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Back Yonder is not fancy. It is like a hand-sewn quilt. It has taken much time and effort. What you see is what you get. The tales are original and have some truth, even though I have added some exaggeration and fiction. Ben Franklin said no one would ever read history unless fiction was added.
Wayman Hogue’s stories of growing up in the Ozarks, according to a 1932 review in the New York Times, “brilliantly illuminate mountain life to its very heart and in its most profound aspects.” A standout among the Ozarks literature that was popular during the Great Depression, this memoir of life in rural Arkansas in the decades following the Civil War has since been forgotten by all but a few students of Arkansas history and folklore. Back Yonder is a special book. Hogue, like his contemporary Laura Ingalls Wilder, weaves a narrative of a family making its way in rugged, impoverished, and sometimes violent places. From one-room schoolhouses to moonshiners, the details in this story capture the essence of a particular time and place, even as the characters reflect a universal quality that will endear them to modern readers. Historian Brooks Blevins’s new introduction explores the life of Charles Wayman Hogue, analyzes the people and events that inspired the book, and places the volume in the context of America’s discovery of the Ozarks in the years between the World Wars. The University of Arkansas Press is proud to reissue Back Yonder as the first book in the Chronicles of the Ozarks series, making this Arkansas classic available again, ready to be discovered and rediscovered by readers sure to find the book as interesting and entertaining as ever.
Originally released in 1932, Wayman Hogue's Back Yonder is a rare and entertaining memoir of life in rural Arkansas during the decades follow- ing the Civil War. Using family legends, personal memories, and events from Arkansas history, Hogue, like his contemporary Laura Ingalls Wilder, creatively weaves a narrative of a family making its way in rug- ged, impoverished, and sometimes violent places. From one-room schoolhouses to moonshiners, the details in Hogue's story capture the essence of a particular time and place, even as the characters reflect a universal quality that endears them to the mod- ern reader. This reissue of Back Yonder, the first in the Chronicles of the Ozarks series, features an introduction by historian Brooks Blevins that explores the life of Charles Wayman Hogue, analyzes the people and events that inspired the book, and places the volume in the context of America's discovery of the Ozarks in the years between the World Wars.
In the Beginning: Fundamentalism, the Scopes Trial, and the Making of the Antievolution Movement
The Dictionary of Southern Appalachian English is a revised and expanded edition of the Weatherford Award–winning Dictionary of Smoky Mountain English, published in 2005 and known in Appalachian studies circles as the most comprehensive reference work dedicated to Appalachian vernacular and linguistic practice. Editors Michael B. Montgomery and Jennifer K. N. Heinmiller document the variety of English used in parts of eight states, ranging from West Virginia to Georgia—an expansion of the first edition's geography, which was limited primarily to North Carolina and Tennessee—and include over 10,000 entries drawn from over 2,200 sources. The entries include approximately 35,000 citations to provide the reader with historical context, meaning, and usage. Around 1,600 of those examples are from letters written by Civil War soldiers and their family members, and another 4,000 are taken from regional oral history recordings. Decades in the making, the Dictionary of Southern Appalachian English surpasses the original by thousands of entries. There is no work of this magnitude available that so completely illustrates the rich language of the Smoky Mountains and Southern Appalachia.
Includes excerpt from "Save it for Sunday."
Looks at the dynamics of identification, envy, and idealization in fictional narratives by Margaret Atwood, Angela Carter, Sandra Cisneros, Toni Morrison, and others, as well as in nonfictional accounts of cross-race relations by white feminists and feminists of color.
In this bittersweet visit to a simpler time in the American Southwest, Ralph Reynolds crafts a fictional story based on an old oral tradition that the Wild Bunch, an outlaw gang, invaded a New Mexico village near their hideout and shot up its Mormon church. Sparks fly when church bishop, Jim Nathan, a former lawman, confronts the gang and its leader, Butch Cassidy (a notorious fallen Mormon). Another of the outlaws, Clem, becomes smitten with the church beauty, named Deseret. He leaves the gang and joins storyteller, Scottie Abner, and Deseret in a dangerous attempt to halt a cattle drive that threatens the area. High adventure and suspense follows. Theres a dramatic face-off between Bishop and Butch when the gang finds a need for Clem and comes back to get him. Praise for other works by Ralph Reynolds I think The Killvein White is breathtaking. It has richness, tidy and neat discrimination about the different characters, and more suspense than even George Stewart could manage in his novels about weather disasters. Glenn Leggett, author of The Prentice-Hall Handbook for Writers In Growing Up Cowboy, Reynolds draws the wild beauty of his surroundings without getting trapped in clichs. Every loving description of the countryside shows his visceral attachment to the land of his birth. Davenport Times, Iowa