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In a daring plan, Marshal Jackson Culpepper and his brothers disguise themselves as bandits and rob the corrupt local bank, hoping to root out the real embezzler. Too bad Cassandra Bixby was depositing her life savings that day… Naturally, Cassie demands an investigation…all the while fighting off her growing attraction to the Texas lawman who, to her frustration, refuses to take her seriously. Jack is in a bind—he can't very well arrest himself! Was it safe to share his secret with this woman-on-a-mission—the woman he's coming to love?
"Independent Josephine Malloy is determined to stake her own claim during the latest Oklahoma land run. But to fend off the countless suitors seeking a wife and homestead she needs a fake fiance for cover. Enter horse trader Solomon Tremain. As an undercover Deputy U.S. Marshal investigating land fraud, Sol should probably keep his distance from this firebrand. But when Josie gets in trouble with the law it's Sol to the rescue-although he'll need to make their marriage for real. If only she'll stay out of hot water long enough to say "I do"!"--P. [4] cover.
Harlequin Historical brings you three new titles for one great price, available now for a limited time only from December 1 to December 31! Escape with rugged cowboys and brooding lords in these three timeless love stories. This Harlequin Historical bundle includes Oklahoma Wedding Bells by Carol Finch, Born to Scandal by Diane Gaston and A Stranger's Touch by Anne Herries. Look for 6 compelling new stories every month from Harlequin Historical!
Left alone on the Cahill family ranch, Quin believes in making the most of the life he was born to. So, according to his late father's wishes, he's ruthlessly buying all the surrounding Cahill Crossing land he can get his hands on. Flame-haired Boston heiress Adrianna McKnight wants to forge her own path--from society girl to independent rancher--and has settled on Texas for her fresh start. Her new neighbor, Quin, doesn't like the competition one bit. But she's not going to let an infuriatingly sexy cowboy get in her way
U.S. Deputy Marshal Gideon Fox's first glimpse of the ravishing beauty was like a mystical vision. But when Lorelei Russell identified herself, the lawman in Gideon kicked in—this woman was wanted for murder! He'd have to tame his fierce attraction until justice could be served. For her part, Lori couldn't believe the injustice of it all. Falsely accused, apprehended by a hard-hearted marshal and, the most unfair part—how her body rebelled every time Gideon was near, making resistance to her gorgeous captor absolutely futile….
Christmas at Cahill Crossing: One Christmas night, outcast Lucas Burnett finds a silver-haired angel buried in the snow. But Rosalie Greer is no pale spirit--she's a fiery, independent woman, as wild as the mustangs Lucas breeds. Can she be the one to finally thaw Lucas's frozen heart?"--Publisher.
 In a prolific career spanning six decades, actor Burt Reynolds was one of the world's most famous stars of film and television. As much a folk hero as a Hollywood celebrity, he began as a stuntman and bit player in B Westerns and TV shows before landing a starring role on NBC's Riverboat (1959-1961). His breakthrough role in Deliverance (1972) made him famous and the sleeper hit Smokey and the Bandit (1977) made his name a household word. This first critical overview of Reynolds' work examines his complete filmography, featuring candid discussions with costars and collaborators, exclusive behind-the-scenes photos and a wealth of film stills.
In memory of Mary Lou "Douse" Thrasher given by Mr. and Mrs. James Reeves.
In contemporary culture, the stereotypical trappings of “redneckism” have been appropriated for everything from movies like Smokey and the Bandit to comedy acts like Larry the Cable Guy. Even a recent president, George W. Bush, shunned his patrician pedigree in favor of cowboy “authenticity” to appeal to voters. Whether identified with hard work and patriotism or with narrow-minded bigotry, the Redneck and its variants have become firmly established in American narrative consciousness. This provocative book traces the emergence of the faux-Redneck within the context of literary and cultural studies. Examining the icon’s foundations in James Fenimore Cooper’s Natty Bumppo—“an ideal white man, free of the boundaries of civilization”—and the degraded rural poor of Erskine Caldwell’s Tobacco Road, Matthew Ferrence shows how Redneck stereotypes were further extended in Deliverance, both the novel and the film, and in a popular cycle of movies starring Burt Reynolds in the 1970s and ’80s, among other manifestations. As a contemporary cultural figure, the author argues, the Redneck represents no one in particular but offers a model of behavior and ideals for many. Most important, it has become a tool—reductive, confining, and (sometimes, almost) liberating—by which elite forces gather and maintain social and economic power. Those defying its boundaries, as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have done so at their own peril. Ferrence contends that a refocus of attention to the complex realities depicted in the writings of such authors as Silas House, Fred Chappell, Janisse Ray, and Trudier Harris can help dislodge persistent stereotypes and encourage more nuanced understandings of regional identity. In a cultural moment when so-called Reality Television has turned again toward popular images of rural Americans (as in, for example, Duck Dynasty and Moonshiners), All- American Redneck reveals the way in which such images have long been manipulated for particular social goals, almost always as a means to solidify the position of the powerful at the expense of the regional.