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The Present Collection Of Essays Covers Several Aspects Of BankimchandraýS Personality And Genius, Seen From Contrary Angles To Which Eminent Critics And Scholars, Indian And Western Have Contributed. Apart From Valuable Studies Of The Many Aspects Of BankimchandraýS Art And Thought, The Volume Also Contains, In The Appendices, A Full And Comprehensive Chronicle Of His Life, Year To Year, A Bibliography Of His Publications In English, Bengali And Other Indian Languages, An English Renderings Of The Prologue And The First Chapter Of Anandamath By Sri Aurobindo, And Excerpts From The Authors Ideas And Speculations.
Guru English is a bold reconceptualization of the scope and meaning of cosmopolitanism, examining the language of South Asian religiosity as it has flourished both inside and outside of its original context for the past two hundred years. The book surveys a specific set of religious vocabularies from South Asia that, Aravamudan argues, launches a different kind of cosmopolitanism into global use. Using "Guru English" as a tagline for the globalizing idiom that has grown up around these religions, Aravamudan traces the diffusion and transformation of South Asian religious discourses as they shuttled between East and West through English-language use. The book demonstrates that cosmopolitanism is not just a secular Western "discourse that results from a disenchantment with religion, but something that can also be refashioned from South Asian religion when these materials are put into dialogue with contemporary social move-ments and literary texts. Aravamudan looks at "religious forms of neoclassicism, nationalism, Romanticism, postmodernism, and nuclear millenarianism, bringing together figures such as Swami Vivekananda, Sri Aurobindo, Mahatma Gandhi, and Deepak Chopra with Rudyard Kipling, James Joyce, Robert Oppenheimer, and Salman Rushdie. Guru English analyzes writers and gurus, literary texts and religious movements, and the political uses of religion alongside the literary expressions of religious teachers, showing the cosmopolitan interconnections between the Indian subcontinent, the British Empire, and the American New Age.
The Bhagavadgita has lent itself to several readings to defend or contest various views on life, morality, and metaphysics. This book explores the the role of the Bhagavadgita in the formation of nationalist discourse. It examines the ways in which the Gita became the central terrain of nationalist contestation, and the diverse ethico-moral mappings of the Indian nation. Focusing on Bankimchandra Chatterjee, Balgangadhar Tilak, Swami Vivekananda, Aurobindo Ghose, Mahatma Gandhi, Vinoba Bhave, and B.R. Ambedkar as the representatives of different strands of nationalist discourse, this volume probes their reflections on the Gita. The author also discusses with issues such as the relation between the nation and the masses, renunciation and engagement with the world, the ideas of equality, freedom, and common good, in the context of a nationalist discourse. He argues that the commentaries on this 'timeless' text opened up several possible understandings without necessarily eliminating one another.
Bankimchandra` S Shrimadbhagabadgita, His Fragmentary Commentary On The Bhagavadgita, Occupies An Important Place Among His Religious Writings The Primary Aim Of This Text Is To Make Available To Interested Readers And Scholars Without Knowledge Of Bengali A Critical, Documented English Translation Of It For The First Time.
In The Brahmo Samaj and its Vaiṣṇava Milieus: Intersections of Knowledge and Love in Nineteenth Century Bengal, Ankur Barua offers an intellectual history of the motif of religious universalism in the writings of some intellectuals associated with the Brahmo Samaj.
Shakespeare in the World traces the reception histories and adaptations of Shakespeare in the nineteenth century, when his works became well-known to non-Anglophone communities in both Europe and colonial India. Sen provides thorough and searching examinations of nineteenth-century theatrical, operatic, novelistic, and prose adaptations that are still read and performed, in order to argue that, crucial to the transmission and appeal of Shakespeare’s plays were the adaptations they generated in a wide range of media. These adaptations, in turn, made the absorption of the plays into different "national" cultural traditions possible, contributing to the development of "nationalist cosmopolitanisms" in the receiving cultures. Sen challenges the customary reading of Shakespeare reception in terms of "hegemony" and "mimicry," showing instead important parallels in the practices of Shakespeare adaptation in Europe and colonial India. Shakespeare in the World strikes a fine balance between the Bard’s iconicity and his colonial and post-colonial afterlives, and is an important contribution to Shakespeare studies.
Readings in Oriental Literature: Arabian, Indian, and Islamic is an up-to-date elucidation of some diverse and discrete, yet common and classic, subjects and authors, and the distinctive oriental elements present in them. The book, composed of fourteen essays, includes ancient Arabian poetry; the Arabian Nights; the Arabian desert; the Arabian influence on Melville; Shelley’s Orientalia; Coleridge’s Kubla Khan; the influence of English Romantics on the Bengali Tagore; Bangladesh’s national anthem, and her exiled daughter Taslima Nasreen; the Victorian reaction to British India; religious diversity and Islam in the West; the Muslim East in English literature; and reading literature from an Islamic point of view. Marked by an originality of approach and a freshness and simplicity, the book takes note of contemporary theoretical, interdisciplinary and cultural discourse drawn from literature, history, politics and religion as necessary. However, it is far from being unnecessarily weighed down by the loaded clichés, oft-repeated jargon and overused euphemisms of modern literary or critical theory. The result is, regardless of its specialized treatment of otherwise commonplace or well-known texts or topics, that the overall discussion is as lucid, introductory and expository as it is deep and scholarly, making the book accessible and understandable to non-specialist readers, in addition to specialist researchers and academics.
Bankim Chandra Chattopadhyaya is well-known as the creator of India's national song, 'Bande Mataram', and as a novelist who pioneered the art form in India with acclaimed classics like Ananda Math, Bishabrikha and Devi Chaudhurani. As critics have recognized, few writers in world literature have been so accomplished in both philosophy and art. So extensive was his output on religion and Hinduism, and so erudite his articulation, that Aurobindo Ghosh called him a rishi, while Nirad C. Chaudhuri believed that Bankim had 'one of the greatest Hindu minds, perhaps equalled in the past - whole of the Hindu past - only by the great Samkara'. Many Threads of Hinduism brings together some of Bankim's important writings on religion, Hinduism in particular, and includes his thoughts on the Vedas, nationalism, the origins of religion, the conflict between one god and many gods, and the need for mass education. There are also pieces comparing the Brahmins of yore to India's colonial masters at the time, the British, and excerpts from his translation of and commentary on the Bhagavadgita, which remained incomplete when he died. Beautifully translated by Alo Shome, this is an introduction to a different facet of a celebrated novelist and an important addition to the corpus of books on religion.
The Oxford History of Hinduism: Modern Hinduism focuses on developments resulting from movements within the tradition as well as contact between India and the outside world through both colonialism and globalization. Divided into three parts, part one considers the historical background to modern conceptualizations of Hinduism. Moving away from the reforms of the 19th and early 20th century, part two includes five chapters each presenting key developments and changes in religious practice in modern Hinduism. Part three moves to issues of politics, ethics, and law. This section maps and explains the powerful legal and political contexts created by the modern state--first the colonial government and then the Indian Republic--which have shaped Hinduism in new ways. The last two chapters look at Hinduism outside India focusing on Hinduism in Nepal and the modern Hindu diaspora.
The present volume of Ethics and Culture contains six articles of renowned teachers of Philosophy who are also the members of the Value Group, Centre of Advanced Study in Philosophy, Jadavpur University. In all these articles authors have explored the contributions of the great thinkers of modern India regarding the value system of our country. Here the perspectives of Bankim Chandra Chattopadhyay, Bal Gangadhar Tilak, Dwijendranath Tagore, Tarabai Shinde, J.N. Mohanty and Sri Ramakrishna Paramahamsa have been discussed in detail as all of them have a distinct view and faith on the traditional cultural beliefs of India and also have taken a critical approach to judge the mundane, orthodox attitude of people. The authors have explained the views of these great thinkers as their unique interpretations about Indian tradition can be used as a weapon against cultural encroachment and intolerance. The book, thus, helps to revive the true essence of our culture which is veiled by many socio-political factors of the present world.