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For decades, scholars have been trying to answer the question: how was colonial Burma perceived in and by the Western world, and how did people in countries like the United Kingdom and United States form their views? This book explores how Western perceptions of Burma were influenced by the popular music of the day. From the First Anglo-Burmese War of 1824-6 until Burma regained its independence in 1948, more than 180 musical works with Burma-related themes were written in English-speaking countries, in addition to the many hymns composed in and about Burma by Christian missionaries. Servicemen posted to Burma added to the lexicon with marches and ditties, and after 1913 most movies about Burma had their own distinctive scores. Taking Rudyard Kipling’s 1890 ballad ‘Mandalay’ as a critical turning point, this book surveys all these works with emphasis on popular songs and show tunes, also looking at classical works, ballet scores, hymns, soldiers’ songs, sea shanties, and film soundtracks. It examines how they influenced Western perceptions of Burma, and in turn reflected those views back to Western audiences. The book sheds new light not only on the West’s historical relationship with Burma, and the colonial music scene, but also Burma’s place in the development of popular music and the rise of the global music industry. In doing so, it makes an original contribution to the fields of musicology and Asian Studies.
This is the first reference guide to the political, cultural and economic histories that form the subject-matter of postcolonial literatures written in English.The focus of the Companion is principally on the histories of postcolonial literatures in the Anglophone world - Africa, the Middle East, South Asia, South-east Asia, Australia and New Zealand, the Pacific, the Caribbean and Canada. There are also long entries discussing the literatures and histories of those further areas that have also claimed the title 'postcolonial', notably Britain, East Asia, Ireland, Latin America and the United States. The Companion contains:*220 entries written by 150 acknowledged scholars of postcolonial history and literature;*covers major events, ideas, movements, and figures in postcolonial histories*long regional survey essays on historiography and women's histories. Each entry provides a summary of the historical event or topic and bibliographies of postcolonial literary works and histories. Extensive cross-references and indexes enable readers to locate particular literary texts in their relevant historical contexts, as well as to discover related literary texts and histories in other regions with ease.
This issue of Index on Censorship magazine is available for purchase as an individual volume. For musicians, broadcasters, singers and their fans around the world, censorship is a fact of life – from legal threats against filesharers to restrictions on performing live. But some musicians and music lovers face more extreme conditions than others. In its latest issue, Index publishes interviews and articles by leading music writers and musicians on the challenges to free expression – whether digital, legal or commercial. Featuring: *Daniel Barenboim on his stand against censorship *Radiohead’s Colin Greenwood on how the net sets musicians free *Will Self on banning the Sex Pistols *Femi Kuti on confronting censors in Nigeria Read about the songs they tried to ban, the musicians stopped for playing live, and the singers who are put on trial in the bumper Smashed Hits issue of Index. Index on Censorship is an award-winning magazine, devoted to protecting and promoting free expression. International in outlook, outspoken in comment, Index on Censorship reports on free expression violations around the world, publishes banned writing and shines a light on vital free expression issues through original, challenging and intelligent commentary and analysis, publishing some of the world's finest writers.
In this unique collection, theologians born and formed during the Cold War offer their insights and perspectives on theological relationships with such musical artists and groups as Joy Division, U2, Nick Cave, and John Coltrane. These essays demonstrate that one's personal music preferences can inform and influence professional interests.
A personal investigation into the real price of our holidays. Travel was once a marker of sophistication. Now the tourist is just as likely to be viewed as one locust in an annihilating swarm. Tourists face tough questions: When does economic opportunity become exploitation? How do we justify the use of climate-changing jet fuel? And can we be sure our tourist dollars aren’t propping up corrupt and brutal regimes? Now, as the world returns to travel, Steve Burgess asks: Is satisfying our own wanderlust worth the trouble it causes everyone else? Or is the tourist guilty of the charges—from voyeurism to desecration—levelled against them by everyone from environmentalists to exhausted locals to superior-feeling fellow tourists who have traded in the tour bus for “authentic experiences”? In this smart and sharply funny interrogation of our right to roam, Burgess looks into the traveller’s soul, sharing the stories of some of his most personally-significant travels, from Rome to Tana Toraja, and looking to studies and experts around the world for insight into why we travel and how we could do it better. And throughout, he tells the story of a month in Japan—his first trip outside North America—and the whirlwind cross-cultural romance that brought him there, and took him on a journey around the country in search of wonder and maybe even love.
Sir Paul McCartney first picked up a guitar as a bereaved teenager in 1956. In the fifty years since he's become the most successful pop music composer in history, enjoying a virtual season ticket to the Guinness Book of Records. McCartney's ballad Yesterday, which he wrote in his sleep, has since been covered by 2,400 other artists - making it the most popular song of all time. Now Christopher Sandford reveals the man behind the myth ... Among the eye-opening stories is the surprising love-hate relationship with John Lennon, not to mention with Lennon's widow, as well as an insider's account of McCartney's controversial marriage to Heather Mills. Likeswise, Sir Paul's restless creativity - both mainstream and avant-garde - his second group and his marriage to the late Linda McCartney are seen here in fresh and stunning detail. This behind the scenes story takes readers right up to today, as Sir Paul passes his 64th birthday. It's a hard, fast, sometimes shocking saga of sex, drugs and rock 'n' roll - the true adventure of the last showbiz superstar.
Burma is a country where, as one senior UN official puts it, “just to turn your head can mean imprisonment or death.” Aung San Suu Kyi is one of the world’s foremost inspirational revolutionary leaders. Considered to be Burma’s best hope for freedom, she has waged a war of steadfast nonviolent opposition to the country’s vicious militant regime. Because of her resistance to the brutality of the Burmese government, she has been under house arrest since 1989. She has endured failing health, vilification through the Burmese media, and cruel imprisonment in one of the world’s most dreadful and inhumane jails. Suu Kyi has fought every hardship the junta could put her through, yet she has never once wavered from her position, never once advocated violence, and persevered in her message of peaceful resistance at all costs, earning her the Nobel Peace Prize in 1991, placing her among the likes of such renowned champions of peace as Gandhi, King, and Mandela. She is a truly heroic revolutionary. In Perfect Hostage, the most thorough biography of Suu Kyi to date, Justin Wintle tells both the story of the Burmese people and the story of an ordinary person who became a hero.
Musical Childhoods of Asia and the Pacific agglomerates stories of young children’s music and musicking from around Southeast Asia and the Pacific. A collection of truly unique traditions are interrogated through a variety of contemporary methodologies. Readers are privileged to hear about children’s musical worlds from children, mothers’ musical worlds from mothers, a struggle to engage with music in a closed society, and new gender politics, among other stories. Researchers share experiences and insights gained from applying their chosen methodologies and add to the debate that shapes the continually transforming domain of music education research. Musical Childhoods builds on the diverse inquiry presented in the first three volumes in the series. This volume is an important addition to the libraries of colleges of education and schools of music, as well as music scholars and educators, researchers, and graduate students who are concerned with advancing both the scope and quality of research in the study of music teaching and learning.
The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike
The gentle Karen, a tribe in Burma's eastern regions, call their country a land without evil. They number between four and five million, and have been fighting for half a century to keep their land and identity. Many - at least 40 per cent - are Christians, and have suffered particularly harsh treatment. Burma today, and Karen State in particular, is a land torn apart by evil. It is a land ruled by a regime which took power by force, ignored the will of the people in an election, and survives by creating a climate of fear. It is a land terrorised by a military regime which to this day perpetrates a catalogue of crimes against humanity. It takes people for forced labour, uses villagers as human minesweepers, captures children and forces them to become soldiers, systematically rapes ethnic minority women, and burns down villages and crops. It is a regime which has killed thousands of people in the ethnic minority areas. This compassionate but unflinching account of the Karen's predicament is an important step in galvanising Western opinion about this ongoing act of genocide.