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A collection of photographs by artist Scott Hocking of the 'bad', often humourous graffiti seen in urban areas. As such graffiti is mostly on sites that are derelict or in a state of disrepair, Hocking's work documents the depressing appearance of buildings tarnished by urban decay and abandonment rather than mocking the artists.
"Welcome to the strange world of anonymous anarchists, toilet wall Tourette's and the mysterious rants of unidentified luntics. It's not big and it's not clever. But we defy you not to snigger all the same ..."--Publisher description.
A fascinating guide to decoding the secret language of the churches of England through the medieval carved markings and personal etchings found on our church walls from archaeologist Matthew Champion. 'Rare, lovely glimmers of everyday life in the Middle Ages.' -- The Sunday Times 'A fascinating and enjoyable read' -- ***** Reader review 'Superb' -- ***** Reader review 'Riveting' -- ***** Reader review 'Compelling, moving and fascinating' -- ***** Reader review ***************************************************************************************************** Our churches are full of hidden messages from years gone by and for centuries these carved writings and artworks have lain largely unnoticed. Having launched a nationwide survey to gather the best examples, archaeologist Matthew Champion shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Here are strange medieval beasts, knights battling unseen dragons, ships sailing across lime-washed oceans and demons who stalk the walls. Latin prayers for the dead jostle with medieval curses, builders' accounts and slanderous comments concerning a long-dead archdeacon. Strange and complex geometric designs, created to ward off the 'evil eye' and thwart the works of the devil, share church pillars with the heraldic shields of England's medieval nobility. Giving a voice to the secret graffiti artists of Medieval times, this engaging, enthralling and - at times - eye-opening book, with a glossary of key terms and a county-by-county directory of key churches, will put this often overlooked period in a whole new light.
This book is incredibly BAD. It does not contain MAGIC. Or a mysterious ghost girl. Or spontaneous combustion. Or Spanish-speaking llamas. Nope. None of these things. Okay... maybe one of these things. But certainly not MAGIC. It’s just an ordinary tale of a normal boy who goes to summer camp on a desert island. Nothing exciting or weird happens. The camp is definitely NOT for crazy, badly-behaved kids, and there are NO SECRETS or MYSTERIES at all. And absolutely NO MAGIC whatsoever...
A documentary record and critique of hand-painted or crafted stickers and posters that are part of a subset of graffiti known as adhesive art.
A hilarious reeducation in mathematics-full of joy, jokes, and stick figures-that sheds light on the countless practical and wonderful ways that math structures and shapes our world. In Math With Bad Drawings, Ben Orlin reveals to us what math actually is; its myriad uses, its strange symbols, and the wild leaps of logic and faith that define the usually impenetrable work of the mathematician. Truth and knowledge come in multiple forms: colorful drawings, encouraging jokes, and the stories and insights of an empathetic teacher who believes that math should belong to everyone. Orlin shows us how to think like a mathematician by teaching us a brand-new game of tic-tac-toe, how to understand an economic crises by rolling a pair of dice, and the mathematical headache that ensues when attempting to build a spherical Death Star. Every discussion in the book is illustrated with Orlin's trademark "bad drawings," which convey his message and insights with perfect pitch and clarity. With 24 chapters covering topics from the electoral college to human genetics to the reasons not to trust statistics, Math with Bad Drawings is a life-changing book for the math-estranged and math-enamored alike.
Our culture is driven by a concept of beauty that negatively impacts adolescent girls. The Scriptures are full of assurances regarding our identity in Christ, inherent worth to the Creator, and the secrets to tapping into the source of true and lasting beauty, yet girls and young women continue to struggle with their focus on outer beauty. In Graffiti: Learning to See the Art in Ourselves, Erin Davis applies the language of God's Word on identity, beauty, and worth to the life of a contemporary young woman. In fact, women who have never adequately dealt with this issue will find themselves reviewing their youth, and redirecting their spiritual eyes.
In 1969, a low-budget biker movie, Easy Rider, shocked Hollywood with its stunning success. An unabashed celebration of sex, drugs, and rock 'n' roll (onscreen and off), Easy Rider heralded a heady decade in which a rebellious wave of talented young filmmakers invigorated the movie industry. In Easy Riders, Raging Bulls, Peter Biskind takes us on the wild ride that was Hollywood in the '70s, an era that produced such modern classics as The Godfather, Chinatown, Shampoo, Nashville, Taxi Driver, and Jaws. Easy Riders, Raging Bulls vividly chronicles the exuberance and excess of the times: the startling success of Easy Rider and the equally alarming circumstances under which it was made, with drugs, booze, and violent rivalry between costars Dennis Hopper and Peter Fonda dominating the set; how a small production company named BBS became the guiding spirit of the youth rebellion in Hollywood and how, along the way, some of its executives helped smuggle Huey Newton out of the country; how director Hal Ashby was busted for drugs and thrown in jail in Toronto; why Martin Scorsese attended the Academy Awards with an FBI escort when Taxi Driver was nominated; how George Lucas, gripped by anxiety, compulsively cut off his own hair while writing Star Wars, how a modest house on Nicholas Beach occupied by actresses Margot Kidder and Jennifer Salt became the unofficial headquarters for the New Hollywood; how Billy Friedkin tried to humiliate Paramount boss Barry Diller; and how screenwriter/director Paul Schrader played Russian roulette in his hot tub. It was a time when an "anything goes" experimentation prevailed both on the screen and off. After the success of Easy Rider, young film-school graduates suddenly found themselves in demand, and directors such as Francis Coppola, Peter Bogdanovich, George Lucas, and Martin Scorsese became powerful figures. Even the new generation of film stars -- Nicholson, De Niro, Hoffman, Pacino, and Dunaway -- seemed a breed apart from the traditional Hollywood actors. Ironically, the renaissance would come to an end with Jaws and Star Wars, hugely successful films that would create a blockbuster mentality and crush innovation. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age. Never before have so many celebrities talked so frankly about one another and about the drugs, sex, and money that made so many of them crash and burn. By turns hilarious and shocking, Easy Riders, Raging Bulls is the ultimate behind-the-scenes account of Hollywood at work and play.
As dazzling as the art it celebrates, this volume is packed with 1,000 full-color illustrations and features in-depth interviews with more than 125 train artists and "writers" to provide unprecedented perspective into graffiti.