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In 1971 Margrit Schiller was imprisoned by the German government for a murder she did not commit. This is Margrit's story of political radicalisation in the 1960s, her integration into the German urban guerrilla movement before her arrest, the terror of solitary confinement, and the deaths of four of her colleagues in prison.
Aust presents the definitive account of the RAF, capturing a highly complex story both accurately and colorfully. Much new information has surfaced since the mass suicide of the Groups' leaders in the 1980s. Some RAF members have come forward to testify in new investigations and formerly classified Stasi documents have been made public since the fall of the Berlin Wall, all contributing to a fuller picture of the RAF and the events surrounding their demise. Aust ranges from the group's creation in 1970 to their breakup in 1998, incorporating all of the new information.
Mara was a loner at the very exclusive Norden College until she meets the fascinating Holden Rife who introduces her to a secretive off-campus world of Baader-Meinhof aficionados. But how far will Holden's activist group go in playing out their love affair with these uppermiddle-class German terrorist/revolutionaries? Mara discovers that Holden's Baader-Meinhof group is more dangerous than she ever imagined. The devotees blur the line between reality and make-believe in the 'Baader-Meinhof Games, ' while Mara struggles not to lose herself and her heart to the impossible and impossibly handsome Holden Rife.
Let us begin BANKER BINGO. One banker per month will be assassinated unless the government takes practical steps to reduce the widening deficit between the rich and the poor. This is the threat made by maverick anarchist billionaire, Rory Carlisle, which is intended to be carried out by ex-Baader Meinhof operative, Georg Krendler. Rory Carlisle is wealthy beyond imagination, a killer, ruthless, and about to begin the most insidious darknet anarchy of our digital age. Georg Krendler was in with Baader Meinhof, he loved Gudrun Ensslin, he was there when they stood together against the system ruling and ruining Germany. He
No other figure embodies revolutionary politics and radical chic quite like Ulrike Meinhof, who formed, with Andreas Baader and Gudrun Ensslin, the Red Army Faction (RAF), also known as the Baader–Meinhof Gang, notorious for its bombings and kidnappings of the wealthy in the 1970s. But in the years leading up to her leap into the fray, Meinhof was known throughout Europe as a respected journalist, who informed and entertained her loyal readers with monthly magazine columns. What impels someone to abandon middle-class privilege for the sake of revolution? In the 1960s, Meinhof began to see the world in increasingly stark terms: the United States was emerging as an unstoppable superpower, massacring a tiny country overseas despite increasingly popular dissent at home; and Germany appeared to be run by former Nazis. Never before translated into English, Meinhof's writings show a woman increasingly engaged in the major political events and social currents of her time. In her introduction, Karin Bauer tells Meinhof's mesmerizing life story and her political coming-of-age; Nobel Prize–winning author Elfriede Jelinek provides a thoughtful reflection on Meinhof's tragic failure to be heard; and Meinhof ’s daughter—a relentless critic of her mother and of the Left—contributes an afterword that shows how Meinhof's ghost still haunts us today.
The Baader-Meinhof Group and other violent underground organizations have provided material to many novels by leading German and international writers. This book is the first to examine this rich literary corpus, treating it as a political unconscious which expresses submerged anxieties and moral blind-spots in Europe's most powerful country.
The Baader-Meinhof Group and other violent underground organizations have provided material to many novels by leading German and international writers. This book is the first to examine this rich literary corpus, treating it as a political unconscious which expresses submerged anxieties and moral blind-spots in Europe's most powerful country.
Masterminded by women, the Red Army Faction (RAF) terrorized West Germany from the 1970s to the 1990s. Afterimages of its leaders persist in the works of pivotal artists and writers, including Gerhard Richter, Elfriede Jelinek, and Slavoj i ek. Why were women so prominent in the RAF? What does the continuing cultural response to the German armed struggle tell us about the representation of violence, power, and gender today? Engaging critical theory, Charity Scribner addresses these questions and analyzes signal works that point beyond militancy and terrorism. This literature and art discloses the failures of the Far Left and registers the radical potential that RAF women actually forfeited. After the Red Army Faction maps out a cultural history of militancy and introduces "postmilitancy" as a new critical term. As Scribner demonstrates, the most compelling examples of postmilitant culture don't just repudiate militancy: these works investigate its horizons of possibility, particularly on the front of sexual politics. Objects of analysis include as-yet untranslated essays by Theodor Adorno and Jürgen Habermas, as well as novels by Friedrich Dürrenmatt and Judith Kuckart, Johann Kresnik's Tanztheaterstück Ulrike Meinhof, and the blockbuster exhibition Regarding Terror at the Berlin Kunst-Werke. Scribner focuses on German cinema, offering incisive interpretations of films by Margarethe von Trotta, Volker Schlöndorff, and Fatih Akin, as well as the international box-office success The Baader-Meinhof Complex. These readings disclose dynamic junctures among several fields of inquiry: national and sexual identity, the disciplining of the militant body, and the relationship between mass media and the arts.
Welcome to West Berlin, 1967. Undercover agent Peter Urbach is tasked with infiltrating a group of radical students whose anti-consumerist message is not without propaganda value on both sides of the Wall. Soon, high-minded political activism will move to the terrorism of the Red Army Faction. In 1989, the Wall is coming down and Urbach is breaking cover to track down Peter Green, the genius behind British blues rock band Fleetwood Mac. There's unfinished business to resolve after their chance encounter twenty years earlier at a party in Germany. What exactly did Peter Green walk into that day? "[An] intriguing period thriller. . . Resonances with the Occupy Wall Street Movement make this novel's themes timely."-Publishers Weekly
CONSUMING//TERROR is a dynamic academic analysis of the Baader-Meinhof, the self-proclaimed "urban guerrilla cell" active in West Germany in the 1970s and '80s. The book traces the visual history of the Red Army Faction (RAF) and its relations both to the history of left-wing iconography and the genre of radical chic. This study concentrates on the era when terrorism first entered the Western news media through spectacular bombings, hijackings and assassinations. Located on the frontlines of the Cold War, the story of the RAF provides an excellent lens with which to study the visual components of terror. Since that time, public conceptions of the RAF have shifted in significant ways, as images which initially emerged in the news media have gradually become processed and reframed through recycling in cinema, historical studies, pop culture and fine art.CONSUMING//TERROR explores how the RAF, like Che Guevara, have seeped into popular culture, fashion and art, moving through contexts where they become floating signifiers for rebellion that have been stripped of political and historical clarity.