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This beautifully illustrated story, from the Yuin people of Wallaga Lake, New South Wales, tells the tale of Bangu, the Flying Fox, and the lesson she learns about sticking by her friends. With the permission of the elders of Wallaga Lake, their people's story is retold in this form so that children everywhere can share it and learn from it.
This beautifully illustrated story, from the Yuin people of Wallaga Lake, New South Wales, tells the tale of Bangu, the Flying Fox, and the lesson she learns about sticking by her friends. With the permission of the elders of Wallaga Lake, their people's story is retold in this form so that children everywhere can share it and learn from it.
This transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island. It offers a new perspective in Performance Studies employing an Indigenous standpoint, specifically an Indigenous woman’s standpoint to privilege the practices and knowledges of Maori, First Nations, and Aboriginal women playwrights. Written in the style of ethnographic narrative the author affords the reader a ringside seat in providing personal insights on the process of negotiating access to rehearsals in each specific cultural context, detailed descriptions of each rehearsal location, and describing the visceral experiences of observing Indigenous theatre makers from inside the rehearsal room. The Indigenous scholar and theatre maker draws on Rehearsal Studies as an approach to documenting the day-to-day working practices of Indigenous theatre makers and considers an Indigenous Standpoint as a valid framework for investigating contemporary Indigenous theatre practices in a colonised context.
Topics covered are: Cultures, faiths and beliefs ; Local history ; This is Australia ; British arrival in Australia ; Enterprise in the community.
Sorry Sorry could be a first step of informing these young children of a significant aspect of Australian history, with age appropriate illustrations and dialogue. This book could also be an introduction to understanding the journey of reconciliation with Australia’s First Peoples.