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Sharing many common beliefs, deities, and rituals, the religion of the Maya, Aztec, and Inca was rooted in both the earth and the sky, the rhythms of the seasons, and the movements of the sun, moon, and stars. Readers will meet rain and sun gods, corn gods and fertility gods, earth mothers who are both creators and destroyers, and even a feathered serpent. Lavish primary-source images of arts and artifacts are paired with text that is both information-packed and enthralling. Readers who enter this pantheon are in for an awe-inspiring cultural journey through the divine mysteries of time and space.
Originally published: London: British Museum Press, 2006.
Originally published: London: British Museum Press, 2006.
First published in 2001. Part of the Routledge Who's Who series, this is an accessible, authorative and enlightening definitive biographical guides to a range of subjects. Focusing on mythology, this book provides a uniquely comprehensive guide to world mythology beyond Greece and Rome with over 2,500 accessible and detailed entries. A complete historical and cultural context of each entry covering a wide geographical scope, from the Near East and Europe to Asia, the Americas, Australasia and Africa. Presented in an easy to use A-Z format this is the ideal reference resource for anyone interested in mythology.
The dictionary defines mythology as a collection of ancient tales handed down over millennia, mainly dealing with gods and goddesses, that explains the way the world works, from natural events to society at large. Many people think of the deities of Greece and Rome when they think of mythology, forgetting that almost every culture has its own set of myths to interpret and explain its distinct worldview, often showing striking and fascinating similarities to the classical myths most people are familiar with. The Complete Idiot's Guide to World Mythologyexplores the gods and goddesses, heroes and heroines, monsters and angels of the myths from every corner of the globe - the Americas, the Middle East and Africa, Asia, and more. Additionally, it explores the parallels between every culture, including Greece and Rome - striking similarities in mythic figures and the structure, action, wording, and result of the stories themselves.
In 'The Mythology of Mayas, Aztecs and Incas' by Lewis Spence, readers are taken on a captivating exploration of the intricate belief systems and mythical tales of these ancient Mesoamerican civilizations. Spence delves into the rich tapestry of gods, heroes, and cosmological narratives that shaped the spiritual outlook of the Mayas, Aztecs, and Incas. His scholarly approach not only provides a comprehensive overview of the mythologies but also offers insights into the cultural and historical contexts that influenced them. Written in a lucid and engaging style, this book serves as an indispensable guide to understanding the symbolic universe of these fascinating civilizations. Spence skillfully weaves together archaeological evidence, historical accounts, and comparative analysis to unravel the complex mythological traditions of the Mayas, Aztecs, and Incas. Lewis Spence, a renowned Scottish folklorist and scholar of mythology, brings his expertise to bear in this illuminating study. His passion for unearthing the hidden meanings behind ancient myths shines through in the meticulous research and meticulous attention to detail displayed in this work. Whether you are a student of Mesoamerican cultures, a mythology enthusiast, or simply a curious reader seeking to dive into the mysteries of the past, 'The Mythology of Mayas, Aztecs and Incas' is a must-read that will enrich your understanding of these enigmatic civilizations.
Explores the mythology of the ancient Maya, one of history's greatest civilizations.
In order to understand the course of economic and social disintegration in the Soviet Union, various questions were put to Soviet officials and economic and other policy advisors of the 1980s. This text assembles the analyses of key issues and turning points into a history of the systemic collapse.
During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.