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An exciting collection of Balkan music featuring songs from Bosnia, Croatia, Greece, Macedonia, Romania and Serbia. Enjoy captivating sounds and compelling rhythms on this exhilarating musical journey through the Balkan Peninsula. Fully fingered for an enjoyable sight-reading experience.
An exciting collection of Balkan music featuring songs from Bosnia, Croatia, Greece, Macedonia, Romania and Serbia. Enjoy captivating sounds and compelling rhythms on this exhilarating musical journey through the Balkan Peninsula. Fully fingered for an enjoyable sight-reading experience.
This collection offers 10 well-known Christmas carols and instrumental solos, idiomatically arranged to be technically accessible by the intermediate classic guitarist; at the same time, these 10 settings feature occasional flashes of virtuosic technique and are musically satisfying for players and audiences alike. With a little preparation, they are perfect for holiday concerts or while simply decorating the Christmas tree or wrapping presents. Written in standard notation only, this book includes access to online audio recordings of each piece, expertly played by the author.
Violin/Solos. A small, but representative collection of well-known and lesser-known beautiful melodies from the Balkans. the carefully-chosen melodies offer a rich, enjoyable and varied book. the arrangements and other adaptations (keys, ornaments, etc.) have been introduced to make this beautiful South-Eastern European music more suitable for performance on the violin. It is recommended to repeat each piece 3-4 times because the melodies (like all folk songs in the world) are very short. A free piano accompaniment plus audio downloads are available for use with this title. Free audio files and piano accompaniment available.
This book presents a collection of contemporary, tonal classical guitar works from Ireland's most prolific guitar composer; Dave Flynn has melded Celtic, minimalist and neo-baroque influences in this ground-breaking addition to the modern concert repertoire. Fans of the minimalism of Steve Reich, John Adams and Philip Glass will enjoy “Three Minimalist Pieces” and the “Six Etudes for Five Fingers”. The influence of Flynn's native Ireland can be heard in some of these etudes, as well as in the Satie-esque “Three Gymn O'Paddies” and “The Mahatma of the Glen” which utilizes an alternate tuning with roots in Celtic fiddling. The imposing “Passacaglia” is a challenging concert work suitable for competitions and recitals, while the “Homage Sonatina” pays tribute to three iconic guitarists: Heitor Villa-Lobos, Andy Summers and Leo Brouwer. With an insightful foreword from the late Charles Postlewate, Flynn's illuminating practice tips and program notes guide the reader through these atmospheric, accessible works. Flynn's own interpretations can be found on his albums 5to9 - Music for Solo Guitar (2020) and Contemporary Traditional Irish Guitar (2009), available online to stream or download. Recommended for intermediate to advanced classical guitarists, these pieces are written in standard notation only.
Transcriptions from Neshamah, Tim Sparks's ground-breaking recording for Tzadik Records of traditional Jewish melodies arranged for solo guitar. Neshamah is a Hebrew word meaning soul, and in these soulful pieces, Sparks explores the music of the Jewish Diaspora, from the Caucasus to the Carpathians, from the Black Sea to Bosnia, from Jerusalem, Istanbul, Sarajevo, to New York's Lower East Side. Using a unique blend of bluesy string bends, jazz harmony and middle-eastern scales, he sheds new light on these tunes through the prism of fingerstyle guitar. Neshamah received wide critical acclaim in many publications around the world, including Fingerstyle Guitar, Acoustic Guitar, Guitar Player, Akustik Gitarre, Acoustic Guitar Japan, Dirty Linen, the Wall Street Journal, CDNOW, All Music Guide and the Amazon.com Editor's Top 100 CDs of 1999. the entire recording has been transcribed here, including an appendix with the complete solos. Several of the arrangements are accessible to intermediate level players while some are better suited to the advanced player. Some of these transcriptions are slightly different than the CD recorded versions and reflect how the composition is currently played by Tim and are notated as such in the Performance Notes.
Recorder/Solos. A small, but representative collection of well-known and lesser-known beautiful melodies from the Balkans. the carefully-chosen melodies offer a rich, enjoyable and varied book. the arrangements and other adaptations (keys, ornaments, etc.) have been introduced to make this beautiful South-Eastern European music more suitable for performance on the recorder. It is recommended to repeat each piece 3-4 times because the melodies (like all folk songs in the world) are very short. A free piano accompaniment plus audio downloads are available for use with this title. Free audio files and piano accompaniment available.
This book asks how a study of many different musics in South East Europe can help us understand the construction of cultural traditions, East and West. It crosses boundaries of many kinds, political, cultural, repertorial and disciplinary. Above all, it seeks to elucidate the relationship between politics and musical practice in a region whose art music has been all but written out of the European story and whose traditional music has been subject to appropriation by one ideology after another. South East Europe, with its mix of ethnicities and religions, presents an exceptionally rich field of study in this respect. The book will be of value to anyone interested in intersections between pre-modern and modern cultures, between empires and nations and between culture and politics.
Dr. Jovan Jovicic is one of the greatest twentieth-century Yugoslav guitar pioneers. It is by no means an exaggeration to say that, thanks to him, today a large part of the creative and interpretive work being done in all six republics of the former Yugoslavian federation is focused on the expressive possibilities of the classic guitar. This collection of selected concert guitar works by Jovan Jovicic includes most of the pieces which the artist himself performed and recorded during more than 50 years of his successful career. This is the first integral publication ever printed outside of Jovicic' s native country in which the music is adapted, revised and arranged exactly according to the composer's interpretation. Notation only.
The edited volume Audiovisual Media and Identity Issues in Southeastern Europe is an attempt to meet the challenges of text-based scholarship, to break medial one-dimensionality dictated by textuality and to shift the focus to the aural and visual dimensions of identity in a part of Europe heavily marked by the dynamics of political, cultural and social change, particularly during the last decades. The objective of this endeavour is to examine identity in Southeastern Europe by means of its communication media, specifically that of the photographic image and the sound recording. How are identities communicated? How are they performed and made physically perceptible? Brought to a point, the primary issue is one of how people perceive themselves and their environment on the basis of communication media, seen through a lens of different disciplines (social anthropology, ethnomusicology, media studies, sociology and history) and methodologies from the point of view of scholars from Southeastern Europe and their Western European colleagues. The book pursues a distinct comparative and historical perspective, examining the media representations from socialist and pre-socialist periods in relation to the role media play in the postsocialist discourse. Another focus is laid on local media representations and their impact on local self-images. This distinct historical and local approach allows new insights into how identities are constructed, performed and negotiated in the light of media, resulting in different forms of interpreting, re-appropriating and re-evaluting the past and traditions. This opens up questions on the role of media in relation to cultural policies and their potential to preserve or to transform local cultural heritage. The book is also an important contribution to the field of postsocialist studies in anthropology. It sheds a distinct cultural view on postsocialist transformation processes. Through a wide range of examples and first-hand results of basic field research from Greece, Bulgaria, Romania, Serbia, Albania and Slovenia this volume provides an opportunity for a comparative reconsideration of similar phenomena across national borders. It may serve also as a methodological reference work for scholars who are interested in the different ways of how to develop and practice “media reflexivity” in their own field research.