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Rob the robot is misbehaving. He doesn't stop, even when Max and his mom tell him to. With carefully leveled text, young readers can follow along and find out what he does next!
Introduce kids to the planets and solar system in this fractured fairy tale retelling of the classic The Three Little Pigs. Parents and children alike will adore this out-of-this-world story, which is set in outer space! GREEP BOINK MEEP! The three little aliens are happily settling into their new homes when the Big Bad Robot flies in to crack and smack and whack their houses down! A chase across the solar system follows in this humorous and visually stunning book from Margaret McNamara (How Many Seeds in a Pumpkin?) and Mark Fearing (The Book that Eats People). The endpapers even include a labeled diagram of all the planets.
This book explores how robotics and artificial intelligence (AI) can enhance human lives but also have unsettling “dark sides.” It examines expanding forms of negativity and anxiety about robots, AI, and autonomous vehicles as our human environments are reengineered for intelligent military and security systems and for optimal workplace and domestic operations. It focuses on the impacts of initiatives to make robot interactions more humanlike and less creepy (as with domestic and sex robots). It analyzes the emerging resistances against these entities in the wake of omnipresent AI applications (such as “killer robots” and ubiquitous surveillance). It unpacks efforts by developers to have ethical and social influences on robotics and AI, and confronts the AI hype that is designed to shield the entities from criticism. The book draws from science fiction, dramaturgical, ethical, and legal literatures as well as current research agendas of corporations. Engineers, implementers, and researchers have often encountered users' fears and aggressive actions against intelligent entities, especially in the wake of deaths of humans by robots and autonomous vehicles. The book is an invaluable resource for developers and researchers in the field, as well as curious readers who want to play proactive roles in shaping future technologies.
Winnie the Witch is very pleased when she turns her cardboard robot into a real one. Beep, beep! But when the naughty robot takes Winnie's wand, things start to get totally out of control. It's up to Wilbur, Winnie's lovable cat, to stop the magical mayhem and save the day. With an accompanying CD for entertaining listening!
Introduce kids to the planets and solar system in this fractured fairy tale retelling of the classic The Three Little Pigs. Parents and children alike will adore this out-of-this-world story, which is set in outer space! GREEP BOINK MEEP! The three little aliens are happily settling into their new homes when the Big Bad Robot flies in to crack and smack and whack their houses down! A chase across the solar system follows in this humorous and visually stunning book from Margaret McNamara (How Many Seeds in a Pumpkin?) and Mark Fearing (The Book that Eats People). The endpapers even include a labeled diagram of all the planets.
BAD ROBOT immerses the reader deeply into the high-tech world of robotic surgery and highlights the potentially disastrous consequences when robotic surgery goes awry. Anesthesiologist Luke Daulton is back after his harrowing brush with death at the hands of Dr. Katz two years ago in Fatal Complications. Now, after a series of unexplainable--and deadly--post-surgical complications, Luke finds himself entangled in a tumultuous love triangle between hospital co-workers; a triangle rife with sex, jealousy, anger, and revenge--where murder is just a matter of time.
A robot is made of many parts but what is on the inside?
"Rob the robot is misbehaving. He doesn't stop, even when Max and his mom tell him to. With carefully leveled text, young readers can follow along and find out what he does next!"--
In this moving memoir about the power of friendship and the resilience of the human spirit, Amy Silverstein tells the story of the extraordinary group of women who supported her as she waited on the precipice for a life-saving heart transplant. Nearly twenty-six years after receiving her first heart transplant, Amy Silverstein’s donor heart plummeted into failure. If she wanted to live, she had to take on the grueling quest for a new heart—immediately. A shot at survival meant uprooting her life and moving across the country to California. When her friends heard of her plans, there was only one reaction: “I’m there.” Nine remarkable women—Joy, Jill, Leja, Jody, Lauren, Robin, Valerie, Ann, and Jane—put demanding jobs and pressing family obligations on hold to fly across the country and be by Amy’s side. Creating a calendar spreadsheet, the women—some of them strangers to one another—passed the baton of friendship, one to the next, and headed straight and strong into the battle to help save Amy’s life. Empowered by the kind of empathy that can only grow with age, these women, each knowing Amy from different stages of her life, banded together to provide her with something that medicine alone could not. Sleeping on a cot beside her bed, they rubbed her back and feet when the pain was unbearable, adorned her room with death-distracting decorations, and engaged in their “best talks ever.” They saw the true measure of their friend’s strength, and they each responded in kind. My Glory Was I Had Such Friends is a tribute to these women and the intense hours they spent together—hours of heightened emotion and self-awareness, where everything was laid bare. Candid and heartrending, this once-in-a-lifetime story of connection and empathy is a powerful reminder of the ultimate importance of “showing up” for those we love.
Collecting and recontextualizing writings from the last twenty years of John Cayley's research-based practice of electronic literature, Grammalepsy introduces a theory of aesthetic linguistic practice developed specifically for the making and critical appreciation of language art in digital media. As he examines the cultural shift away from traditional print literature and the changes in our culture of reading, Cayley coins the term “grammalepsy” to inform those processes by which we make, understand, and appreciate language. Framing his previous writings within the overall context of this theory, Cayley eschews the tendency of literary critics and writers to reduce aesthetic linguistic making-even when it has multimedia affordances-to “writing.” Instead, Cayley argues that electronic literature and digital language art allow aesthetic language makers to embrace a compositional practice inextricably involved with digital media, which cannot be reduced to print-dependent textuality.