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Take me out to the GoGo! And that's what Thomas, Will and Jerry did. They followed those very words every weekend partying at the many popular clubs around the D.C. area like the Club Lebaron, Cheriy's and the Maverick Room, to see GoGo bands like Rare Essence, Trouble Funk, Experience Unlimited, Ayre Rayde, Redds & The Boys, PeaceMakers, Mass Extinction, Class, Petworth, Junk Yard and the list goes on...It's August and the sun has D.C. feeling like it's frying in a skillet. Another school year is right around the corner and every year D.C. brings in the new school year with the Back To School Boogie at the Capital Center Arena!Thomas, Will, Jerry and their lady friends, also classmates, Courtney and Michelle need to get tickets because they are going fast. So to get money for the tickets Thomas, Will, Jerry and a few of their other friends decide to buy a $45.00 lead of weed on Galveston St. in SW D.C., roll it all up into joints to sell for $1.00 each. This sounds like a good idea, but they didn't take into consideration that some of the friends were weed heads, who would smoke more of the joints than they would sell. To make it even worst, they spent the little money they did make on snacks, to overcome the munchies they got from smoking the weed.Now Thomas and his friends have to figure out a new way to make money. Since Thomas has a good friend that lives in VA, who works in a small local Ice Cream store, they decide to get together and come up with a plan to rob it. They're plan is pretty good, but it goes from good to getting hit with broomsticks by the Mexican clerk, getting burnt by hot water after cutting pipes in a nearby laundry mat to siphon gas, and getting caught siphoning the gas out of a Taxi Cab. They haul ass out of there, but now they're stuck in VA, they needed that gas to get back across the bridge. It's a crazy night! With every plan gone wrong and no money to speak of, the boys don't know what to do. To make things worse, the tickets sold out the very next day following the attempted store robbery. Now the crew must figure out how to get their tickets, or find other ways of getting to the Back To School Boogie. In the tradition of such comedy classics as Cooley High, House Party, and Friday comes a brand new comedy that will have you dying with laughter. So get ready to laugh hard and enjoy a good story from the early 80's of Old School GoGo!
Put on your dancing shoes—Pete is ready to boogie! Pete is learning a new dance—the Cool Cat Boogie! When he hears a groovy beat, he’s full of happy in his feet. But when Grumpy Toad tells him, “Pete, you dance all wrong!” Pete is determined to become a better dancer. With the help of his friends and some wise words from Owl, Pete learns that he’s his grooviest when he’s being himself. Includes step-by-step dance moves so readers can dance along with Pete! Join Pete the Cat in this groovy story from New York Times bestselling author-illustrator team James and Kimberly Dean! Don't miss Pete's other adventures, including Pete the Cat: I Love My White Shoes, Pete the Cat: Rocking in My School Shoes, Pete the Cat and His Four Groovy Buttons, Pete the Cat Saves Christmas, Pete the Cat and His Magic Sunglasses, Pete the Cat and the Bedtime Blues, Pete the Cat and the New Guy, Pete the Cat and the Missing Cupcakes, Pete the Cat and the Perfect Pizza Party, Pete the Cat: Crayons Rock!, Pete the Cat's Groovy Imagination, and Pete the Cat Plays Hide-and-Seek.
This first novel by "New York Times" bestselling author Burke--a long-out-of-print Pulitzer Prize winner---tells the story of a Korean war veteran and ex-con who tries to put the past behind him, even as he becomes embroiled in a heated political fight. Now available in this Premium Edition.
Boogie Bones, a skeleton who loves to dance, disguises himself as a living person and leaves his graveyard home to enter a dance contest.
In the jungle, the animals' toes are twitching, their bodies are wiggling, and their wings are flapping, as they teach children how to do the Animal Boogie.
The contents of this book represent Gayle Kowalchyk and E. L. Lancaster’s favorite sheet music solos. Many of the solos are among the most requested by piano teachers and students alike. Several of the pieces contain optional duet accompaniments. This book contains 9 early elementary to elementary pieces. Titles: *Back to School Boogie *Beautiful Things *First Cha-Cha-Cha *First Hoedown *First Waltz *Hurry, Halloween! *It Only Takes a Mouse *Midnight Shadows *Run, Mister Turkey!
The contents of this book represent Robert D. Vandall’s most treasured sheet music solos. Many of the solos are among the most requested by piano teachers and students alike. Now you can enjoy the works that remain the composer’s favorites! This book contains 12 early intermediate to intermediate pieces. Titles: * Another Spring * Bagatelle No. 17 * Bagatelle No. 19 * Barnstorm Boogie * Etude No. 1 in F Major * Hungarian Dance * Reflections * Rocky Mountain Morning * A Special Day * Summer Toccatina * Triaditude * Walking Home
Place: the castle Time: late Event: the Madcap Monster Ball, the rockin'-est knee-knockin'-est beboppin'-est party of them all. It's impossible to sleep through. Just ask the prince Or his off-the-wall princess Or any of their seven (count 'em, seven) Boogie Knights.
(Keyboard Instruction). A short easy method for learning to play boogie woogie, designed for the beginner and average pianist. Includes: exercises for developing left-hand bass * 25 popular boogie woogie bass patterns * arrangements of "Down the Road a Piece" and "Answer to the Prayer" by well-known pianists * a glossary of musical terms for dynamics, tempo and style.
The “after-hours club” is a fixture of the African American ghetto. It is a semisecret, unlicensed “spot” where “regulars” and “tourists” mingle with “hustlers” to buy and use drugs long after regular bars are closed and the party has ended for the “squares.” After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access. The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and ’90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club’s active bar, with its colorful staff and owner and the “sniffers” who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy’s Bar, twenty years later to show how “cool” remains essential to those outside the margins of society even as what it means to be “cool” changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.