon Hotel, where she’d met the young Grace Kelly and that the two had become fast friends. Nyna had seen the photos of Carolyn at Grace’s wedding, wearing the yellow bridesmaid gown that had hung in her closet for years. But how had the seemingly confident, glamorous woman in those pictures become the mother she knew growing up—the mother who was now living in a shelter? In this powerful memoir of friendship and motherhood, Nyna Giles uncovers her mother’s past to answer the questions she never knew to ask.