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Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? The authors in this volume propose shifts in our perceptions of bad girls by providing new ways to understand them through the case of Japan. By tracing the concept of the bad girl as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. Bad Girls of Japan explores deviancy in richly diverse media: mountain witches, murderers, performance artists, cartoonists, schoolgirls and shoppers gone wild are all part of the terrain.
Kim’s gang had better watch out! Tanya’s my friend now, and she’ll show them! Mandy has been picked on at school for as long as she can remember, so she is delighted when cheeky, full-of-fun Tanya befriends her. Mum isn’t happy – she thinks Tanya’s a “bad girl” and a bad influence. Is she or isn’t she?
"Bad Youth draws from official sources as well as press accounts, novels, songs, and films. Throughout, Ambaras demonstrates that juvenile protection remained contested terrain marked by complex negotiations among reformers, young people, and the adults in their lives, for whom the promises and perils of modernity could assume starkly different meanings."--BOOK JACKET.
This hilarious follow-up to the wildly popular Bad Girl's Guide to the Open Road is the ultimate guide to getting itanything and everythingin Bad Girl style. Delayed gratification is a thing of the past with this inspired collection of tips and tricks for scoring love, fame, money, power, parking spaces, and other essentials. With sure-fire schemes for everything from free food and airline miles to insider lingo for paving pesky resume gaps, The Bad Girl's Guide to Getting What You Want shows how to fake it fabulously. But spin and strategy are just the beginningthe truth can be an even more wicked weapon. Learn the secrets of men's hair, the landlord's Achilles' heel, and the maitre d's darkest desires, and the dream date, great apartment, and best table are yours! Racy bad-girl confessions and edgy illustrations make this indispensable volume even dishier. Ethics are overratedit's the results that count! Pack this sassy package in your purse and knowing what you want is as good as getting it.
Film poster art and design from Japan is renowned as being among the most striking and dynamic in the world, with kanji logograms adding an extra dimension of graphic integration for the Western eye. TOKYO CINEGRAPHIX is a new high-quality book series which aims to represent some of the very best film posters created in Japan, both for indigenous films and also for foreign imports. Each volume includes 100 full-colour, full-page reproductions. TOKYO CINEGRAPHIX TWO focuses solely on Japanese cinema, and its infamous "bad girl" or "pinky violence" blend of sex and crime - from murdered strippers to female assassins, yakuza molls, delinquent highschool girls, sword-wielding female gamblers, killer prostitutes, female prisoners, girl gangs and tattooed she-bikers.
"A very graceful, erudite job . . . extraordinarily revealing."—The New York Times Thirty years after its first publication, Womansword remains a timely, provocative work on how words reflect female stereotypes in modern Japan. Short, lively essays offer linguistic, sociological, and historical insight into issues central to the lives of women everywhere: identity, girlhood, marriage, motherhood, work, sexuality, and aging. A new introduction shows how things have—and haven't—changed. Kittredge Cherry studied in Japan and has written about the country for Newsweek and the Wall Street Journal. She has a journalism degree from University of Iowa.
"Manners and Mischief is a cohesive, stimulating volume. Reading these essays and the editors' enlightening introduction was a joy: I learned a great deal, smiled and laughed with uncommon regularity, and marveled at the quality of this remarkable collection." -William M. Tsutsui, author of Godzilla on My Mind "This book is full of fascinating insights. Well-written and often witty, it captures a detailed snapshot of Japanese society in the early 21st century. I would say this is the most insightful book on modern Japan I have read in years." -Liza Dalby, anthropologist and novelist
A groundbreaking history that considers the attack on Pearl Harbor from the Japanese perspective and is certain to revolutionize how we think of the war in the Pacific. When Japan launched hostilities against the United States in 1941, argues Eri Hotta, its leaders, in large part, understood they were entering a war they were almost certain to lose. Drawing on material little known to Western readers, and barely explored in depth in Japan itself, Hotta poses an essential question: Why did these men—military men, civilian politicians, diplomats, the emperor—put their country and its citizens so unnecessarily in harm’s way? Introducing us to the doubters, schemers, and would-be patriots who led their nation into this conflagration, Hotta brilliantly shows us a Japan rarely glimpsed—eager to avoid war but fraught with tensions with the West, blinded by reckless militarism couched in traditional notions of pride and honor, tempted by the gambler’s dream of scoring the biggest win against impossible odds and nearly escaping disaster before it finally proved inevitable. In an intimate account of the increasingly heated debates and doomed diplomatic overtures preceding Pearl Harbor, Hotta reveals just how divided Japan’s leaders were, right up to (and, in fact, beyond) their eleventh-hour decision to attack. We see a ruling cadre rich in regional ambition and hubris: many of the same leaders seeking to avoid war with the United States continued to adamantly advocate Asian expansionism, hoping to advance, or at least maintain, the occupation of China that began in 1931, unable to end the second Sino-Japanese War and unwilling to acknowledge Washington’s hardening disapproval of their continental incursions. Even as Japanese diplomats continued to negotiate with the Roosevelt administration, Matsuoka Yosuke, the egomaniacal foreign minister who relished paying court to both Stalin and Hitler, and his facile supporters cemented Japan’s place in the fascist alliance with Germany and Italy—unaware (or unconcerned) that in so doing they destroyed the nation’s bona fides with the West. We see a dysfunctional political system in which military leaders reported to both the civilian government and the emperor, creating a structure that facilitated intrigues and stoked a jingoistic rivalry between Japan’s army and navy. Roles are recast and blame reexamined as Hotta analyzes the actions and motivations of the hawks and skeptics among Japan’s elite. Emperor Hirohito and General Hideki Tojo are newly appraised as we discover how the two men fumbled for a way to avoid war before finally acceding to it. Hotta peels back seventy years of historical mythologizing—both Japanese and Western—to expose all-too-human Japanese leaders torn by doubt in the months preceding the attack, more concerned with saving face than saving lives, finally drawn into war as much by incompetence and lack of political will as by bellicosity. An essential book for any student of the Second World War, this compelling reassessment will forever change the way we remember those days of infamy.
From Delilah to Cleopatra, from Anne Boleyn and (bloody) Queen Mary, to Calamity Jane, Typhoid Mary and more, the 26 notorious women analyzed here all have rotten reputations. But were these vixen really as wicked as they seemed?
Between 1970 and 1974, numerous Japanese film companies in particular Nikkatsu and Toei produced dozens of films in a new sub-genre which combined action, sex, violence and crime, and was dominated by ruthless and deadly delinquent females. This sub-genre, which Toei would eventually dominate and define, is now known as pinky violence. contains an extensive introductory history by Jack Hunter, as well as illustrated sections on all the main pinky violence series and one-offs. There are 140 rare images of film posters and publicity.