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New York Times Notable Book: A “beautifully written” memoir by the daughter of the brilliant, troubled poet (Detroit Free Press). This is an honest, unsparing account of the anguish and fierce love that bound a difficult mother and the daughter she left behind. Linda Sexton was twenty–one when her mother killed herself, and now she looks back, remembers, and tries to come to terms with her mother’s life. Growing up with Anne Sexton was a wild mixture of suicidal depression and manic happiness, inappropriate behavior and midnight trips to the psychiatric ward. Anne taught Linda how to write, how to see, how to imagine—and only Linda could have written a book that captures so vividly the intimate details and lingering emotions of their life together. Searching for Mercy Street speaks to everyone who admires Anne Sexton and to every daughter or son who knows the pain of an imperfect childhood. “Sexton forcefully communicates the fear, repulsion, neediness, and sorrow that filled her childhood, as well as the agony of her own mental breakdown and her terror of becoming like her mother, in lucid and vivid prose.” —The Boston Globe “A candid, often painful depiction of a daughter’s struggles to come to terms with her powerful and emotionally troubled mother.” —The New York Times
The bestselling story behind Ross Hunter’s classic melodrama starring Susan Hayward and John Gavin. When “fly girl” and gorgeous socialite Ray Schmidt first meets Walter Saxel in Cincinnati, their attraction is instant and everlasting. As their bond deepens, Ray finds herself envisioning a future with Walter, until one fateful day when the settling of her family affairs interferes with their plans to meet, and his relationship with another woman forms. Though years pass and Ray manages to carve out a life for herself in New York City, Walter remains in her memory, and a chance run-in with him leads them both to fall into their former ways. What unfolds is the fascinating tale of what life was for selfless, devoted Ray, a prisoner to her love for the one man who would never fully love her back. Originally published in 1931, this bestselling classic novel about the heartbreak of living along the “back streets” of a man’s life was adapted into film three times. With a new foreword by Cari Beauchamp. Vintage Movie Classics spotlights classic films that have stood the test of time, now rediscovered through the publication of the novels on which they were based.
La Gina is a smart, Hurricane Katrina survivor who used her physical gifts to achieve material gain. La Gina is now settled in a new life with her husband, Earl Cuyler, a police detective with strong convictions and a wandering eye. Although Earl claims to love La Gina, her friends think otherwise, but they have their own personal battles. Raymond thinks he is too poor to marry his woman. Suzi is in love with her neighbor, Zege, who is interested in a casual friendship with benefits. Everything changes when La Gina is diagnosed with breast cancer. Earl abandons her because he could not tolerate the effects that chemotherapy was having on his pride and joy_La Ginas body and her long, beautiful hair. Earl tells La Gina, well, that is your problem, your sickness or illness, whatever, not mine. La Gina thinks her illness is one of her greatest challengesuntil Earl is charged with murdering his mistress and her unborn child. Throughout her illness, La Gina undergoes a paradigm shift and begins to govern her behavior by reasoning and logic. She decides to stand by Earl while he is being investigated for the horrific crime. Her friends think that she has gone cray-cray. All of that is about to change when friends help her realize that she may be an accomplice to the murders. Back Street to Happy is the suspenseful tale of a womans journey to attain her dreams, despite a betrayal by the man she loves.
Leviathan is back The threat of statism has reemerged in force. The federal government has radically expanded its power—through bailouts, “stimulus” packages, a trillion-dollar health-care plan, “jobs bills,” massive expansions of the money supply, and much more. But such interventionism did not suddenly materialize with the recent economic collapse. The dangerous trends of government growth, debt increases, encroachments on individual liberty, and attacks on the free market began years earlier and continued no matter which political party was in power. This shift toward statism “will not end happily,” declares bestselling author Thomas E. Woods. In Back on the Road to Serfdom, Woods brings together ten top scholars to examine why the size and scope of government has exploded, and to reveal the devastating consequences of succumbing to the statist temptation. Spanning history, economics, politics, religion, and the arts, Back on the Road to Serfdom shows: · How government interventionism endangers America’s prosperity and the vital culture of entrepreneurship · The roots of statism: from the seminal conflict between Thomas Jefferson and Alexander Hamilton to the vast expansion of federal power in the twentieth century · Why the standard explanation for the recent economic crisis is so terribly wrong—and why the government’s frenzied responses to the downturn only exacerbate the problems · Why the European welfare state is not a model to aspire to but a disaster to be avoided · How an intrusive state not only harms the economy but also imperils individual liberty and undermines the role of civil society · The fatal flaws in the now-common arguments against free markets and free trade · How big business is helping government pave the road to serfdom · Why the Judeo-Christian tradition does not demand support for the welfare state, but in fact values the free market · How the arrogance of government power extends even to the cultural realm—and how central planning is just as inefficient and destructive there It’s been more than sixty-five years since F. A. Hayek published his seminal work The Road to Serfdom. Now this impeccably timed book provides another desperately needed warning about—and corrective to—the dangers of statism.
Arizona Territory, 1881. Coleman Matthews is a gunman with a desolate heart and a wry sense of humor... He can put a bullet in your chest before you clear leather or drop you from a thousand yards out with a .50 caliber Sharps. He carries a sawed off ten-gauge in a saddle scabbard and a push dagger inside his gunbelt for closer-in social work. But saddle up… ride with him for awhile as he hunts down the wolfpack of thieves and killers who raped and murdered one of the few people he ever cared about...
In Take on the Street, Arthur Levitt--Chairman of the Securities and Exchange Commission for eight years under President Clinton--provides the best kind of insider information: the kind that can help honest, small investors protect themselves from the deliberately confusing ways of Wall Street. At a time when investor confidence in Wall Street and corporate America is at an historic low, when many are seriously questioning whether or not they should continue to invest, Levitt offers the benefits of his own experience, both on Wall Street and as its chief regulator. His straight talk about the ways of stockbrokers (they are salesmen, plain and simple), corporate financial statements (the truth is often hidden), mutual fund managers (remember who they really work for), and other aspects of the business will help to arm everyone with the tools they need to protect—and enhance—their financial future.
The Backstreets is an astonishing novel by a preeminent contemporary Uyghur author who was disappeared by the Chinese state. It follows an unnamed Uyghur man who comes to the impenetrable Chinese capital of Xinjiang after finding a temporary job in a government office. Seeking to escape the pain and poverty of the countryside, he finds only cold stares and rejection. He wanders the streets, accompanied by the bitter fog of winter pollution, reciting a monologue of numbers and odors, lust and loathing, memories and madness. Perhat Tursun’s novel is a work of untrammeled literary creativity. His evocative prose recalls a vast array of canonical world writers—contemporary Chinese authors such as Mo Yan; the modernist images and rhythms of Camus, Dostoevsky, and Kafka; the serious yet absurdist dissection of the logic of racism in Ellison’s Invisible Man—while drawing deeply on Uyghur literary traditions and Sufi poetics and combining all these disparate influences into a style that is distinctly Perhat Tursun’s own. The Backstreets is a stark fable about urban isolation and social violence, dehumanization and the racialization of ethnicity. Yet its protagonist’s vivid recollections of maternal tenderness and first love reveal how memory and imagination offer profound forms of resilience. A translator’s introduction situates the novel in the political atmosphere that led to the disappearance of both the author and his work.
Last volume! It’s the final concert for this dishonorable idol enterprise! After President Inugane sacrificed his own jewels to avoid a scandal, he ends up going to prison for being a flagrant offender! This means the girls can wash their hands of this hellish idol lifestyle for good … doesn’t it? Read and find out what tomorrow will bring for the three Gokudols now that they’ve found freedom!
NATIONAL BESTSELLER "A profound book.... It will break your heart but also leave you with hope." —J.D. Vance, author of Hillbilly Elegy "[A] deeply empathetic book." —The Economist With stark photo essays and unforgettable true stories, Chris Arnade cuts through "expert" pontification on inequality, addiction, and poverty to allow those who have been left behind to define themselves on their own terms. After abandoning his Wall Street career, Chris Arnade decided to document poverty and addiction in the Bronx. He began interviewing, photographing, and becoming close friends with homeless addicts, and spent hours in drug dens and McDonald's. Then he started driving across America to see how the rest of the country compared. He found the same types of stories everywhere, across lines of race, ethnicity, religion, and geography. The people he got to know, from Alabama and California to Maine and Nevada, gave Arnade a new respect for the dignity and resilience of what he calls America's Back Row--those who lack the credentials and advantages of the so-called meritocratic upper class. The strivers in the Front Row, with their advanced degrees and upward mobility, see the Back Row's values as worthless. They scorn anyone who stays in a dying town or city as foolish, and mock anyone who clings to religion or tradition as naïve. As Takeesha, a woman in the Bronx, told Arnade, she wants to be seen she sees herself: "a prostitute, a mother of six, and a child of God." This book is his attempt to help the rest of us truly see, hear, and respect millions of people who've been left behind.