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Johnston shows how colonial knowledge from Australia influenced global thinking about religion, science, and society. Using a rich variety of sources including botanical illustrations, Victorian literature and convict memoirs, this multi-disciplinary study charts how new ways of identifying ideas were forged and circulated between colonies.
John Alexander Ferguson was a leading barrister and esteemed judge of the New South Wales Industrial Commission for much of his successful career, and actively contributed to the history of his country. A highly industrious man, Ferguson worked tirelessly to act for the public good. His defining contribution to the history of Australia however, was his magisterial, seven volume BIBLIOGRAPHY OF AUSTRALIA (1941-1969) which describes, with some limited exceptions, every printed document concerning Australia from 1784 to 1901. Many of these can be found in the Ferguson Collection which amasses some of Australia's most significant, rare and unique colonial records as well as pictures and maps that track the birth of Australia.
The first scholarly dictionary of Australian and New Zealand English, including loan words from indigenous languages, originally published in 1898.
An original and wide-ranging study of the mappings used to impose meaning on the world, Mapping Reality argues that maps create rather than merely represent the ground on which they rest. Distinctions between map and territory questioned by some theorists of the postmodern have always been arbitrary. From the history of cartography to the mappings of culture, sexuality and nation, Geoff King draws on an extensive range of materials, including mappings imposed in the colonial settlement of America, the Cold War, Vietnam and the events since the collapse of the Soviet bloc. He argues for a deconstruction of the opposition between map and territory to allow dominant mappings to be challenged, their contours redrawn and new grids imposed.
Tim Burton is one of the most inventive filmmakers in the world. From his early work as an animator for Disney studios to his distinctive takes on iconic characters like Batman and Alice in Wonderland, Burton’s skewed vision of the world has informed all of his films. Imbuing his films with a comically dark tone, Burton provides a twisted slant on conventional storytelling. In The Tim Burton Encyclopedia, Samuel J. Umland looks at all aspects of this idiosyncratic storyteller’s films, which frequently display childlike wonder and a macabre humor. Entries in this volume focus on Burton’s artistic inspirations as well as creative personnel behind the camera, including writers, cinematographers, costume designers, art directors, and other collaborators, notably his frequent composer Danny Elfman. Recurring actors are also represented, such as Michael Keaton, Helena Bonham-Carter, Jack Nicholson, and, of course, Johnny Depp. Film entries include all of his features such as Pee-Wee’s Big Adventure, Beetlejuice, Edward Scissorhands, Ed Wood, Big Fish, and Dark Shadows. Each entry is followed by a bibliography of published sources, both in print and online. Featuring entries focused on every stage of Burton’s career—including early animated shorts like Frankenweenie and his work as a producer—this volume provides indispensable information about one of the most distinctive filmmakers of the past three decades. Comprehensive and entertaining, The Tim Burton Encyclopedia will appeal to scholars, researchers, and fans of this singular director’s work.