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This concise yet comprehensive textbook examines political, social, and cultural developments in the Soviet Union and the post-Soviet period. It begins by identifying the social tensions and political inconsistencies that spurred radical change in Russia's government, from the turn of the century to the revolution of 1917. Peter Kenez presents this revolution as a crisis of authority that the creation of the Soviet Union resolved. The text traces the progress of the Soviet Union through the 1920s, the years of the New Economic Policies, and into the Stalinist order. It illustrates how post-Stalin Soviet leaders struggled to find ways to rule the country without using Stalin's methods - but also without openly repudiating the past - and to negotiate a peaceful but antipathetic coexistence with the capitalist West. This updated third edition includes substantial new material, discussing the challenges Russia currently faces in the era of Putin.
An authoritative history of Russia from early Rus' to the reign of Peter the Great.
CONTENTS The Development of Capitalism in Russia The Theoretical Mistakes of the Narodnik Economists The Differentiation of the Peasantry The Landowners' Transition from Corvée to Capitalist Economy The Growth of Commercial Agriculture The First Stages of Capitalism in Industry Capitalist Manufacture and Capitalist Domestic Industry The Development of Large-Scale Machine Industry The Formation of the Home Market
This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
Taking the Soviet collapse - the most cataclysmic event of the recent past - as a case study, this text engages students in the exercise of historical analysis, interpretation and explanation. In exploring the question posed by the title, the author introduces and applies such organizing concepts as great power conflict, imperial decline, revolution, ethnic conflict, colonialism, economic development, totalitarian ideology, and transition to democracy in a most accessible way. Questions and controversies, and extracts from documentary and literary sources, anchor the text at key points. This book is intended for use in history and political science courses on the Soviet Union or more generally on the 20th century.
Spanning the divide between Europe and Asia, Russia is a multi-ethnic empire with a huge territory, strategically placed and abundantly provided with natural resources. But Russia's territory has a harsh climate, is cut off from most maritime contact with the outside world, and has open and vulnerable land frontiers. It has therefore had to devote much of its wealth to the armed forces, and the sheer size of the empire has made it difficult to mobilise resources and to govern effectively, especially given the diversity of its people. In this Very Short Introduction, Geoffrey Hosking discusses all aspects of Russian history, from the struggle by the state to control society, the transformation of the empire into a multi-ethnic empire, Russia's relationship with the West/Europe, the Soviet experience, and the post-Soviet era. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
'An expert in probing mafia-type relationships in present-day Russia, Martin McCauley here offers a vigorously written scrutiny of Soviet politics and society since the days of Lenin and Stalin.' John Keep, Professor Emeritus, University of Toronto. The birth of the Soviet Union surprised many; its demise amazed the whole world. How did imperial Russia give way to the Soviet Union in 1917, and why did the USSR collapse so quickly in 1991? Marxism promised paradise on earth, but the Communist Party never had true power, instead allowing Lenin and Stalin to become dictators who ruled in its name. The failure of the planned economy to live up to expectations led to a boom in the unplanned economy, in particular the black market. In turn, this led to the growth of organised crime and corruption within the government. The Rise and Fall of the Soviet Union examines the strengths, weaknesses, and contradictions of the first Marxist state, and reassesses the role of power, authority and legitimacy in Soviet politics. Including first-person accounts, anecdotes, illustrations and diagrams to illustrate key concepts, McCauley provides a seminal history of twentieth-century Russia.
For more than seven decades the circuses enjoyed tremendous popularity in the Soviet Union. How did the circus—an institution that dethroned figures of authority and refused any orderly narrative structure—become such a cultural mainstay in a state known for blunt and didactic messages? Miriam Neirick argues that the variety, flexibility, and indeterminacy of the modern circus accounted for its appeal not only to diverse viewers but also to the Soviet state. In a society where government-legitimating myths underwent periodic revision, the circus proved a supple medium of communication. Between 1919 and 1991, it variously displayed the triumph of the Bolshevik revolution, the beauty of the new Soviet man and woman, the vulnerability of the enemy during World War II, the prosperity of the postwar Soviet household, and the Soviet mission of international peace—all while entertaining the public with the acrobats, elephants, and clowns. With its unique ability to meet and reconcile the demands of both state and society, the Soviet circus became the unlikely darling of Soviet culture and an entertainment whose usefulness and popularity stemmed from its ambiguity.
Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and direct it in every way possible. This book examines Soviet cultural politics from the Revolution to Stalin’s death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalin’s role in directing these relations, and his literary judgments and personal biases, will astonish many. The documents presented in this volume reflect the progression of Party control in the arts. They include decisions of the Politburo, Stalin’s correspondence with individual intellectuals, his responses to particular plays, novels, and movie scripts, petitions to leaders from intellectuals, and secret police reports on intellectuals under surveillance. Introductions, explanatory materials, and a biographical index accompany the documents.