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This is a book which talks about men’s souls. A special type of soul, a “folk” soul. Through the careful and curious eyes of a tireless traveller, encounters, anecdotes, and fortuitous coincidences present the European folk world in all its beauty and authenticity. A world made of music and musicians, dances and dancers, instruments and luthiers, festivals and enjoyment. But also of a heritage of culture and values which the centennial wisdom of the traditions has entrusted to a modern man ever more separated from the community, from nature, and from himself. In the age of internet, of technological progress, and of globalization, talking about traditions, proverbs, dialects, ancient instruments and popular dances might seem anachronistic. However, the messages within these pages will cause you to reflect on how these timeworn practices are alive and how they can lead man towards a path of enlightenment.
Bal Folk was created from a selection tunes published as Massif Central Volumes 1 and 2. It has been completely revised and errors found in the original have been corrected. Copyright tunes had to be removed but a number of original compositions by Trevor Upham and Chris Shaw have been added. Trevor and Chris live in England but write tunes in the central French style. Trevor lived for many years in France and was very involved with the folk dance scene there, he writes some superb tunes which deserve to be better known. This book will be of interest to anyone who enjoys playing French music, or playing for French dancing. The tunes are suitable for melodeon, fiddle and accordion and many will fit within the range of bagpipes and hurdy gurdy. It contains the usual mix of mazurkas, valses, scottisches, two and three time bourrees, and polkas that are encountered at a Bal Folk in France. The majority of the tunes in this book come from the centre of France, the Berry, Bourbonnais and Auvergne regions, where there is a strong tradition of hurdy gurdy and bagpipe music. In addition, there are a few examples of tunes for other dances that one can occasionally encounter, for example the five time waltz from Alsace. It should not be seen as an academic work, but a useful source of good tunes. Also included are a number of tunes written in the French style by Trevor Upham and Chris Shaw, two musicians playing French music in England. In France the usual tuning used for a two row melodeon is C/G, whilst in England we prefer G/D. The melodeon in C/G tuning fits very well with the Auvergne tuned hurdy gurdy and bagpipes in C, when playing in C and G major. This is an instrument combination often used in France. It is for this reason that a number of tunes are written in C, however they can
Zbornik ('Ponovni premislek o ustvarjanju znanja in vključevanje/izključevanje v plesnih skupnostih, Zbornik 32. Simpozija ICTM Študijske skupine za etnokoreologijo, 29. julij–5. avgust 2022, Brežice, Slovenija') vsebuje izbor prispevkov, predstavljenih na 32. simpoziju ICTM Študijske skupine za etnokoreologijo, osrednji mednarodni konferenci s področja etnokoreologije, plesne antropologije in sorodnih disciplin, ki je potekal v Brežicah od 25. julija do 5. avgusta 2022. Prispevki, predstavljeni na simpoziju in vključeni v zbornik, obravnavajo dve ključni temi: ponovni premislek o ustvarjanju znanja v raziskavah plesa in vključevanje/izključevanje v plesnih skupnostih. Poleg tega je poseben razdelek namenjen plakatom, predstavljenim na simpoziju, dodatek pa ponuja vpogled v utelešeno izkušnjo dogodka, čeprav so ga nekateri doživeli le prek spleta. Zbornik, ki obsega 49 prispevkov 53 avtorjev, sta izdala Mednarodni svet za glasbene in plesne tradicije (ICTMD) in Glasbenonarodopisni inštitut ZRC SAZU.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 25 JUNE, 1972 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 56 VOLUME NUMBER: Vol. XXXVII, No. 27 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 17-54 ARTICLE: 1. Challenges To Indian Democracy 2. Self-Sufficiency Through Petro- Chemicals 3. Indian Machine Tools 4. The Trust Racket 5. Sri Lanka- Ceylon 6. The Novels of Raja Rao 7. Geological Survey of India 8. Folk Literature of South India 9. Sociology of Science 10. Growing Lawlessness And Judiciary AUTHOR: 1. I. G. Menon 2. J. J. Mehta 3. A. S. Rajan 4. S. L. Sah 5. Rajini Asrani 6. D. K. Chakraborty 7. Bala Sundram 8. Dr. S. K. Nayar 9. Shanti Narain 10. Rama Shankar Mohapatra KEYWORDS : 1. Indian Redeems Its Pledge, Challenges Confronting Democracy, Parliamentary Democracy 2. Offline Project, Import Substitution, Synthetic Rubber, Detergents, 3. Machine Tool Designing, Supply of Instruments, Export 4. Corporate funds, Manipulation, Channelling through Trust 5. Trincomalee, Insurmountable Problems, Five-Crore Credit by India, Tamils-Registered Citizens 6. Kanthapura, Main Strands, Matrimonial Theme 7. Wide Functions, Substantial Achievement, Collaboration With Other Countries 8. Literature By The People, Tamil Folk Literature, Kannada Folk Literature, Malayalam Folk Literature 9. Changes All Around, Relationship Between Man And Man, Role of Science, Gandhian Discipline Document ID : APE-1972 (A-J) Vol-II-12 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
This volume brings together leading voices from the new wave of research on musical instruments to consider how we can connect the material aspects of instruments with their social function, approaches that have been otherwise too frequently separated in musical scholarship. Shaping Sound and Society: The Cultural Study of Musical Instruments locates the instruments at the centre of cultural interactions. With contributions from ten scholars spanning a variety of methodologies and a wide range of both contemporary and historic music cultures, the volume is divided into three sections. Contributors discuss the relationships between makers, performers, and their local communities; the different meanings that instruments accrue as they travel over time and place; and the manner in which instruments throw new light on historic music cultures. Alongside the scholarly chapters, the volume also includes a selection of shorter interludes based on interviews with makers of comparatively new instruments, offering further insights into the process of musical instrument innovation. An essential read for students and academics in the fields of music and ethnomusicology, this volume will also interest anyone looking to understand how the cultural interaction of musical instruments is deeply informed and influenced by social, technological, and cultural change.
Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion. Responding to this challenge, Switching Codes brings together leading American and European scholars, scientists, and artists—including Charles Bernstein, Ian Foster, Bruno Latour, Alan Liu, and Richard Powers—to consider how the precipitous growth of digital information and its associated technologies are transforming the ways we think and act. Employing a wide range of forms, including essay, dialogue, short fiction, and game design, this book aims to model and foster discussion between IT specialists, who typically have scant training in the humanities or traditional arts, and scholars and artists, who often understand little about the technologies that are so radically transforming their fields. Switching Codes will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including scientists, educators, policymakers, and artists, alike.
Describes the characteristics of folk cultures and discusses the procedures used by social scientists to study folklife.